Daily Dose Of Jazz…
Sven Arne Domnérus was born on December 20, 1924 in Stockholm, Sweden and began to play the clarinet at the age of 11. By the time he left school he had taken up the saxophone and turned professional. In 1949 he performed at the Paris Jazz Festival and with Charlie Parker when he was on tour in Sweden in 1950.
A few years later Arne recorded with Clifford Brown, Art Farmer, and James Moody. From the middle 1950s to the middle 1960s he was a featured soloist in the Swedish Radio Big Band. With Bengt-Arne Wallin, Rolf Ericson, and Åke Persson (the latter two were former members of Duke Ellington’s Orchestra), he participated in the Jazz Workshops organised for the Ruhrfest in Recklinghausen by Hans Gertberg from the Hamburg radio station.
He recorded several times with Quincy Jones in Sweden and is featured throughout The Midnight Sun Never Sets, composed and arranged by Jones and recorded under Jones’ direction by Harry Arnold’s orchestra in 1958. Domnérus’ playing in his early career was typical of the cool, sophisticated, technically accomplished and lyrical style of Swedish modern jazz during the 1950s.
As a leader Domnerus recorded forty~four albums and another 104 as a sideman with Alice Babs, Lars Gullin, Bengt Hallberg, Dizzy Gillespie, Thad Jones, George Russell, Toots Thielemans, Red Rodney, James Moody, Leonard Feather and Monica Zetterlund, among others too numerous to mention.
Saxophonist, clarinetist and composer Arne Domnerus, who wrote for film and television, and retired from playing due to his declining health, passed away on September 2, 2008 in his hometown.
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Daily Dose Of Jazz…
Joseph Barry Galbraith, born on December 18, 1919 in Pittsburgh, Pennsylvania.
Moving to New York City in the early 1940s he found work playing with Babe Russin, Art Tatum, Red Norvo, Hal McIntyre, and Teddy Powell. He played with Claude Thornhill in 1941–1942 and again from 1946–1949 after serving in the Army. In ‘53 he did a tour with Stan Kenton.
Having extensive work as a studio musician for NBC and CBS in the 1950s and 1960s, presented him with the opportunity to work with among others Miles Davis, Michel Legrand, Tal Farlow, Coleman Hawkins, George Barnes, John Lewis, Hal McKusick, Oscar Peterson, Max Roach, George Russell, John Carisi, and Tony Scott.
He accompanied on the recording of singers Anita O’Day, Chris Connor, Billie Holiday, Helen Merrill, Sarah Vaughan and Dinah Washington. He was a mentor to Ralph Patt.
In 1961, he appeared in the film After Hours. In 1963-1964 he played on Gil Evans’s album The Individualism of Gil Evans, and in 1965 he appeared on Stan Getz and Eddie Sauter’s soundtrack to the 1965 film Mickey One.
As an educator he taught for five years from 1970 to 1975 at CUNY (City University of New York) and published a guitar method book in 1982. From 1976–77 Galbraith taught guitar at New England Conservatory in Boston, Massachusetts.
Guitarist and bandleader Barry Galbraith passed away from cancer at the age of 63 on January 13, 1983 in Bennington, Vermont.
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Daily Dose Of Jazz…
Buddy Cole was born Edwin LeMar Cole on December 15, 1916 in Irving, Illinois. He started his musical career in the theater, playing between movies and by age 19 he was recruited to be part of the Gil Evans band.
Moving to Hollywood, California in the second half of the 1930s, Buddy played in dance bands, including those led by Alvino Rey and Frankie Trumbauer. From the 1940s, his main work was as a studio musician, utilizing piano, electric organ, celeste, harpsichord and Novachord.
Cole worked with Henry Mancini, who used his Hammond organ for the soundtrack to the TV series Mr. Lucky. He also played most of the piano parts in the 1951 film Young Man with a Horn, subbing for Hoagy Carmichael, who appeared on screen. He also wrote the music for the television game show Truth or Consequences.
He performed on Bing Crosby’s hits In a Little Spanish Town and Ol’ Man River, and on the albums Some Fine Old Chestnuts and New Tricks. Buddy also played on Rosemary Clooney’s radio program and some recordings from the show were released on the album Swing Around Rosie.
Pianist, organist, orchestra leader, and composer Buddy Cole, who recorded several organ albums as a leader for Warner Brothers, Columbia, Alshi and Doric, passed away on November 5, 1964 in Hollywood, California.
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Daily Dose Of Jazz…
Hidehiko “Sleepy” Matsumoto (松本英彦) was born on October 12, 1926 in Okayama, Japan. He attended Fuchu High School where he learned the saxophone followed by matriculation through the University of Electro-Communications.
In the late 1940s he played bebop in Japan with the group CB Nine, then joined The Six Josés and The Big Four, a group which included George Kawaguchi, Hachidai Nakamura, and Mitsuru Ono.
In 1959 he became a member of Hideo Shiraki’s small ensemble, and played with Gerald Wilson at the 1963 Monterey Jazz Festival and Toshiko Akiyoshi in 1964. Starting in 1964 Hidehiko led his own ensembles, which included sidemen Takeshi Inomata, Akira Miyazawa, George Otsuka, and Isao Suzuki.
On July 22 and 24, 1966, he played with the John Coltrane quintet in Tokyo, Japan while the group toured Japan. Tenor saxophonist and bandleader Hidehiko “Sleepy” Matsumoto passed away on February 29, 2000 in Tokyo, Japan.
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Daily Dose Of Jazz…
John Wallace Carter was born on September 24, 1929 in Fort Worth, Texas and attended I.M. Terrell High School, and played music with schoolmates Ornette Coleman and Charles Moffett in the 1940s. Earning a Bachelor of Arts from Lincoln University in Jefferson, Missouri in 1949 and a Master of Arts from the University of Colorado in 1956. He also studied at the North Texas State and University of California at Los Angeles, California.
From 1961, Carter was based mainly on the West Coast. There he met Bobby Bradford in 1965, with whom he subsequently worked on a number of projects, notably the New Jazz Art Ensemble. He also played with Hampton Hawes and Harold Land. In the 1970s Carter became well known on the basis of his solo concerts.
At the New Jazz Festival Moers in 1979, he and the German clarinet player Theo Jörgensmann performed for three days. Carter received complimentary reviews and wide recognition from around the world. He and Jörgensmann met again in 1984, and played the Berlin JazzFest, both as a soloist and in duo.
Between 1982 and 1990, John composed and recorded Roots and Folklore: Episodes in the Development of American Folk Music. It was a five album set that focused on African Americans and their history, and was acclaimed by jazz critics as containing some of the best releases of the 1980s.
He recorded seventeen albums as a leader and thirteen albums with Tim Berne, Clarinet Summit, Vinny Golia, Richard Grossman, John Lindberg, James Newton and Horace Tapscott. Carter planned a clarinet quartet with Perry Robinson, Jörgensmann and Eckard Koltermann was planned for 1991, but it never came to fruition.
Clarinetist, saxophonist, and flutist John Carter passed away from a non-malignant tumor on March 31, 1991. Later that year he was inducted into the Down Beat Jazz Hall of Fame.
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