Daily Dose Of Jazz…
Sonny Costanzo was born Dominic on October 7, 1932 in Greenwich Village, New York City, New York. Academically trained, he received additional education from on-the-road experience playing trombone with big bands.
Costanzo was a member of the Clark Terry Big Band, Woody Herman And His Orchestra, Woody Herman And The Swingin’ Herd. He led the Sonny Costanzo Big Band, and the Sonny Costanza Orchestra,
He recorded five albums as a leader or co-leader with Na Sonnyho Straně Ulice, Glenn Zottola, Golden Strings of Prague and the Czech Radio Big Band. Two of them are quartet led.
Trombonist and bandleader Sonny Costanzo died on December 30, 1993 in New Haven, Connecticut.
More Posts: bandleader,history,instrumental,jazz,music,trombone
Requisites
A Day in Copenhagen ~ The Dexter Gordon-Slide Hampton Sextet | By Eddie Carter
My appreciation for Dexter Gordon began when I first heard his album Go at one of my uncle Ben’s jazz gatherings during my childhood. The moment I heard Gordon’s rich, full-bodied, and resonant tone, I became an ardent fan of his playing. This morning, I’m exploring the tenor saxophonist in a different setting, paired with trombonist Slide Hampton in a stellar sextet. A Day in Copenhagen (MPS Records MPS 15 230 ST) was originally released in Germany in 1969. Rounding out the ensemble are Dizzy Reece on trumpet, Kenny Drew on piano, Niels-Henning Ørsted Pedersen on bass, and Art Taylor on drums. My copy of this album is the 2023 Worldwide Record Store Day limited edition stereo audiophile reissue (MPS Records 0218937MSW).
The first side kicks off with Kenny’s energetic introduction to My Blues by Slide Hampton. The front line launches into the spirited melody. Dexter takes flight first in an invigorating solo, then Kenny follows with a reading as refreshing as a cool drink on a warm evening. Dizzy adds a brassy bite next, then Niels-Henning gets a moment to shine. Slide makes his point passionately in the following interpretation, and Art steers the group toward the theme’s return and close. You Don’t Know What Love Is by Gene de Paul and Don Raye unfolds with the ensemble’s relaxed medium-paced theme. Slide comes out swinging first. Dexter fuels the following reading with electric energy, then Dizzy comes in for an enthusiastic solo. Dexter offers one final comment before the theme’s reprise and exit.
Slide Hampton’s A New Thing ends the first side with a relaxed, easygoing beat. Art’s introduction sets up the ensemble’s melody. Dexter’s opening solo ventures into fresh musical territory, then Kenny picks up the baton with his own imaginative improvisation. The group then reunites for the theme’s reprise and conclusion. What’s New by Bob Haggart and Johnny Burke is reimagined in a medium-tempo groove to start the second side, offering a fresh platform for the ensemble’s melody and solos. Dexter opens with a silky-smooth performance, then Dizzy builds the second statement exquisitely. Slide takes his turn in the spotlight next. Kenny adds his own inventive touch in the following reading. Niels-Henning closes things with a brief walk before the song ends.
The Shadow of Your Smile by Johnny Mandel and Paul Francis Webster is a quartet performance that unfolds gracefully with subtle elegance. Dexter delivers the melody and opening statement with a delicate touch and gentle finesse. Kenny then speaks softly with quiet sensitivity. Dexter reprises the theme into a soft, gentle ending. A Day In Vienna is a tribute to the Austrian Radio’s Jazz Workshop by Slide Hampton. After the front line kicks things off with an energetic melody, Dexter delivers a commanding opening solo. Dizzy keeps the excitement high with a captivating performance. Slide demonstrates remarkable technical skill and agility next. Niels-Henning’s bass work glides smoothly and gracefully. Finally, Art wraps up with a joyful flourish, guiding the sextet to an enthusiastic closing chorus.
Joachim-Ernst Berendt produced A Day in Copenhagen. Willi Fruth handled the recording supervision, and Birger Swan was the engineer. The album boasts exceptional sound quality, featuring an impressively clear and balanced soundstage in both the treble and midrange, complemented by a deep and well-defined bass. This release showcases the remarkable results that can be achieved through collaborative jazz, with an outstanding lineup of musicians. The album skillfully merges energetic, blues-inspired pieces with tender, evocative ballads, each rendered with exceptional skill and genuine feeling. The extraordinary chemistry among the players is apparent throughout, as each musician’s unique approach enriches the ensemble, all while maintaining a cohesive and unified artistic direction.
If you’re a fan of Dexter Gordon, Slide Hampton, or any of the exceptional musicians in this ensemble, or if you’re searching for a superb record that blends hard-bop and post-bop for your library, I enthusiastically recommend and invite you to check out A Day in Copenhagen by The Dexter Gordon-Slide Hampton Sextet on your next record shop visit. This album beautifully captures the magic of American, Danish, and Jamaican artists coming together in Copenhagen for a memorable jazz session that is likely to become one of your favorites!
~ Go (Blue Note BLP 4112/BST 84112) – Source: Discogs.com ~ The Shadow of Your Smile, What’s New, You Don’t Know What Love Is – Source: JazzStandards.com © 2025 by Edward Thomas Carter
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,saxophone,trombone
Daily Dose Of Jazz…
Mark Jay Levine was born on October 4, 1938 in Concord, New Hampshire and began playing the piano at the age of five, trombone in his early teens. Attending Boston University, graduating with a degree in music in 1960, he also studied privately with Jaki Byard, Hall Overton and Herb Pomeroy.
Moving to New York City in the Sixties he freelanced and then played with musicians Houston Person, Mongo Santamaría, and Willie Bobo from 1971 to 1974. Levine then moved to San Francisco, California and played with Woody Shaw for two years. His debut album was made as a leader for Catalyst Records in 1976.
He went on to play with the Blue Mitchell/Harold Land Quintet, Joe Henderson, Stan Getz, Bobby Hutcherson, Luis Gasca, and Cal Tjader. From 1980 to 1983, he concentrated on valve trombone, but then returned to playing mainly the piano. He then led his own bands, and recorded for Concord as a leader in 1983 and 1985. From 1992 Mark was part of Henderson’s big band. He created a new trio in 1996 and recorded it for his own, eponymous label. His Latin jazz group, Que Calor, was formed in 1997.
He put on his educator hat in 1970, teaching in addition to private lessons at Diablo Valley College, Mills College, Antioch University in San Francisco, San Francisco Conservatory of Music, Sonoma State University, and the JazzSchool in Berkeley. Levine wrote two method books: The Jazz Piano Book, and The Jazz Theory Book.
Pianist, trombonist, composer, author and educator Mark Levine, whose album Isla was nominated for a Grammy Award for Best Latin Jazz Album, died of pneumonia on January 27, 2022 at the age of 83.
More Posts: bandleader,clarinet,composer,educator,history,instrumental,jazz,music,producer,trombone
Daily Dose Of Jazz…
Norris Jones, better known as Sirone, was born September 28, 1940 in Atlanta, Georgia. He worked in Atlanta late in the 1950s and early in the 1960s with “The Group” alongside George Adams. He recorded with R&B musicians such as Sam Cooke and Smokey Robinson.
In 1966, in response to a call from Marion Brown, he moved to New York City, where he co-founded the Untraditional Jazz Improvisational Team with Dave Burrell. He also worked with Brown, Gato Barbieri, Pharoah Sanders, Noah Howard, Sonny Sharrock, Sunny Murray, Albert Ayler, Archie Shepp, and Sun Ra, as well as with John Coltrane when he was near the end of his career.
He co-founded the Revolutionary Ensemble with Leroy Jenkins and Frank Clayton in 1971. Jerome Cooper later replaced Clayton in the ensemble, which was active for much of the decade. The 1970s and early 1980s saw Sirone recording with Clifford Thornton, Roswell Rudd, Dewey Redman, Cecil Taylor, and Walt Dickerson.
In the 1980s, he was a member of Phalanx, a group with guitarist James “Blood” Ulmer, drummer Rashied Ali, and tenor saxophonist George Adams. From 1989, he lived in Berlin, Germany, where he was active with his group Concord with Ben Abarbanel-Wolff and Ulli Bartel.
Bassist, trombonist, and composer Sirone, who was involved in theater, film, and was a practicing Buddhist, died in Berlin, Germany on October 21, 2009, at the age of 69.
More Posts: bandleader,bass,composer,history,instrumental,jazz,music,trombone
BERNARD LINNETTE INTERACTIVE
Drummer Bernard Linnette is a force of nature behind the kit, blending precision, groove, and creativity in every performance. With roots in both jazz and R&B, he has built a reputation for his ability to drive a band with thunderous power while also bringing subtle nuance to more intimate settings. His career has taken him to stages across the country, where his dynamic playing consistently captivates audiences and earns the admiration of fellow musicians.
Beyond his technical mastery, Linnette is celebrated for his versatility and collaborative spirit, making him a sought-after accompanist for both seasoned artists and rising stars. Whether laying down a swinging rhythm, crafting complex polyrhythms, or igniting the stage with high-energy solos, he embodies the heartbeat of the music. With every performance, Bernard Linnette proves why he is one of the most compelling drummers working today.
The Band: Bernard Linnette, Drums | Frank Lacy, Trombone | Chanda Leigh Adeogba, Vocal | James Robertson, Saxophone | Derrick White, Trombone | Louis Herivaux, Piano | Tommy Sauter, Bass
Cover: $42.00
More Posts: adventure,bandleader,drums,genius,instrumental,jazz,music,preserving,travel,trombone,vocal