Daily Dose Of Jazz…

Jerome Don Pasquall was born on September 20, 1902  in Fulton, Kentucky, and grew up in St. Louis, Missouri. As a child, he played the mellophone in brass bands. He served in the United States Army in 1918 in the 10th Cavalry Band, and picked up clarinet during this time.

Following his discharge, Pasquall played with Ed Allen in 1919 and then found work on riverboats playing with Charlie Creath and Fate Marable. He moved to Chicago, Illinois to study at the American Conservatory, and played with Doc Cook’s Dreamland Orchestra as a tenor saxophonist.

Departing for Boston, Massachusetts he attended the New England Conservatory of Music. In 1927 and 1928, he played with Fletcher Henderson. Following this he returned to Chicago and led his own ensemble, in addition to playing with Freddie Keppard, Dave Peyton, Jabbo Smith, Tiny Parham, and Fess Williams.

He toured Europe with the 1934 Blackbirds, Eddie South, Henderson again in 1936, and Noble Sissle from 1937 throught World War II in 1944. After the mid-1940s, he did freelance work in New York City with Tony Ambrose among others, and gradually receded from active performance.

Clarinetist, alto saxophonist, mellophonist Jerome Don Pasquall, who never led his own recording session, dies on October 18, 1971 in New York City, New York.

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Daily Dose Of Jazz…

David Chevan was born on September 19, 1960 in Philadelphia, Pennsylvania and grew up in Amherst, Massachusetts. He was musically active from an early age and led synagogue services from the age of 10. His double-bass education has mostly been self taught, but credits bassist, Lisle Atkinson for showing me the pathway to self-education.

As a composer, Chevan focused on works for improvisors, writing for a wide range of artists and ensembles, including collaborations with dance and film. He performs regularly in a duo with pianist Warren Byrd and co-leads The Afro-Semitic Experience.

As an educator he is an Associate Professor of Music at Southern Connecticut State University in New Haven. David is currently studying the music of bassist Slam Stewart and is a board trustee of the Louis Armstrong Educational Foundation.

He has performed and recorded with Ali Ryerson, Joe Beck, Jaki Byard, Harold Danko, Ellery Eskelin, Giacomo Gates, Frank London, Andrea Parkins, and Cookie Segelstein. Bassist David Chevan tours when time permits in his teaching schedule.

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The Jazz Voyager

Had a great time last night in San Francisco as my flight plan continued west from Austin to that city across from the city by the bay. Once landed will venture to traverse the Golden Gate Bridge to Oakland, California. This Jazz Voyager enjoys the flavor of the city and always the music and ambience of the club Yoshi’s.

I missed this bassist at the Atlanta Jazz Festival over the Memorial Day weekend but I am resolved not to do so this time. I arrived in plenty of time to hang out in San Fran, have my reservation for the 7:30 performance of Aneesa Strings.  I’ve heard that she’s a beacon of light for young women, black artists and creatives. I can only be patient to experience this bassist, singer, composer who blends jazz and pop with r&b.

The venue is located at 510 Embarcadero West, Oakland 94607. For more information contact the venue at yoshis.com.

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Daily Dose Of Jazz…

Michael Franks was born September 18, 1944 in La Jolla, California and grew up with two younger sisters. Neither parent was a musician but they loved swing music, and his early influences included Peggy Lee, Nat King Cole, George Gershwin, Irving Berlin, and Johnny Mercer. At age 14 he bought his first guitar, a Japanese Marco Polo for $29.95 with six private lessons included. Those lessons were the only music education that he received.

While at University High School in San Diego,California he discovered the poetry of Theodore Roethke with his off-rhymes and hidden meter. He began singing folk-rock, accompanying himself on guitar. Studying English at UCLA, Michael discovered Dave Brubeck, Patti Page, Stan Getz, João Gilberto, Antonio Carlos Jobim, and Miles Davis. Never studying music in college or later, he earned a Bachelor of Arts degree from UCLA in comparative literature in 1966 and a Master of Arts degree from the University of Oregon two years later. He returned to UCLA to teach after a stint in a PhD program in Montreal.

During this time Franks started writing songs, starting with the 1968 antiwar musical Anthems in E-flat and went on to compose music for films. Sonny Terry and Brownie McGhee recorded three of his songs, on their album Sonny & Brownie. Franks played guitar, banjo and mandolin on the album and joined them in touring. In 1973, he recorded an eponymous debut album, later reissued as Previously Unavailable.

In 1976 he released his second album The Art of Tea featuring the Crusaders and which saw Franks begin a long relationship with Warner Bros. Records. Subsequent albums came in 1977 and 1978 and through the 1980s. His move to New York City featured more of an East Coast sound on his albums and performance. Since then, Franks has recorded more than 15 albums.

He has recorded with a variety of well-known artists, such as Peggy Lee, Dan Hicks, Patti Austin, Art Garfunkel, Brenda Russell, Claus Ogerman, Joe Sample, and David Sanborn. His songs have been recorded by Shirley Bassey, Kurt Elling, Diana Krall, The Manhattan Transfer, Leo Sidran, Veronica Nunn, Carmen McRae, and Natalie Cole, aming other pop and rock artists.

Vocalist and songwriter Michael Franks, who plays guitar, banjo, mandolin, and cabasa, is still active and working on a new project.

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Daily Dose Of Jazz…

Joseph G. Cocuzzo was born on September 17, 1937 in Boston, Massachusetts and raised in a family of enthusiastic amateur musicians. He began playing drums as a small child, later studied extensively, and played in many bands in and around his home town.

In the late 1950s he was residing in Chicago, Illinois where he joined the big band led by Ralph Marterie before moving on to the Woody Herman band. By the early Sixties he worked with Don Ellis, Les and Larry Elgart, Gary McFarland and Tony Bennett. The mid-70s saw Joe returning to Bennett for a five-year engagement, then he was with Harry James before beginning a decade-long spell with Rosemary Clooney.

The subtle skills he displayed with Bennett and Clooney found him in demand as a singer’s accompanist and he also worked with Vic Damone, Julius LaRosa, Susannah McCorkle and Sylvia Syms. Throughout this period and on through the new millennium, Cocuzzo was in frequent demand for recording sessions, appearing on albums by many artists including Buddy De Franco and Dick Sudhalter.

During his time with Clooney Cocuzzo had begun writing song lyrics, and he went on to collaborate with several composers, notably the Brazilian Ivan Lins. A smooth and swinging player, always aware of the subtly supportive role required by many leaders, especially singers, Cocuzzo was a member of New York Swing.

Drummer and songwriter Joe Cocuzzo, who never recorded as a  leader but has 77 recordings as a sideman, died on  July 31, 2008 in New Jersey.

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