Daily Dose Of Jazz…

Charlie Margulis was born on July 24, 1903 in Minneapolis, Minnesota into a family of accomplished theater music performers in the 1920s. That was his introduction to the professional musician’s life which led to him working with territory bands led by Eddie Elkins and Paul Specht among others. Heading to Detroit, Michigan in 1924 he joined Jean Goldkette’s Book-Cadillac Hotel Orchestra under violinist Joe Venuti. His next move was to work with bandleader Ray Miller during a period when the trumpeter roamed back and forth between Detroit and Chicago, Illinois.

By 1927 Charlie began working with Paul Whiteman, the relationship lasting nearly three years and concluding in a traditional manner for progressive jazz bands, with various sidemen stranded on the West coast. He managed to straggle back to New York City, bad luck perched on his shoulder. He got so sick that he had to return to California in order to recover but by the middle of the ’30s was well enough to log in for a New York City recording session with the Dorsey Brothers.

Caught up in the excitement of the new swing style, Margulis tried out life as a bandleader as well as spending a year on tour with Glenn Miller. His role as a bandleader was offset with work in the recording studios embracing doo-wop and r&b styles. He would go on to freelance, sometimes under the name Charlie Marlowe in California, under his own name in New York City during the Forties and Fifties.

Trumpeter Charlie Margulis died on April 24, 1967 at the age of 63 in Little Falls, Minnesota.

More Posts: ,,,,

Requisites

Seven Steps To Heaven ~ Miles Davis | By Eddie Carter

This morning’s album from the library is a hidden gem in Miles Davis’s extensive discography. In 1962, his quintet was undergoing a significant transition. Hank Mobley departed to pursue a solo career, and the musical trio of Kelly, Chambers, and Cobb would soon become one of the most celebrated in jazz. Seven Steps To Heaven (Columbia CL 2051/CS 8851) is a product of two sessions by the trumpeter at Columbia’s New York and Los Angeles studios. His supporting cast includes George Coleman (tracks: A2, B1, B3) on tenor sax, Victor Feldman (A1, A3, B2), Herbie Hancock (A2, B1, B3) on piano, Ron Carter on bass, Frank Butler (A1, A3, B2), and Anthony Williams (A2, B1, B3) on drums. My copy is the original 1963 U.S. Stereo release.

Side One starts with Basin Street Blues by Spencer Williams. The first of three quartet performances opens with the foursome expressing the song’s softer emotions in the melody, featuring Miles using a mute. He sustains the gentle mood in the first solo before picking up the pace for a delightful conclusion. Victor gets into something good in a delightful reading ahead of the quartet, easing back into the theme. Seven Steps To Heaven by Miles Davis and Victor Feldman is off to the races from the rhythm section’s introduction to the quintet’s quick melody. Miles kicks off the solos, wailing, and then George swings vigorously into the second statement. Herbie takes an exhilarating turn next, preceding the reprise and close.

I Fall In Love Too Easily by Jule Styne and Sammy Cahn first appeared in the 1945 musical comedy Anchors Aweigh. Miles is back on the muted trumpet for the quartet’s tenderness and warmth during the melody. The leader’s opening statement is reflective yet quite beautiful. Victor expresses great care and thoughtfulness in the second solo until Miles returns to deliver a gorgeous climax. So Near, So Far by Tony Crombie and Benny Green kicks off the second side with the quintet’s medium theme. Miles gets things started on the open horn. George picks up the baton and really shines in the following presentation. Herbie has the final word and delivers a terrific performance into the ensemble regrouping for the closing chorus.

Baby, Won’t You Please Come Home by Charles Warfield and Clarence Williams is a blues song from 1919 that brings Miles back on the muted trumpet. Victor opens with a solo introduction ahead of the quartet’s touching melody. The trumpeter opens with a delicately tender interpretation; then Victor brings the solos to a close into the foursome’s thoughtfully graceful ending. Victor Feldman’s Joshua turns the temperature up one final time. Miles’s fingers snap the quintet to attention for the song’s lively theme. Miles steps up first in the spotlight with an enthusiastic performance. George takes over to deliver long, flowing lines that are equally satisfying. Herbie wraps things up with a festive finale that hits a perfect groove into the quintet’s reprise and completion.

Teo Macero produced Seven Steps To Heaven, although it’s unknown who recorded both sessions. It doesn’t matter, however, because this is a terrific recording with a crisp, detailed soundstage that sparkles. It is the first time George, Herbie, Ron, and Tony have recorded with Miles. George wouldn’t make another studio album with Miles, but appears on three live albums with this group, ‘Four’ & More, Miles Davis In Europe and My Funny Valentine. Hancock, Carter, and Williams formed the nucleus of Miles’s second great quintet and would remain with him for the next five years.

Victor turned down Miles’s invitation to join his quintet because he was a successful West Coast session musician, so he and Frank remained in California. If you’re in the mood for an excellent album of ballads and uptempo tunes and are a fan of Miles Davis from the early sixties, I highly recommend checking out Seven Steps To Heaven. It’s a stellar album that not only gives a glimpse into what was to come from The Second Great Miles Davis Quintet but also stands on its own as a title worthy of any jazz lover’s library. You’ll find it a rewarding addition to your collection, and I’m confident it will bring you hours of musical enjoyment.

~ ‘Four’ & More (Columbia CL 2453/CS 9253), Miles Davis In Europe (Columbia CL 2183/CS 8983), My Funny Valentine (Columbia CL 2306/CS 9106) – Source: Discogs.com ~ Baby, Won’t You Please Come Home, Basin Street Blues, I Fall In Love Too Easily – Source: JazzStandards.com © 2024 by Edward Thomas Carter

More Posts: ,,,,,,,,

THE HOSCHAR-PALMIERI QUINTET

Akron based drummer Drew Hoschar returns home from NYC. The Hoschar-Palmieri Quintet is a 5-piece jazz combo of the young rising stars of the Ohio jazz scenes pursuing jazz degrees at the Manhattan School of Music and the University of Cincinatti’s College-Conservatory of Music (CCM). Both originally from northeast Ohio, drummer Drew Hoschar co-band leads with saxophonist Colin Palmieri for a night of fresh, original music, tasteful modern arrangements, and timeless classics with a band of young, heavy-hitting Cincinnati natives featuring Evan Taylor on guitar, Alex Nicodemus on piano, and Jack Early on bass.

Drew Hoschar – drums and cymbals

Colin Palmeri – alto saxophone

Evan Taylor – guitar

Alex Nicodemus – piano

Jack Early – bass

 

More Posts: ,,,,,,,,,,,,,,

SIGNAL QUARTET

Defying easy categorization, Signal Quartet brings together a variety of disparate strains from the jazz continuum to create a distinctive group sound. Incorporating the freewheeling adventurousness of the avant garde, the improvisational combustibility of post-bop, and the spaciousness and lyricism innate to the American Midwest; Signal Quartet can reach young and old, purists and radicals, aficionados and neophytes alike through their thoughtful compositions and unpredictable improvisations.

Personnel:

Ben Wolkins – Trumpet, Flugelhorn,

Ian Blunden – Guitar

Eric Nachtrab – Bass

Sean Perlmutter – Drums

More Posts: ,,,,,,,,,,

The Jazz Voyager

The Jazz Voyager is on the way cross-country to Northern California to the major port of the region, a city that sits across the bay from San Francisco known as Oakland. Within the confines of the city resides one of the world’s most respected jazz venues, Yoshi’s. In 1972 what started as a 27 seat restaurant has evolved into a 310 seat venue that has earned a reputation as the Bay Area’s premier location for great Japanese cuisine and jazz music.

Chief Xian aTunde Adjuah, who was formerly known as Christian Scott, is a two-time Edison Award winning, six-time Grammy Award nominated, Doris Duke Award in the Arts awardee, and will be taking the stage this evening for one night only. He is a trumpeter, sonic architect, multi-instrumentalist, composer, producer, designer of innovative technologies and musical instruments. This voyager will be in the audience to witness what new he has to bring.

The venue is located at 510 Embarcadero West, Oakland, CA 94607. For more information you are invited to visit https://notoriousjazz.com/event/chief-adjuah.



CALIFORNIA JAZZ FOUNDATION

More Posts: ,,,,,,,

« Older Posts       Newer Posts »
© Notorious Jazz 2025