Daily Dose Of Jazz…
Gene Schroeder was born on February 5, 1915 in Madison, Wisconsin to a pianist mother and a father who was a trumpeter. He studied at the Wisconsin School of Music, and when he was 11 he was playing now and then with his father’s band, and doubling on clarinet in his high school orchestra a few years later.
After a year at the University of Wisconsin Music School, Schroeder moved to Milwaukee, Wisconsin. He led his own band and played with local musicians including Wild Bill Davison. His next move was to New York City in 1939 and was briefly with the Wes Westerfield Trio, then headed a combo. Gene went on to spend a year apiece as a member of the groups of Joe Marsala and Marty Marsala.
By the summer of 1942, Schroeder was working again with Wild Bill Davison then beginning in 1943 at Nick’s with Miff Mole. After becoming Eddie Condon’s regular pianist, he played at the opening of the club Condon’s in 12 1945. He was with Condon most of the time from then on up to 1962 appearing on many recordings. During his long association with Condon’s Chicago jazz bands his talent was continually overshadowed, most likely due to his being a subtle player.
He had a three year stint with the Dukes of Dixieland from 1961 to 1964 and then worked in the late ’60s with Tony Parenti. Despite his busy activity, he only led one recording session in his career, four songs cut in 1944 for the Black & White label with a trio.
Pianist Gene Schroeder died at the age of 60 on February 16, 1975 in his hometown of Madison.
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Daily Dose Of Jazz…
Louis Keppard was born February 2, 1888 in New Orleans, Louisiana and was the older brother of cornetist Freddie Keppard. The guitarist played in the Cherry Blossom Band before leading his own group, the Magnolia Band, which included King Oliver and Honore Dutrey among its members.
He played with Papa Celestin’s Tuxedo Brass Band, Manuel Perez, and followed that residency with the Olympia Orchestra alongside Freddie. In 1917 he moved briefly to Chicago, Illinois but returned soon after. Playing in several New Orleans brass bands, Louis performed as an alto hornist and guitarist from the 1920s through the 1950s, including in the Gibson Brass Band and the Young Excelsior Brass Band.
Keppard’s style of “shuffle rhythms” was an influence on Danny Barker. He recorded with Wooden Joe Nicholas in 1949, and retired from music some time after 1962.
Guitarist, tubist and alto hornist Louis Keppard, who led a band but never recorded as a leader, died in his hometown sixteen days after his 98th birthday on February 18, 1986.
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Daily Dose Of Jazz…
Dick Lammi was born on January 15, 1909 in Red Lodge, Montana. Early in his career he played violin and banjo, playing as a banjoist in various dance bands and orchestras in the Pacific Northwest in the late 1920s. Settlling in Portland, Oregon in the early Thirties, and played bass in a group there.
After a move to San Francisco, California in 1936 he began playing tuba alongside bass. His best-known work was as a member of Lu Watters’s rehearsal band, which evolved into the Yerba Buena Jazz Band, playing regularly at the Dawn Club.
With World War II interrupting his tenure with the ensemble, after his discharge he rejoined the YBJB and stayed with them until they disbanded in 1950. The Fifties saw Dick working with Bob Scobey, Turk Murphy, Wally Rose, and Clancy Hayes. He recorded little after the early 1960s.
Tubist and bassist Dick Lammi, who was the first tuba player to record during the San Francisco revival, died on November 29, 1969 in San Francisco.
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Daily Dose Of Jazz…
Vernon Brown was born on January 6, 1907 in Venice, Illinois. He began his career as a jazz trombonist playing in St. Louis, Missouri with Frankie Trumbauer in 1925, and then moved through a variety of groups at the end of the 1920s and into the 1930s, including those of Jean Goldkette, Benny Meroff, and Mezz Mezzrow.
In 1937 Brown joined Benny Goodman’s orchestra, remaining there until 1940. While only soloing occasionally with Goodman, this association got him well known. The Forties saw him performing with Artie Shaw, Jan Savitt, Muggsy Spanier, and the Casa Loma Orchestra. In the 1940s, Brown switched focus from swing to Dixieland, playing often in studio recordings and working with Sidney Bechet.
Brown performed with Louis Armstrong and his All Stars for the ninth Cavalcade of Jazz concert in 1953 at Wrigley Field in Los Angeles, California. The concert also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Shorty Rogers and his Orchestra.
He led his own band in the Pacific Northwest in 1950 and did reunion tours with Goodman in that decade. He worked with Tony Parenti in 1963, and remained a studio musician into the early-1970s
Trombonist Vernon Brown, who later in his life lived in Roslyn Heights, New York, died in Los Angeles on May 18, 1979.
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Daily Dose Of Jazz…
Albert Warner was born on December 31, 1890, in the Tremé neighborhood of New Orleans, Louisiana. Though his father was a string bass player, he didn’t seriously pick up the trombone until he was twenty-two years old. Taking lessons from one of his half-brothers, Ulysses Jackson, as well as Arthur Stevens and Honoré Dutrey. His main influences in his youth came from hearing Freddie Keppard, Vic Gaspard, and Baptiste Delisle.
His first professional jobs were playing for dance bands, including those led by “Big Eye” Louis Nelson, Kid Rena, Wooden Joe Nicholas, Buddy Petit, and Chris Kelly. In 1932 Warner joined the Eureka Brass Band and remained a regular member of this group until his death in 1966. His musical interplay with Charles Sonny Henry in the Eureka band during the late 1940s and 1950s is remembered by many for its intricacy and beauty.
The early Forties saw Albert playing and recording with Bunk Johnson and George Lewis. He would record often throughout the 1950s and in the Sixties he could be found playing frequently at Preservation Hall, accompanying the Preservation Hall band on a number of tours with Kid Sheik and the Eureka Brass Band. He went on one Memphis tour with Billie and DeDe Pierce in 1965.
Warner left behind a number of sessions recorded and released by Commodore, Pax, Folkways, Atlantic, and American. The album Bunk Johnson 1942/1945, Eureka Brass Band and The Eureka Brass Band in Rehearsal, a number of recordings with Charlie Love, Peter Bocage with His Creole Serenaders and the Love-Jiles Ragtime Orchestra, released by American. He also appeared on other American label albums recorded by Punch Miller, John Casimir, Kid Sheik and appeared on Atlantic’s Jazz at Preservation Hall series.
Trombonist Albert Warner, who performed in the traditional and brass band genres, transitioned on September 10, 1966 in New Orleans.
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