BRIAN BROMBERG, PAUL BROWN & MICHAEL PAULO

The Supergroup, formed by the first letters of their first names, as well as the term BPM stands for beats per minute, the definition of the tempo in music.

Collectively they are responsible for over 80 Billboard Smooth Jazz Number 1 Hits and many hundreds of thousands of record sales. Now together as BPM, they share their success with Grammy wins, nominations, and bring over 100 years of experience to the stage and to the music. BPM is the new fresh voice of Contemporary and Smooth Jazz!

Tickets: $40.00~$150.00

 

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Requisites

Swiss Movement ~ Les McCann and Eddie Harris | By Eddie Carter

This morning’s record from the library is an exceptional live album by Les McCann and Eddie Harris. They performed a spontaneous concert at the 1969 Montreux Jazz Festival. Their set, which became the highlight of the three-day event, was a testament to the quintet’s exceptional musicianship. Swiss Movement (Atlantic SD 1537) immortalizes this incredible performance. The ensemble consists of Benny Bailey on trumpet, Eddie Harris on tenor sax, Les McCann on piano, Leroy Vinnegar on bass and Donald Dean on drums. My copy is the original 1969 U.S. Stereo release.

The opener, Compared To What by Gene McDaniels, is a poignant reflection of the sentiments of many Americans towards the Vietnam War and the President of the United States. McCann’s vocals, which delve into the pressing issues of the time, add a layer of historical significance to the song. Les starts things with a spirited introduction, setting the stage for a lively dialogue when Donald joins in. Leroy and Eddie add to the jubilant theme with McCann’s vibrant vocal choruses. Benny follows with a zestful solo, and Les returns for another round of swinging. He then lets his fingers do the talking with exhilarating energy. Eddie takes the performance to a whole new level next, leading to an electrifying climax, the audience’s thunderous applause, and McCann’s quintet introduction.

Cold Duck Time by Eddie Harris slows the pace to medium speed, opening with Les McCann’s introduction to the crowd. Leroy and Donald build the song softly to the quintet’s relaxing theme. Eddie starts the soloing with a nice, easygoing groove. Benny delivers the following solo with thoughtful construction and captivating lines. Les ends with a contagious swing on the closer, which cooks to the finale. Kathleen’s Theme by Les McCann ends the first side with Harris leading a quartet performance. Eddie delivers a feisty reading with a spirited momentum fueled by the rhythm section’s groundwork, which receives a well-deserved ovation from the Montreux audience at its conclusion.

Les McCann’s You Got It In Your Soulness opens Side Two with the trio’s festive introduction to Les scatting along in the background of the melody. He continues taking care of business on the first solo. Eddie launches a funky, firm-toned attack next. Benny responds with energetic verses in the following reading, and Les puts the exclamation point on the solos with intense heat, which glows brightly into the close. The Generation Gap by Les McCann starts with the trio’s introduction and melody. Eddie begins with a velvety, smooth opening statement. Les delivers a stimulating workout before the trio’s gentle ending.

Nesuhi Ertegün and Joel Dorn produced Swiss Movement, and French recording engineer Pierre Grandjean crafted the album with meticulous diligence to detail. The album boasts an excellent soundstage with a “you are there” feeling, immersing the listener in the Montreux Jazz Festival audience as the group performs. The record is also quiet until the music begins. As for the music itself, Swiss Movement by Les McCann and Eddie Harris is a testament to the highest standards of jazz, a live performance that rocked the house that night and continues to captivate audiences today. If you’re a soul jazz or post-bop fan, it’s a must-have for your library!

~ Compared To What – Source: Wikipedia.org

© 2024 by Edward Thomas Carter

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EDDIE BACCUS JR.

As a touring member of Pieces of a Dream for a decade and a half he had the opportunity to perform with and alongside a virtual who’s who in the traditional jazz, urban jazz and R&B worlds: Luther Vandross, Jeffrey Osborne, George Duke, War, Candy Dulfer, Rick Braun, Grover Washington Jr, Bobby Watson, Greg Abate, Lester Bowie, EWF(Earth, Wind and Fire), Regina Carter, Dianne Reeves, Vesta Williams, Norman Conners, India Arie, George Benson, Miki Howard, Jean Carne, David Sanborn, Brian McKnight, Will Downing, Phil Perry, Najee, Gerald Albright, Kirk Whalum, Marcus Belgrave, Benny Golson, Russell Ferrante, Bobby Lyle, Jeff Lorber, Ricky Lawson, Aaron Graves (Piano “Little Jimmy Scott”), Lenny Castro, Rachelle Ferrelle, Lil’ John Roberts, Phil Davis, Chris Coleman, Andre Gouche’, Giovanni Hildago, Eric Marienthal, James Carter, Curtis Fuller, Regina Belle, Miki Howard, Allyson Williams, Norman Connors, Atlantic Starr, Ronny Jordan, Rhonda Smith (Prince’s Bass Player), Gerald Veasley, Average White Band, Stevie Wonder, Peter White, Walter Beasley and more recently Four80East, Brian Simpson, Lindsey Webster, Cameo, Brother 2 Brother, Glenn Jones, Cabo Frio, Groove Frequencies, Christian De Mesones, Bene Music, Utopian Dreams and Joe Lovano.

Cover: $48.25

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PAT MALLINGER QUARTET

Pat Mallinger was born and raised in St. Paul, Minnesota and began playing the saxophone at 11 years of age. He received his Jazz Studies degree from North Texas State University on a “One O’clock Lab Band” Scholarship.

He lived and performed in Los Angeles, Dallas, Boston, and Japan, before establishing Chicago as his home in 1990. He is a co-leader of Sabertooth, which has been the mainstay band at the Green Mill Lounge each Saturday night from 1992 to 2018.

Since 2018 until the pandemic shutdown, Pat continued to lead the Saturday night band at the Green Mill as Pat Mallinger’s Late Night Jazz Party featuring 2 different musicians from Chicago and  around the country. Pat is often heard around Chicago performing with the Bobby Lewis Quintet, Model Citizens Big Band, and his own quartet to name a few.

Cover: $20.00

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Daily Dose Of Jazz…

Christopher Burnett was born in Olathe, Kansas on November 2, 1955 and grew up in a military family that moved often before settling in the Kansas City area. He was exposed to music growing up as his mother introduced him to the piano and he was a member of the youth choir at his church. He took up saxophone and clarinet in his school band. After high school, he enlisted in the U.S. Army Music Program where he performed and pursued higher education, studying at the Armed Forces School of Music, Webster University, Missouri’s Columbia College, Berklee College of Music, and American University.

Spending 22 years in the military, Chris rose to the rank of 1st Sergeant in the position of Enlisted Bandleader, staff and faculty assignment at the Armed Forces School of Music, and the leading Chief Petty Officer of the NATO Band in Naples, Italy. He served as NATO Ceremonial Band Conductor, directed the jazz band, played the lead alto saxophone chair with the West Point Military Academy Band’s Jazz Knights, and a featured soloist with the Hof Symphony Orchestra in Germany.

After leaving the military Burnett continued to teach, holding the position of director of the jazz ensemble program and adjunct lecturer at Missouri University of Science and Technology, formerly University of Missouri-Rolla, where he worked as an Adjunct Lecturer for a decade.

He has performed with artists like Bobby Watson, Will Matthews, Marcus Hampton, Ahmed Alaadeen, and many more. Burnett is the Founder and Artistic Director of KC Area Youth Jazz and along with colleagues Erica Lindsay and Sumi Tonooka is a co-founder of the large independent recording label, Artists Recording Collective.

He has held residencies at the historic Drum Room and the Black Dolphin in Kansas City, and appeared as a guest artist and clinician for the Northwest Missouri State Jazz Festival. He released his debut album as a leader, Time Flies in 2013, Firebird in 2014, in 2021 The Standards, Vol. 1, and Live at The Drum Room in Kansas City in 2022.

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