Hollywood On 52nd Street
My Blue Heaven is a popular song written by Walter Donaldson one afternoon at the Friars Club in New York City while waiting for his turn at the billiard table. At the time the song was written Donaldson was under contract to Irving Berlin, working for Irving Berlin Inc. publishing company. George A. Whiting wrote lyrics adapted for Donaldson’s music, and for a while, performed it in his vaudeville act.
The song was first used in the 1950 film of the same title starring Betty Grable and Dan Dailey. The song was eventually used once again in the 1990 crime comedy of the same name that starred Steve Martin and Rick Moranis. By the time it appeared in the soundtrack it had been a jazz standard for many years having been recorded by Jimmie Lunceford, Don Byas, Mary Lou Williams, Benny Carter, Maxine Sullivan, Erroll Garner, Red Norvo, Oscar Peterson, Lena Horne, Teddy Wilson and numerous others.
The Story: 1950 – Kitty (Grable) and Jack (Dailey), portray married radio stars who are expecting a baby. When she miscarries, they move from radio to television and and become determined to adopt a baby. 1990 -Vincent “Vinnie” Antonelli (Martin) is a good-hearted larger than life mobster in the witness protection program. Barney Coopersmith (Moranis) is an uptight FBI agent assigned to protect Vinnie and his wife Linda and puts them in a small California suburb. Both wives leave, Vinnie and Barney get closer but has a hard time keeping him at low profile. Come to find out this town is full of mobster in witness protection. Enter two hit men, new love interests for both and eventually Vinnie becomes a prominent figure in the town.
Sponsored By
www.whatissuitetabu.com
Daily Dose Of Jazz…
Aidan Carroll was born on January 21, 1984 in Oklahoma City, Oklahoma and grew up in the blues-infused city with his musical parents’ unwavering support. He studied music classical, rock and roll and R&B drumming avidly from a young age beginning with playing drums in his father’s band at age 10. After winning numerous awards on classical marimba and percussion, Carroll was drawn to the bass and to the world of jazz and improvisation.
In high school Aidan attended the Classen School of the Advanced Studies where he eventually switched from percussion major to bass major to play in jazz band and orchestra. He performed regularly with his school jazz band in big band and combo formats at local functions, and seasoned his experience with several awards at state competitions. Receiving a full jazz scholarship to the University of Central Oklahoma, he played in the top jazz big band all four years, as well as the orchestra and wind ensemble.
Prior to a move to New York City and matriculating through the City College of New York under the tutelage of John Patitucci, Aidan attended the Banff Creative Workshop and worked with the likes of Dave Douglas, Rez Abassi, Donny McCaslin and others.
A consummate sideman Carroll has recorded with Fred Hersch, Seamus Blake, Ralph Alessi, and toured with the Dan Tepfer Trio, Logan Richardson’s SHIFT, multilingual singer Marta Topferova, Zimbabwean singer Chiwoniso (R.I.P.), Sister Sparrow and the Dirty Birds, and Melody Gardot.
His debut album “Original Vision” is due out in March 2015. In the meantime he is touring with Grammy winner Lisa Fischer, when not regularly working with his New York peers playing in town with groups led by Sullivan Fortner, Chris Dingman, Julian Shore, John Raymond, Richie Barshay, Jason Palmer and others.
Dose A Day – Blues Away
More Posts: bass
Daily Dose Of Jazz…
Born January 14, 1982 in California, Ben Stapp grew up as a brass musician before turning to jazz. Studying with his mentor, the late Tommy Johnson, the voice of the Jaws’ theme, at UCLA, he was awarded a fellowship during this period to play principal tuba in the Henri Mancini Orchestra. He obtained his masters from RNCM in Manchester, England where he studied with tuba legend Roger Bobo, and for composition, Anthony Gilbert.
While living in Europe, he played in numerous Euro/international festivals including Festival do Sodeste, Gulbenkian August Music Festival, Festival of New Music in Krems and the Barcelos Music Festival. Back in New York, tubist and composer Stapp hit the forefront in city’s creative music scene. His debut CD release, Ecstasis featuring Tony Malaby and Satoshi Takeishi, has received a critical acclaim from the New York Times and All About Jazz.
He has recorded for Clean Feed in Portugal, Dakah Hip Hop Orchestra in LA, Franz Hautzinger in Austria, James Gourlay in England, and has appeared with the NYJA All Stars on CNBC. Ben Stapp now plays and subs with such tuba luminaries like Howard Johnson and Bob Stewart. He also directs and composes for his large ensemble, the Zozimos Collective and continues to perform and tour.
Dose A Day – Blues Away
More Posts: tuba
Daily Dose Of Jazz…
Juul Johansson, better known as Mads Mathias, was born on January 9, 1981 in Silkeborg, Denmark and grew up partly in Tanzania. Growing up in a musical home, his exposure to music began at infancy, picking up the saxophone as his main instrument by age 11. A car accident at seventeen left his right hand injured, losing his index finger and half of two other fingers. Afraid that his days of playing the saxophone were over, he started singing and writing songs instead.
Inspired and influenced by the great jazz vocalists of the past and present from Nat King Cole and Frank Sinatra to Harry Connick Jr, and with a deep respect for the crooner tradition, Mathias is nevertheless an original talent with a unique and effortlessly charming vocal delivery and a skill for writing catchy and memorable, stylishly crafted tunes.
Fortunately the rehabilitation of his hand made him able to play the saxophone again and at age 20 he was entered the Rhythmic Music Conservatory, graduating in 2007.From an early age, Mads Mathias was a part of Jutland jazz scene and today is part of the Danish music scene: As a studio musician, he has contributed to several record releases and frequently used live dates.
In 2012 released debut solo album Free Falling which won him a Danish Music Award for “Best New Danish Jazz Artist of the Year”, He also won an Honorable Mention Award at one of the world’s largest songwriting competitions for his song “Fool for Love” and Kvintet with the addition of Espen Laub in addition to critical reviews and airplay on Danish radio.
Besides his own Mads Mathias Orchestra, Mads formed Mads Mathias Kvartet with Peter Rosendal, Regin Fuhlendorf and Morten Ankarfeldt and appears with The Danish Radio Big Band, Tivoli Big Band and Six City Stompers. The vocalist, songwriter and saxophonist continues to perform and record.
Put A Dose In Your Pocket
Daily Dose Of Jazz…
Maurice Brown was born on January 6, 1981 in Harvey, Illinois. Showing a remarkable affinity for the trumpet, he performed with Ramsey Lewis at Chicago’s Symphony Center while matriculating through Hillcrest High School. Following graduation, he received a full scholarship to attend Northern Illinois University, and later continued his studies at Southern University in Baton Rouge, Louisiana, where he worked with famed clarinetist Alvin Batiste.
Relocating to New Orleans shortly thereafter, Maurice began sitting in with numerous jazz veterans, including Clark Terry, Johnny Griffin, Ellis Marsalis and Lonnie Plaxico. He recorded as a sideman with Curtis Fuller, Fred Anderson, Roy Hargrove, Michelle Carr and Ernest Dawkins among others.
In 2001 Brown would win first place in the National Miles Davis Trumpet Competition and in 2003 he released his first album as a bandleader, heading his own quintet for Hip to Bop. The project showed an amazing affinity for bop-inflected jazz, along with a willingness to expand the genre’s lexicon through innovative techniques like playing trumpet solos through a wah-wah pedal.
Trumpeter Maurice Brown continues to live in New Orleans, playing both with his quintet and a hip-hop/funk combo called Soul’d U Out.
Dose A Day – Blues Away
More Posts: trumpet