Daily Dose Of Jazz…

William ‘Red’ McKenzie was born on October 14, 1899  in St. Louis, Missouri. In 1923, he founded the Mound City Blue Blowers with Jack Bland and Dick Slevin. Later they were joined by guitarist Eddie Lang. The quartet also used the name Red McKenzie and the Candy Kids.

In 1929, the Blue Blowers recorded the songs One Hour and Hello Lola with Glenn Miller, Pee Wee Russell and Coleman Hawkins. They also recorded with Bunny Berigan, Jimmy Dorsey, and Muggsy Spanier. McKenzie sang with the Paul Whiteman orchestra and in the 1930s led the Spirits of Rhythm and the Farley-Riley band.

In 1931, he sang on Time on My Hands, Just Friends, and I’m Sorry Dear. McKenzie played in the Town Hall concerts of Eddie Condon, but retired in the 1940s.

On February 7, 1948 jazz vocalist and musician Red McKenzie, who played a comb-and-paper as an instrument, transitioned in New York City.

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Daily Dose Of Jazz…

Raymond Matthews Brown Jr. was born August 13, 1949 in New York City, New York to Ella Fitzgerald’s half-sister Frances. Ella and her then husband, Ray Brown, adopted the baby and raised him as their own. During his childhood Nat King Cole, Louis Armstrong, Frank Sinatra and many others were regular visitors during his childhood.

After moving to California when he was 10, Ray discovered a passion for the drums and for singing. He attended Beverly Hills High School where he sang with school groups which toured local festivals and hospitals. His father arranged for him to study with jazz percussionists Bill Douglass and Chuck Flores. Despite his jazz roots he admits that his interest in performing rock music was an act of rebellion.

Moving to Seattle in 1971 he studied with drummer Bill Coleman Sr. and during this time he began writing songs in addition to playing drums and piano. By the late 1980s Brown was touring the Pacific Northwest, Canada, Alaska, Japan, Korea and Guam performing for the U.S. Department of Defense.

Ray recorded his debut album Slow Down for Love in 2001 on SRI Jazz, reaching the top 50 of the Gavin Report. He released his sophomore album, Committed From The Heart, two years later and he wrote and arranged all the songs on both albums. He also debuted on the Las Vegas Strip at the Riviera hotel and casino.

In 2007 he released the album Stand by Me, the following year a duets album Friends and Family, that included Jane Monheit, Melba Moore, James Moody, Maria Muldaur, Dr. John, Dionne Warwick, Freda Payne, Sophie B. Hawkins, Paul Williams, Dr. Lonnie Smith, Dave Somerville, Kim Hoyer, and Sally Kellerman.

He lent instrumental performances on some of the album tracks with artists David “Fathead” Newman and Terry Gibbs. He attended ceremonies honoring his mother, appearing in a BBC documentary about his mother, and the U.S. postage stamp.

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The Jazz Voyager

I love hanging out on the West Coast in San Francisco, California. Having flown in last week to listen to jazz, this Jazz Voyager stayed and revisited some favorite haunts and discovered some spots that weren’t there decades ago.

So happily I will be in the audience of an old haunt, the Black Cat Supper Club. It’s a swanky two level jazz lounge and cocktail bar that offers live music along with a variety of small plates.

This week they are presenting Nicholas Payton & New World Order. I don’t know what music he will be bringing but as a long time fan I am looking forward to hearing whatever it is.

As a leading voice in jazz, the 2x Grammy winning and 5x Grammy nominee, the multi-instrumentalist, vocalist, composer, producer, arranger, essayist and social activist, he defies musical and artistic categories.

Black Cat is located at 400 Eddy Street 94109. Get more info by visiting the Jazz Calendar at https://notoriousjazz.com/event/nicholas-payton-new-world-order.

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MYRNA CLAYTON

Myrna Clayton is a teaching performer, cultural artist, and an international performing arts entertainer based in the USA. Myrna has performed professionally for over 14 years, though she has been singing since the age of 5.

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MADELEINE PEYROUX

Every great musical project starts with a feeling that it’s time.

So it was, in 2004, for Madeleine Peyroux: “when I got around to making Careless Love it had been a good eight years since my first album.” Eight years—forever in the music world. Not long After Dreamland dropped in ’96, she had disappeared from the touring scene as well. Where had she been? What had she been doing, and why?

I was traveling a lot across America, rediscovering the country and re-identifying as an American. I was born here in the States but moved with my mother to live in Paris when I was young. I met family I never met before. I caught up on what was happening with the music here. It was all a culture shock for me. When I came back to New York to make that first album I was like a deer in the headlights. It was my first time in a studio, my first time back in America. Then 9/11 happened. Then George W. got re-elected. It was like the world was going crazy. After Dreamland I had signed with Sony and I was trying to make my second record. I was broke and I didn’t know what I was going to do next.

Self-reflection and spiritual sensitivity are assets to any musician in the process of starting a career, of establishing one’s musical identity and direction. They don’t, however, necessarily lock into the typical velocity of career-building. There were other things Peyroux had to handle. She underwent surgery on her vocal cords. She healed and worked with a vocal coach. As the ‘90s gave way to the first years of a new century, she continued to question the how and, significantly, the why of what she was doing. (Her choice of the Dylan Thomas quote below, from his 1946 poem “In my Craft and Sullen Art,” helps explain her creative motivation.)

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