Daily Dose Of Jazz…

Alan Richard James Skidmore was born the son of saxophonist Jimmy Skidmore on April 21, 1942 in London, England. He began his professional career in his teens, and early on toured with comedian Tony Hancock. In the 1960s, he appeared on BBC Radio, then worked with Alexis Korner, John Mayall, and Ronnie Scott.

Starting a band with Harry Miller, Tony Oxley, John Taylor, and Kenny Wheeler, they won awards at the Montreaux Jazz Festival. In the early Seventies, Alan started a saxophone-only band with John Surman and Mike Osborne.

He has  worked with Mose Allison, Kate Bush, Elton Dean, Georgie Fame, Mike Gibbs, George Gruntz, Elvin Jones, Van Morrison, Stan Tracey, Charlie Watts, and Mike Westbrook.

Tenor saxophonist Alan Skidmore, who has recorded seventeen albums as a leader, continues to pursue the boundaries of his musc.

ROBYN B. NASH

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Daily Dose Of Jazz…

Boyce Brown was born on April 16, 1910 in Chicago, Illinois. He worked with Wingy Manone, Paul Mares, and Danny Alvin. Best known of his recordings is a 1935 session with Paul Mares and his Friars Society Orchestra, that was first issued on LP in 1955 as part of Columbia’s Chicago Style Jazz album and a 1939 session with Jimmy McPartland & his Jazz Band, which was first released as part of Decca’s Chicago Jazz album. Both of these sessions had Brown demonstrating a driving, harmonically advanced style.

In 1953, Boyce entered a monastery of the Roman Catholic Servite Order, however, he returned in 1956 to release his one and only album as Brother Matthew, backed by a band organized by Eddie Condon.

Alto saxophonist Boyce Brown, who played in the dixieland genre, transitioned from a heart attack on January 30, 1959 at the age of 48.

ROBYN B. NASH

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Daily Dose Of Jazz…

Joseph Anthony Livingston, better known by his peers as Fud, was born April 10, 1906 in Charleston, South Carolina and started out on accordion and piano before settling on saxophone. At seventeen he was playing with Tal Henry in Greensboro, North Carolina in 1923, then worked with Ben Pollack, the California Ramblers, Jean Goldkette, Nat Shilkret, Don Voorhees, and Jan Garber. He recorded freelance with musicians such as Joe Venuti, Red Nichols, and Miff Mole.

He did some arrangement work for Frankie Trumbauer and Bix Beiderbecke, including the nursery rhyme Humpty Dumpty. Livingston played on the 1928 Brunswick recording of “Room 1411” as a member of Bennie Goodman and His Boys, which also featured Glenn Miller, Jimmy McPartland, Bud Freeman, and Ben Pollack.

A stint in London,England in 1929 had him working with Fred Elizalde, then returned to New York City to play with Paul Whiteman. His time with Whiteman lasted from 1930 to 1933, and was mainly as an arranger, though he played occasionally. By the mid 1930s he worked with Benny Goodman, Jimmy Dorsey, Bob Zurke, and Pinky Tomlin as the country entered into the Forties. Essentially stopping his writing and arranging at this point, Fud would occasionally perform in small-time venues in New York in the 1950s.

His compositions included Feelin’ No Pain, Imagination, Humpty Dumpty, Harlem Twist, Sax Appeal, are well known but the jazz standard, I’m Thru With Love, written with Matty Malneck and Gus Kahn, has been recorded by over sixty musicians and vocalists, but a short list is Bing Crosby, Dizzy Gillespie, Arthur Prysock, Coleman Hawkins, Lorez Alexandria, John Pizzarelli, Joe Williams Marilyn Monroe, Maxine Sullivan and Steve Tyrell.

It has been sung in the films Everyone Says I Love You, Some Like It Hot, The Affairs Of Dobie Gillis and Spider~Man 3. Even Alfalfa from The Little Rascals had added it to his repertoire.

Clarinetist, saxophonist, arranger, and composer Fud Livingston, who never recorded as a leader, transitioned on March 25, 1957 in New York City.

ROBYN B. NASH

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Daily Dose Of Jazz…

Max Greger was born on April 2, 1926 in Munich, Germany. In 1948 at 22 he founded his first sextet with acclaimed musicians, including Hugo Strasser. By 1959 he became the first western orchestra to tour the Soviet Union.

1963 saw Max putting together a top orchestra for ZDF, which for years supported all the major TV shows. He was honored with the Officers Cross of the Order of Merit of the Federal Republic of Germany, the Bavarian Order of Merit, and has a memorial plaque with his handprints and signature in Berlin-Mitte.

Saxophonist, conductor and big bandleader Max Greger, who recorded over 150 records in jazz and pop music, transitioned on August 15, 2015 in his hometown.

ROBYN B. NASH

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Andy Raphael Thomas Hamilton was born on March 26, 1918 in Port Maria, Jamaica, and learnt to play saxophone on a bamboo instrument. He formed his first band in 1928 with friends who played oil drums and Hamilton a bamboo saxophone. He was influenced by Duke Ellington and Count Basie and by the Kingston-based bands of Redver Cook and Roy Coburn.

Spending some time in the United States Andy worked as a cook and farm labourer, while having short jazz residencies in Buffalo and Syracuse, New York. Returning to Jamaica he worked as musical arranger for Errol Flynn at his hotel The Titchfield, and on his yacht the Zaka.

Emigrated as a stowaway to the United Kingdom in 1949 and eventually lived and worked in Birmingham, England. By day he worked in a factory, by night he played jazz with his own group, the Blue Notes that included fellow Jamaican pianist Sam Brown. Besides playing mainly local gigs, Hamilton booked an early Steel Pulse and numerous Jamaican bands around town before establishing a regular weekly venue in Bearwood. There he invited visiting musicians such as Joe Newman, Al Casey, Teddy Edwards, Art Farmer, Harry Sweets Edison, and David Murray. He fronted weekly gigs on Thursday nights at Bearwood Corks.

Having recovered from a diabetic coma in 1986, he celebrated his 70th birthday in 1988 playing at his regular venue, The Bear. He performed at the Soho Jazz Festival, and in 1991 at the age of 73, Andy made his first ever recording with Nick Gold, Silvershine on World Circuit Records. It became the biggest selling UK Jazz Album of the Year, The Times Jazz Album of the Year, and one of the 50 Sony Recordings of the Year. It was followed two years later by Jamaica at Night.

He continued to play, teach and promote music even as he approached his 94th birthday. Saxophonist Andy Hamilton, who in 2008 was appointed Member of the Order of the British Empire (MBE), transitioned peacefully on June 3, 2012

CALIFORNIA JAZZ FOUNDATION

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