
Daily Dose Of Jazz…
Lembit Saarsalu was born July 8, 1948 in Roosna-Alliku, Estonia. He started playing jazz at an early age. He debuted at the Tallinn International Jazz Festival at the age of 16. He worked for many years in the State Philharmonic of the Estonian SSR , where as a paid musician he gave numerous concerts both at home and abroad. In the 1980s, Saarsalu devoted himself completely to jazz.
For decades, he has led local and international ensembles. He worked in a duo with Leonid Vintskevich, started a new international jazz festival Rainbow Jazz with music producer Merle Kollom and a competition for young musicians in Tartu.
As an educator Saarsalu introduced jazz in schools and has performed together with Olav Ehala and other well-known Estonian musicians for more than 40,000 students. Since the fall of 2016, he has been working as a saxophone and ensemble teacher in the rhythm music department of the Tartu Music School.
In the 1980s Eesti Televisioon made two films about Lembit, he has performed on Finnish and Spanish television and has made numerous recordings, numbering 200 recordings for Estonian Radio. His style ranges from blues and swing to free forms of jazz.
He has been repeatedly chosen as the best tenor saxophonist, awarded the annual prize of the Sound Art Endowment Fund of the Estonian Cultural Capital.
Saxophonist , bandleader and composer Lembit Saarsalu, who has been called the saxophone king and the calling card of Estonian jazz, continues to perform, compose and teach.
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Daily Dose Of Jazz…
Chris White was born Christopher Wesley White on July 6, 1936 in Harlem, New York and grew up in Brooklyn, New York. In 1956 he graduated from City College of New York, and in 1968 from the Manhattan School of Music. Continuing his education six years later he earned his Master of Education from the University of Massachusetts Amherst. In 1994, he did postgraduate Advanced Computer Study at Berklee College of Music.
An occasional member of Cecil Taylor’s band in the 1950s, he was credited on the 1959 Love for Sale album. From 1960 to 1961 he accompanied Nina Simone and subsequently he was a member of Dizzy Gillespie’s ensemble until 1966.
He founded the band The Jazz Survivors and was a member of the band Prism. Throughout his career he collaborated with Billy Taylor, Eubie Blake, Earl Hines, Chick Corea, Teddy Wilson, Kenny Barron, Mary Lou Williams, Duke Ellington, Sarah Vaughan, Carmen McRae and Billy Cobham.
Bassist, arranger, producer and educator Chris White, who was on the creative arts and technology faculty at Bloomfield College in New Jersey, died on November 2, 2014.
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Daily Dose Of Jazz…
Ron Collier was born on July 3, 1930 in Coleman, Alberta, Canada and began his musical training in Vancouver, British Columbia, Canada. He was a member of the Kitsilano Boys’ Band. He studied music privately in Toronto with Gordon Delamont and was the first jazz musician to receive a Canada Council grant that led him to study orchestration in New York in 1961 and 1962.
He formed the Ron Collier Jazz Quartet, which performed in the 1950s at the Stratford Festival and on CBC’s Tabloid with Portia White, and in 1963 with the Winnipeg Symphony Orchestra.
Duke Ellington performed with the Ron Collier Orchestra on the 1969 album North of the Border in Canada. The album included his compositions and those by several Canadian composers. He also created orchestrations for a number of Ellington’s concerts and recordings.
He composed the scores to three films in the 1970s and began directing a student orchestra at Toronto’s Humber College. His band won the Big Band Open Class at the Canadian Stage Band Festival in 1982. He would go on to perform in and lead a number of jazz groups.
Trombonist, composer, and arranger Ron Collier, who was made an Officer of the Order of Canada, died on October 22, 2003 in Toronto, Canada at the age of 73.
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Daily Dose Of Jazz…
Mat Marucci was born Mathew Roger Marucci III on July 2, 1945 in Rome, New York into a musical family with his sister Mena, a concert pianist and his brother Ed, a trumpeter. He was classically trained on the piano and switched to drums at the age of 19.
After graduating high school from St. Aloysius Academy in 1963, Marucci studied drums with Dick Howard in Auburn, New York for two years. Receiving a business management degree at Auburn Community College in 1965, he relocated to the west coast four years later. Attending Sacramento City College in California, he received his associate degree in music, in 1973.
In addition to recording and performing, Marucci has authored several books on drumming for both Ashley Publications and Mel Bay Publications. His recordings and books have garnered four and five star reviews in JazzTimes, Jazziz, Modern Drummer, DownBeat and DRUM! magazines. He also wrote articles for several magazines and jazz websites.
In his role as a jazz educator, Mat has been a professor at several California colleges in Sacramento and Berkeley and an applied drum set instructor at the Sacramento Traditional Jazz Society.
Drummer Mat Marucci, who has lived between New York City, Los Angeles and Sacramento and has recorded seventeen albums as a leader and eight as a sideman, continues to explore and perform.
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Daily Dose Of Jazz…
Christiaan Herbert “Chris” Hinze was born June 30, 1938 in Hilversum, Netherlands. He initially performed publicly as a pianist until the mid-Sixtiess, when he began studying flute at the Royal Conservatory of The Hague and then came to America and Berklee College of Music.
As a pianist, he played with Boy Edgar until 1966, but by 1967 was playing flute professionally with the bassist Dick van der Capellen. His first releases as a leader were issued in 1969, and in 1970, and was awarded the Best Soloist prize at the Montreux Jazz Festival.
The 1970s saw him forming his own ensemble, the Chris Hinze Combination, which included Gerry Brown and John Lee, which produced some success with arrangements of Baroque music in a jazz setting. He founded the record label Keytone Records in the mid-1970s.
In the 1980s, Hinze played for several years in a duo with Sigi Schwab and continued touring with a new version of his Combination. He began studying the music of Tibet and South Asia in the middle of the decade, forming a world music ensemble which shifted toward more new age and electronic music styles rather than jazz.
Flautist Chris Hinze continues to compose and perform.
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