Daily Dose Of Jazz…
Harry Percy South was born on September 7, 1929 in Fulham, London, England. He came to prominence in the 1950s, playing with Joe Harriott, Dizzy Reece, Tony Crombie, and Tubby Hayes. In 1954, he was in the Tony Crombie Orchestra with Dizzy Reece, Les Condon, Joe Temperley, Sammy Walker, Lennie Dawes, and Ashley Kozak.
Returning from a Calcutta, India tour with the Ashley Kozak Quartet, he spent four years with the Dick Morrissey Quartet, where he both wrote and arranged material for their subsequent four albums. He formed the Harry South Big Band in 1966 with Latin, ballads and straight-forward swingers.
By the mid-1960s, he began working with British rhythm & blues singer and organist Georgie Fame, recording the album Sound Venture. He composed and arranged for Humphrey Lyttelton, Buddy Rich, Sarah Vaughan, and Jimmy Witherspoon and was musical director and arranger for Annie Ross.
He branched out into session work, writing themes for television and music libraries. He is credited with the arrangements used for Emerson, Lake & Palmer’s Works Vol. 1 (1977). In 1981, he again arranged for Annie Ross and Georgie Fame in a collaboration on what was to be Hoagy Carmichael’s last recording, In Hoagland.
Pianist, composer and arranger Harry South, who was honored with an album released by the National Youth Jazz Orchestra, died on March 12, 1990 in Lambeth, London at the age of 60.
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Daily Dose Of Jazz…
Roy Willox was born into a musical family in Welwyn, Hertfordshire, England on August 31,1929. At 16 he had a brief spell with Johnny Claes in 1945 and then with other bands before joining Ted Heath from 1950 to 1955.
About this time he worked in the jazz clubs in a group with Keith Christie, and with Jack Parnell followed with extensive freelance work in television, radio and the theatre. The jazz scene saw Willox in Harry South’s band during the 1960s and 1970s and returned to the Heath band for dates in the 1960s and 1970s.
He was in demand through the 1960s for many jazz big band dates, notably with Harry South and Tubby Hayes. He played throughout the 1990s and 2000s, first with The Ted Heath Band, (then led by Don Lusher), and in Lusher’s own big band until it’s last concert in 2007. He played in the Ted Heath band’s farewell concert at the Royal Festival Hall, London in 2000.
A fluent saxophonist, clarinetist and flutist Roy Willox, whose main instrument is alto saxophone, continues to perform and record.
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Daily Dose Of Jazz…
Vinnie Dean was born Vincent Nicholas diVittorio on August 8, 1929 in Mount Vernon, New York. He was primarily an alto saxophonist, but also played flute and piccolo.
After World War II he played in New York City with Shorty Sherock and Johnny Bothwell, and recorded with Charlie Spivak and Charlie Barnet in the late 1940s. The 1950s saw him playing with Elliot Lawrence, Stan Kenton, Ralph Burns, and Eddie Bert, recording with all of them.
He was less active from the late-1950s, but still performed or recorded later in his career with Hal McKusick, Ray McKinley, Urbie Green, Sal Salvador, and Benny Goodman, as well as returning to play with Lawrence and Barnet.
From the 1960s onward he was involved in the music business, operating a publishing outlet, a booking agency, a recording studio, and a vinyl shop. Alto saxophonist Vinnie Dean died in Danbury, Connecticut on September 14, 2010 at the age of 81.
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Daily Dose Of Jazz…
Joseph Albert Morello was born July 17, 1928 in Springfield, Massachusetts of French and Italian ancestry. Suffering from partial vision from birth, he devoted himself to indoor activities. He began studying the violin when he was six and three years later, he was a featured soloist with the Boston Symphony Orchestra, playing Mendelssohn’s Violin Concerto, and again three years later.
By fifteen he met the violinist Jascha Heifetz, decided that he would never be able to equal Heifetz’s sound and switched to drumming. He first studied with show drummer Joe Sefcik and then with educator and author George Lawrence Stone. He was so impressed with Morello’s ideas that he incorporated them into his next book. Further study led him to Radio City Music Hall percussionist, Billy Gladstone.
Moving to New York City, he worked with Johnny Smith, Tal Farlow, Stan Kenton, Phil Woods, Sal Salvador, Marian McPartland, Jay McShann, Art Pepper, and Howard McGhee. After a period of playing in McPartland’s trio, Joe declined invitations from Benny Goodman and Tommy Dorsey, favoring a two-month tour with the Dave Brubeck Quartet in 1955. This turned into a performing and recording residency that lasted for well over a decade, departing in 1967.
As an educator Morello became an in-demand clinician, teacher and bandleader, whose many of his former students went on to become well known in their chosen genres. He authored several drum books, including Master Studies, published by Modern Drummer Publications, made instructional videos and received many awards, and was inducted into several Halls of Fame.
Drummer Joe Morello, who appeared on over 120 albums, died at his home in Irvington, New Jersey on March 12, 2011 at the age of 82.
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Daily Dose Of Jazz…
Karl Kiffe, born July 6, 1925 in Los Angeles, California first attracted attention as winner of the annual Gene Krupa Contest in 1943. Succeeding Chuck Falkner as leader of the Hollywood Canteen Kids he was featured in novelty numbers in several feature films before working as a single in Ken Murray’s Blackouts.
1945 saaw him hired by Jimmy Dorsey, with whom he worked for about a year, and then again from 1950 through 1953. Over the next decade, Kiffe worked with Stan Getz, Zoot Sims, Charlie Shavers, Red Norvo and Woody Herman, as well as singers Andy Williams, June Christy, and Ella Fitzgerald.
Speaking in 1946, when asked which drummer he most admired, Kiffe cited the solos of Buddy Rich, while praising the big band work of Don Lamond and Jo Jones.
Drummer Karl Kiffe, who was great friends with saxophonist Warne Marsh, died on May 10, 2004 at the age of 76 in Las Vegas, Nevada
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