The Quarantined Jazz Voyager
This week the ever vigilant Jazz Voyager is watching this new version of the virus creeping back to once again exploit humanity’s complacency relative to the collective health. People are still dying, maybe not at the rate over the past two years but dying. So in the spirit of staying healthy, I am selecting a classic funk~fusion album from the shelves and placing it on the turntable to take a renewed listen. This week it is the album Man-Child by Herbie Hankcock.
It is the fifteenth studio album by the jazz pianist. Recorded between 1974 and 1975, it was released on August 22, 1975 by Columbia Records, it was the final studio album to feature The Headhunters. The album was produced by David Rubinson and Hancock, and was recorded at Wally Heider Studios and Funky Features in San Francisco, California as well as Village Recorders and Crystal Studios in Los Angeles, California.
Departing from the music of his early career, Herbie gives us one of his most funk-influenced albums. Utilizing more funk based rhythms around the hi-hat, and snare drum, the tracks are characterized by short, repeated riffs by both the rhythm section, horns accompaniment, and bass lines. With less improvisation, more repetition of riffs along with brief solos, he re-introduces the electric guitar to this new sound.
The core group of The Headhunters was Paul Jackson, Bill Summers, Harvey Mason, Bennie Maupin, and Mike Clark (who replaced Harvey Mason post-1974). Hancock had toured and recorded with them for the previous three years. This was their final album as a group.
Tracks | 45:17- Hang Up your Hang Ups (Hancock, Melvin Ragin, Paul Jackson) ~ 7:29
- Sun Touch ~ 5:12
- The Traitor (Hancock, Ragin, Louis Johnson, Wayne Shorter) ~ 9:38
- Bubbles (Hancock, Ragin) ~ 9:03
- Steppin’ In It ~ 8:42
- Heartbeat (Hancock, Ragin, Jackson) ~ 5.16
- Herbie Hancock ~ piano, keyboards
- Bud Brisbois ~ trumpet
- Jay DaVersa ~ trumpet
- Garnett Brown ~ trombone
- Dick Hyde ~ trombone, tuba
- Wayne Shorter ~ alto and soprano saxophones
- Bennie Maupin ~ soprano and tenor saxophones, bass clarinet, alto and bass flutes, saxello, percussion
- Jim Horn ~ flute, saxophone
- Ernie Watts ~ flute, saxophone
- Dewayne McKnight, David T. Walker ~ guitar
- Wah Wah Watson ~ synthesizer, voice bag, guitar
- Henry E. Davis ~ bass guitar
- Paul Jackson ~ bass guitar
- Louis Johnson ~ bass guitar
- Mike Clark ~ drums
- James Gadson ~ drums
- Harvey Mason ~ drums
- Stevie Wonder ~ harmonica
- Bill Summers ~ percussion
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The Quarantined Jazz Voyager
Reading the history of humanity, evidence proves that bad decisions are not relegated to bad people but are also made by good people. If taking off a face mask is your back to normal, in my opinion, you’re not reaching high enough and the brass ring has passed you by. Legislators and the media are confounding the public with different opinions, playing the he said she said game. The collusion is abomidable and most are buying into it. Remain vigilant, protect yourself, remain healthy.
This week I have chosen Total Response (subtitled The United States of Mind Phase 2) for our listening pleasure. It is an album by pianist Horace Silver that was recorded on two separate dates, November 15, 1970 (tracks 1,2,6,9) and January 29, 1971 (tracks 3,4,5,7,8). It was recorded at Van Gelder Studios in Englewood Cliffs, New Jersey, released in April 1972 on Blue Note Records, and produced by Francis Wolff and George Butler.
In 2004, it was included as the second of a trilogy of albums compiled on CD as The United States of Mind. Track List | 45:11 All compositions by Horace Silver
- Acid, Pot or Pills ~ 4:26
- What Kind of Animal Am I ~ 3:38
- Won’t You Open up Your Senses ~ 3:56
- I’ve Had a Little Talk ~ 3:46
- Soul Searching ~ 4:15
- Big Business ~ 5:22
- I’m Aware of the Animals Within Me ~ 3:45
- Old Mother Nature Calls ~ 6:17
- Total Response ~ 5:22
- Horace Silver – electric piano
- Cecil Bridgewater – trumpet, flugelhorn
- Harold Vick – tenor saxophone
- Richie Resnicoff – guitar
- Bob Cranshaw – electric bass
- Mickey Roker – drums
- Salome Bey (1, 2, 5-7, 9), Andy Bey (3, 4, 8) – vocals
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Daily Dose Of Jazz…
Lyman Woodard was born on March 3, 1942 in Owosso, Michigan. He started his musical career with a trio with drummer Melvin Davis and guitarist Dennis Coffey. They recorded the album Hair And Thangs that was released under Coffey’s name, however a single with It’s Your Thing and River Rouge was released under the name of Dennis Coffey and the Lyman Woodard Trio.
From the late 1960s, Woodard recorded with Motown acts, and served as musical director for Martha and the Vandellas. Establishing the jazz~funk band, the Lyman Woodard Organization in 1975 recorded Saturday Night Special, and in 1979, he recorded Don’t Stop The Groove, for the Corridor label. His 1987 recording, Dedicacion, featured violinist Regina Carter.
In March 2009, Wax Poetics Records reissued a limited pressing of his Saturday Night Special as a double LP on 180-gram vinyl.
Organist Lyman Woodard, who was based in Detroit, Michigan and was known for his ability to fuse Latin and Afro~Cuban inspired rhythms, transitioned on February 25, 2009 in his hometown of Owosso.
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Daily Dose Of Jazz…
Alain Mion was born of French extraction on January 14, 1947 in Casablanca, Morocco but was raised in Paris, France.Influenced by Bobby Timmons, Ray Charles and Les McCann, his style varies between jazz, soul jazz and funky music. By the time he was 19 he formed his own trio and performed at the Blue Note. This subsequently led to him gigging at various festivals with Hank Mobley and Philly Joe Jones.
1974 Alain created the jazz funk group Cortex and recorded a dozen albums before embarking upon a career under his own name in 1982, recording to date eleven albums, such as Pheno-Men, Alain Mion in New York recorded with David Binney and Marc Johnson, and Some Soul Food recorded in Stockholm, Sweden with Patrik Boman and Ronnie Gardiner.
In 2008, he emerged with a new group, Alain Mion FunKey Combo with drums, bass and a saxophone section consisting of Italian and French musicians. He reinvented his new group Alain Mion & The New Cortex with the singer Adeline de Lépinay reprising the role originally performed by Mireille Dalbray on the Troupeau Bleu album.
In the United States, Alain Mion and Cortex’s songs have been sampled by several hip-hop artists including but not limited to Madlib, Fat Joe, DJ Day, MF DOOM, Wiz Khalifa, Curren$y, Mellowhype, Tyler The Creator, Rick Ross, and Lupe Fiasco.
Pianist, composer, arranger, and vocalist Alain Mion continues his exploration of the jazz idiom.
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Daily Dose Of Jazz…
Jamaaladeen Tacuma was born Rudy McDaniel on June 11, 1956 in Hempstead, New York. Raised in Philadelphia, Pennsylvania he showed interest in music at a young age, taking up the electric bass and performing with the organist Charles Earland in his teens.
Through Earland, he came to know the record producer Reggie Lucas, who introduced Jamaaladeen to Ornette Coleman in 1975 at age 19. As the electric bassist for Coleman’s funky harmolodic Prime Time group, he rose to prominence quickly. During the 1980s he was playing a Steinberger bass that helped him create his readily identifiable sound.
His work with Prime Time got him an appearance with the band on Saturday Night Live in 1979. He went on to work with James “Blood” Ulmer, Walt Dickerson, Chuck Hammer, David Murray, and collaborated with The Golden Palominos in 1983. Tacuma recorded his first solo album as a leader, Show Stopper, that same year.
During the 1980s Jamaaladeen started to perform in a relatively straightforward funk/R&B setting with his group Cosmetic. He received the highest number of votes ever for an electric bassist in the “talent deserving wider recognition” category of the Down Beat magazine critics poll.
Though maintaining a low profile since the early 1990s, he has remained active but has maintained a lower profile. He has made numerous solo and collaborative recordings, returning to the jazz spotlight with an appearance on the World Saxophone Quartet’s Political Blues.
In 2007, he joined with Grant Calvin Weston and guitarist Vernon Reidto form the power trio Free Form Funky Freqs. He recorded two albums with Basso Nouveau. He has received numerous awards and fellowships and since 2015 he has presented the annual Outsiders Improvised & Creative Music Festival in Philadelphia. Bassist Jamaaladeen Tacuma continues to tour, produce and record worldwide.
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