Daily Dose Of Jazz…

Gene Shaw was born Clarence Eugene Shaw in Detroit, Michigan on June 16, 1926. He played the piano and trombone as a child and didn’t begin playing the trumpet sometime around 1946 after hearing Dizzy Gillespie’s Hot House while recovering from injuries sustained in the army.

He attended the Detroit Institute of Music, and studied with pianist Barry Harris. In his hometown he played with Lester Young, Wardell Gray, and Lucky Thompson. His move to New York City in 1956 had him playing with Charles Mingus’s Jazz Workshop a year later and among his credits with the bassist are Tijuana Moods, East Coasting, where he used a Harmon mute, although he was initially wary of using it, given its association with the sound of Miles Davis.

Later that same year over a fight with Mingus, he destroyed his instrument and quit music. Not returning to playing until 1962, Gene formed his own ensemble. He retired again two years later, then returned to music once more in 1968.

As a leader he recorded three albums between 1962 and 1964 on the Argo label titled Breakthrough, Debut in Blues and Carnival Sketches. As a sideman with Mingus he also recorded three albums, East Coasting and A Modern Jazz Symposium of Music and Poetry on the Bethlehem label in 1957, and Tijuana Moods in 1962 on RCA.

Trumpeter Gene Shaw, who was an active member of the Chicago Gurdjieff society and a student of Fourth Way psychology, including its music,  died in Los Angeles on August 17, 1973.

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ETIENNE CHARLES CREOLE ORCHESTRA

Last season, trumpet master, inexhaustible band leader, and fashion icon Etienne Charles lit up The House of Swing with his Appel Room performance of Carnival: The Sound of a People. Now, he returns to Dizzy’s Club leading his Creole-inflected big band featuring master practitioners from across the globe. Expect a spirited set of new music designed to pull every listener of every generation from their seat to their feet. 

The Orchestra

Etienne Charles, music director/trumpet
Nathaniel Williford, Austin Muthyala, trumpet
Anthony Hervey, trumpet  (6/15 and 6/16)
Summer Camargo, trumpet 6/15 and 6/16)
Trunino Lowe, trumpet (6/14 only)
Geoffrey Gallante (6/14 only)
Sam Keedy, Rashaan Salaam, Gina Benalcazar-Lopez, trombone
Rob Edwards, trombone (6/14 only)
Dion Tucker, trombone (6/15 and 6/16)
Godwin Louis, Jordan Pettay, alto saxophone
John Ellis, tenor saxophone
Joseph Herbst, tenor saxophone, libriarian
Paul Nedzela, baritone saxophone
Alex Wintz, guitar
Andre White, steel pan
Axel Tosca, piano
Brandon Rose, bass, vocals
Harvel Nakundi, drums
Dennis Collins, vocals (6/16 only)
Katie Oberhotlzer, vocals (6/16 only)

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JOE GRANSDEN BIG BAND

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KEYON HARROLD

Jazz St. Louis Creative Advisor and Ferguson native Keyon Harrold returns home to present his brand new commission to close our ’23/24 Season! This season grand finale will see the illustrious musician debut Jazz St. Louis’ much-anticipated, first-ever solo-commissioned work, written to reflect Keyon’s experiences during his  momentous three-year appointment with Jazz St. Louis. Do not miss Harrold take the stage to share with the world a new work that promises to be unique and thoughtful.

Harrold grew up one of sixteen children in a family that prioritized music and community across generations. His grandfather was a police officer who retired to found a drum and bugle corps for local youth, both of his parents were pastors, and nearly all of his siblings sing and perform music to this day. At eighteen, the McCluer High School alum left Ferguson for New York City to enroll in The New School. In New York, he landed his first major gig with Common, an audition he secured on the recommendation of his New School classmate Robert Glasper, and an experience which he says broadened his musical horizons beyond jazz to include funk, Afrobeat, R&B, and hip hop. Harrold was soon performing with stars like Snoop Dogg, Jay Z, Beyonce, Mac Miller, Rihanna, Eminem, Maxwell, Anthony Hamilton, and Chaka Khan.

Harrold has been key in advancing community engagement and broadening our organization’s audience of ardent jazz appreciators. Whether Jazz St. Louis patrons are harmonizing to a soothing rendition of the Bee Gees tune “How Deep Is Your Love” live with PJ Morton, or soaring with inspiration from a Whitaker Jazz Speaks exploration of how hip hop radiated from an iconic disco sample, many indelible memories are being made during Harrold’s extraordinary tenure. This boundary-expanding partnership and commissioned work is all made possible with gracious support from the Mellon Foundation.

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THE HEAVY HITTERS

Mike LeDonne piano | Eric Alexander tenor saxophone | Vincent Herring alto saxophone | Sean Jones trumpet | Alexander Claffy bass | Kenny Washington drums

The Heavy Hitters is the eponymous album from a brand-new sextet featuring some of the most established players in the jazz game. The group is led by Mike LeDonne, New York-based bop pianist best known for his sideman work with Milt Jackson and Benny Golson. His partner in crime, Eric Alexander (himself a first-rate soloist working with Harold Mabern amongst others) was his quartet-mate on a well-received series of releases on the Venus label in the mid-2000’s. The two friends came together for this, their first sextet release as leaders, featuring a set composed entirely of originals.

The music is built to tickle your mind, hit you in the heart and get your head swaying back and forth. The Heavy Hitters have been swinging hard their whole lives! It’s a true “Jazz” sound, recorded by some of the greatest jazz musicians of their generation.

“Together, these two ‘Heavy Hitters’ offer us a smokin’ hot production featuring five other heavy-hitters and a product plush with crème de la crème of both musicianship and original compositions.” – Dee Dee McNeil, Musical Memoirs

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