Daily Dose Of Jazz…
William Luther Johnson was born on September 30, 1912 in Jacksonville, Florida and studied piano as a child and began playing the alto saxophone at the age of 16. After working with lesser-known bands he studied in conservatories in Wisconsin and Illinois before attending Marquette University.
While in Milwaukee, Wisconsin he played with Jabbo Smith and others. He worked with Baron Lee and Tiny Bradshaw, and in 1936 joined Erskine Hawkins, with whom he performed into the early 1940s, recording with him from 1939 to 1942. He composed Tuxedo Junction with Hawkins and appeared with the band in the short film Deviled Hams in 1937.
Around mid-1946 he recorded under Bill Johnson and Orchestra, with several of the members becoming the Musical Notes. Bill Johnson and the Musical Notes recorded for Harlem, RCA, King, Regal, Tru-Blue.He recorded for Ronnex as the Bill Johnson Quartet, and the Bill Johnson Quintet for Baton. Over the years, there were many personnel changes, but Bill and Gus Gordon were on all the recordings.
In the Fifties failing health caused the breakup of the group, although he re-formed it on a couple of occasions. Alto saxophonist, clarinetist, and arranger Bill Johnson, who was diagnosed with lung cancer in 1957, transitioned on July 5, 1960 at 47 years old in New York City.
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MARCUS ELLIOT QUARTET
Marcus Elliot (Marcus Elliot Miller) is a saxophonist, composer, improviser, and educator based in Detroit, Michigan. Marcus is a 2020 Kresge Artist Fellow, awarded by Kresge Arts in Detroit. His compositions and improvisations have been described by the New York Times as “convincing and confident, evolved in touch and tone…”, and the Detroit Free Press has said, “Marcus Elliot represents next generation of jazz”. Elliot leads and co-leads many different Detroit based bands including the Marcus Elliot Quartet, Clockwork, Balance, Beyond Rebellious, and Lanula. Elliot performs in the Shigeto Live Ensemble. He is a Fellow of the Geri Allen Gathering Orchestra. He co-founded the nonprofit Polyfold Musical Arts Collective. Elliot is the director of the Detroit Symphony Orchestra’s Civic Jazz Ensembles. Elliot received his master’s degree in improvisation from the University of Michigan.
Elliot is a disciple of the Detroit music scene. His mentors include Rodney Whitaker, Marcus Belgrave, Robert Hurst, Donald Walden, Bennie Maupin, Marion Hayden, and Karriem Riggins. After graduating with a bachelors degree in Jazz Studies from Michigan State University, Marcus began to curate weekly performances in Detroit, showcasing some of Detroit’s young jazz musicians. He held a weekly residency at Detroit’s premiere jazz club, Cliff Bell’s, for four years. Marcus self-released three albums with his ensemble, the Marcus Elliot Quartet and co-released an album with his duo project with Michael Malis, Balance.
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Daily Dose Of Jazz…
Bob Reynolds was born in Morristown, New Jersey on September 29, 1977. His family moved to Jacksonville, Florida where he started playing saxophone at age 13. Attending high school at Douglas Anderson School of the Arts he became part of the well-known jazz band. After graduating, he attended Berklee College of Music where he studied with George Garzone and Hal Crook.
He played with John Mayer’s band for five years, then worked with Brian Blade, Aaron Goldberg, Gregory Hutchinson, and Tom Harrell. A solo recording artist since the turn of the century, his 2006 album Can’t Wait for Perfect was voted Best Debut in the Village Voice jazz poll.
As a member of the popular genre-bending instrumental group Snarky Puppy since 2014, he has won Grammy Awards with the band for the albums Culcha Vulcha and Live at the Royal Albert Hall.
Tenor saxophonist Bob Reynolds has received four ASCAP Young Jazz Composer awards, and Berklee’s Billboard Magazine Endowed Scholarship, and continues to performa and record.
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Daily Dose Of Jazz…
Bent Jædig, born September 28, 1935 in Copenhagen, Denmark. He first studied clarinet before playing saxophone. In the 1950s, he settled in Germany and led a band with trombonist Rudi Fuesers, later joining another band with trombonist Peter Herbolzheimer in Munich, Germany.
By the 1960s, he returned to Denmark and worked with trumpeter Allan Botschinsky and pianist Bent Axen, with whom he recorded for Denmark’s Debut label. Bent would go on to play with the Dollar Brand Quintet which included Don Cherry. As a side-man he was constantly in demand and worked with Tete Montoliu, Jimmy Woode, Philly Joe Jones/Dizzy Reece, and Louis Hjulmand.
Jædig recorded his first album as a leader in 1967 titled, Danish Jazzman, with Axen, Botschinsky, Dusko Goykovich, Niels-Henning Ørsted Pedersen and Alex Riel. He would later form a trio, played in a duo and recorded live shows in 2002 which were compiled for a release from Timeless Records.
In the Seventies and 1980s he worked with Wild Bill Davison, Art Farmer, Stan Getz, the Thad Jones Big Band, Duke Jordan, Horace Parlan, Sahib Shihab, and Ernie Wilkins Almost Big Band. He was also a member of the Erling Kroner Tentet, played in the Danish Radio Big Band, and recorded on the Miles Davis album Aura. In 1987, Jædig was a member of Pierre Dørge’s New Jungle Orchestra.
At the end of the 1990s he was performing in a quintet. Tenor saxophonist and flutist Bent Jædig transitioned on June 9, 2004. Saxophonist Charles Davis recorded the album Charles Davis Plays the Music of Bent Jædig in 2006.
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