Daily Dose Of Jazz…

Rusty Bryant was born Royal Gordon Bryant on November 25, 1929 in Huntington, West Virginia and grew up in Columbus, Ohio where he became a fixture of the local jazz scene. 

He worked with Tiny Grimes and Stomp Gordon before founding his own ensemble, the Carolyn Club Band in 1951. Signing with Dot Records in 1954 Rusty released several albums as a leader in the second half of the 1950s. In 1953, his live recording All Nite Long which was a faster version of Night Train, became a hit R&B single in the U.S.

With his Dot contract ending in 1957 he returned to Columbus to do mostly local engagements, playing often with pianist-organist Hank Marr and a young Nancy Wilson also sang in his group. It was not until his appearance on the 1968 Groove Holmes album That Healin’ Feelin’ that he resurfaced beyond regional acclaim, and soon after he began leading dates for Prestige Records. 

Bryant recorded extensively for the label from 1969 through the middle of the 1970s, being a sideman with Ivan “Boogaloo Joe” Jones, Johnny “Hammond” Smith, Charles Kynard, and Sonny Phillips. His 1970 release Soul Liberation was his most commercially successful, reaching No. 35 on the U.S. Black Albums chart and No. 15 on the Top Jazz Albums chart. 

Tenor and alto saxophonist Rusty Bryant, who recorded into the early 1980s before returning to Columbus and played mostly local dates, died on March 25, 1991.



 

 

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Greg Manning was born on November 24, 1965 in Nigeria and raised in Zurich, Switzerland. While growing up he was mostly exposed to jazz by his parents. Yet, he discovered his deep love for music only after hearing Stevie Wonder’s Isn’t She Lovely. He started playing the piano at twelve and several years later moved to the United States to study piano and film scoring at Berklee College of Music in Boston, Massachusetts.

His big break came when asked to compose the music for Keep Cool, the most successful and longest running German musical. The musical led Manning back to Zurich where he continued to compose and produce for records and television.

Moving to Los Angeles, Calidornia in 2002 where his career took off. The three-time platinum producer for Universal Music Switzerland, and has had several Swiss Chart toppers since 1996. The former keyboardist and music director for Grammy Award-nominated artist Jonathan Butler, he has been the keyboardist for Mindi Abair, Gerald Albright, Will Downing, Richard Elliot, Brian McKnight, Chante Moore, and Kirk Whalum, among others.

Touring extensively for ten years throughout the U.S., Europe, South Africa, and the U.K., Greg made a conscious decision to come off the road. Not long thereafter, he started composing music for film and television. As an artist, his own music is the union of jazz, soul, and funk.

Pianist, composer Greg Manning, who operates in the soul jazz and smooth genres has never stopped composing and continues to record and perform.

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Requisites

Over the past fifty years, I’ve found immense joy in listening to Ahmad Jamal’s work across his extensive catalog, including releases on Argo, Cadet, and later Impulse Records. Each time I was fortunate enough to experience his trio live in Atlanta, their performance was absolutely electrifying. Jamal and his group consistently delivered music that was both profoundly moving and impeccably polished. Today’s featured album from my collection is Freeflight (Impulse! – ABC Records AS-9217), which showcases the trio’s live set at the Montreux Jazz Festival. On this recording, Ahmad Jamal plays both the Fender Rhodes electric piano and acoustic piano, joined by Jamil Nasser on bass and Frank Gant on drums. My personal copy is the 1973 U.S. stereo reissue, which retains the original catalog number.

The set opens with a warm welcome to the musicians, setting the stage for the trio’s spirited rendition of Effendi, by McCoy Tyner. The trio dives straight into the brisk tempo, with Ahmad igniting an energetic solo on the electric piano. There’s a brief exchange between Jamil’s bass and Ahmad’s acoustic piano before Jamal returns to the electric keys. Frank contributes a concise, lively reading, and Jamil finishes with an exhilarating finale, driving the tune to a thrilling close, earning an enthusiastic response from the audience. The tempo eases as Jamal introduces Dolphin Dance by Herbie Hancock on the acoustic piano, segueing into the group's melody. Jamal’s deeply expressive playing doesn’t disappoint, leading to a vibrant conclusion and audience applause.

Side Two begins with Ahmad and Jamil engaging in a musical conversation, leading into the pianist’s Manhattan Reflections. Jamal returns to the electric piano for a buoyant mid-tempo melody, then takes off first with a spirited opening statement that captures the energy of both instruments. The piano and bass then share the spotlight briefly to revisit the theme before the trio’s closing chorus ends gently. Ahmad returns to the acoustic piano to conclude the set with his signature tune, Poinciana by Nat Simon and Buddy Bernier. A solo introduction from Jamal leads into the ensemble’s mid-tempo theme. As the only soloist, Jamal tells a captivating story with Nasser and Gang’s support until the trio reunites to conclude the song, greeted by the audience’s enthusiastic applause!

The production of Freeflight was a collaborative effort between Ahmad Jamal and Ed Michel, while Carlos Olms and Stephan Sulke handled the recording of the live performance. Overall, the recording quality is commendable, though there’s one significant flaw: the microphone was positioned too close to Jamal’s electric piano during Effendi, resulting in noticeable harshness and overmodulation. However, please don’t let that minor drawback deter you from seeking out Freeflight by Ahmad Jamal when browsing for records on your next shopping trip. Although not as well- known as his earlier live release, At The Top: Poinciana Revisited, this album still deserves consideration for your library. Even after more than five decades, the album delivers outstanding piano trio music and is highly Recommended!

~ At The Top: Poinciana Revisited (Impulse! – ABC Records AS-9176) – Source: Discogs.com
~ Poinciana – Source: Wikipedia.org
© 2025 by Edward Thomas Carter


 

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Daily Dose Of Jazz…

Pat Patrick was born Laurdine Kenneth Patrick Jr. on November 23, 1929 in East Moline, Illinois, to Laverne and Laurdine Kenneth Patrick. He first learned piano, drums, and trumpet as a child, and then switched to saxophones. He attended and studied music at DuSable High School in Chicago, Illinois where he met fellow students and future musicians bassist Richard Davis and saxophonists John Gilmore and Clifford Jordan. While still in school he was baritone saxophonist for the Regal Theater’s house band.

1949 saw Pat enrolled at Florida Agricultural and Mechanical University, but soon returned to Chicago to study at Wilson Junior College. Around 1950 he first played in one of Sun Ra’s bands as part of a trio and occasionally in Sun Ra’s Arkestra. By 1954 he became a regular member of the band. He moved to New York City in 1961, spent several years in the Arkestra’s communal residences in the East Village and Philadelphia, Pennsylvania.

He went on to play and record with John Coltrane, Blue Mitchell, Mongo Santamaría, Thelonious Monk, and  Babatunde Olatunji. In 1972, Patrick co-founded the Baritone Saxophone Retinue, which featured Charles Davis and recorded two albums for Saturn Records.

He toured Europe with Sun Ra in 1970 and 1976, and was part of some other Arkestra performances in that decade, but he also devoted time to teaching at the State University of New York at Old Westbury.>

Baritone and alto saxophonist, bassist, flutist, percussionist and composer Pat Patrick, who is known for his 40-year association with Sun Ra, died from leukemia in Moline on December 31, 1991.


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DANIEL DIAZ 11.22.25

Daniel Díaz Fernández was born on November 22, 1963 in Lanús, Argentina. Living in Paris, France since 1997, he has collaborated with Juan Carlos Cáceres, on the single Tango Negro, and on the album Toca Tango. In 1993 he recorded his first album The Years Alone released by Green Linnet/Xenophile Records. The variety of styles in this album was mentioned by critics. He played most of the parts fretted and fretless basses, keyboards, acoustic and electric guitars, percussion, and more.

He continued this solo career with Segundo Ciclo, recorded in 1997, released by Dutch jazz label Timeless Records in 2002, and Swan Song, released in 2015, always with guest players from around the world. Both albums featured the cosmopolitan jazz-fusion style of the first one.

Since 2005 Diaz has been composing and recording for films, TV and documentaries. He works for French publisher and music library Cezame Music Agency for whom he composed and recorded more than 250 tracks and released 5 albums alone or in collaboration.

Since 2010 his music has been used on many TV documentaries and films. In 2022 his track “Club Recoleta” from the album Elec’ Tango was used on Tom McCarthy’s feature film Stillwater

Bassist, multi-instrumentalist, arranger, composer,  Raúl Diaz whose last collaboration in 2023 with Raúl Barboza was on the album Souvenirs Panamericanos, continues to perform and compose.

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