Daily Dose Of Jazz…
David Werner Amram III was born November 17, 1930 in Philadelphia, Pennsylvania. He studied at the Oberlin Conservatory of Music in 1948–1949, and earned a bachelor’s degree in European history from George Washington University in 1952. In 1955 he enrolled at the Manhattan School of Music, where he studied under Dimitri Mitropoulos, Vittorio Giannini, and Gunther Schuller. Under Schuller he studied French horn.
As a sideman or leader, David has worked with Aaron Copland, Thelonious Monk, Dizzy Gillespie, Charles Mingus, Jack Kerouac, Sonny Rollins, Lionel Hampton, Stan Getz, George Barrow, Jerry Dodgion, Paquito D’Rivera, Pepper Adams, Arturo Sandoval, Oscar Pettiford, Allen Ginsberg, Mary Lou Williams, Kenny Dorham, Ray Barretto, Wynton Marsalis, and others that included a wide range of folk, pop, and country figures.
In 1956, producer Joseph Papp hired Amram to compose scores for the New York Shakespeare Festival, the next year staged one of the first poetry readings with jazz, and in 1966 Leonard Bernstein chose Amram as the New York Philharmonic’s first composer-in-residence.
He went on four international musical tours to Brazil, Kenya, Cuba and the Middle East. He conducted a 15 piece orchestra for Betty Carter’s What Happened To Love? album, became an advocate for music education. He composed scores for the Elia Kazan films Splendor in the Grass, and The Arrangement and for the John Frankenheimer films The Young Savages and The Manchurian Candidate.
French hornist and pianist David Amram, who also plays Spanish guitar, penny whistle, sings and composes, has recorded nineteen albums as a leader and twenty-eight as a sideman.
More Posts: bandleader,composer,french horn,guitar,history,instrumental,jazz,music,penny whistle,piano,vocal
Daily Dose Of Jazz…
Neil James Sinclair Swainson was born November 15, 1955 in Victoria, British Columbia, Canada. He started his career in his hometown when he supported visiting American musicians Herb Ellis, Barney Kessell, and Sonny Stitt, among others. In 1976 he moved to Vancouver, British Columbia and after playing with the Paul Horn Quintet, he led a band for two years. He moved to Toronto, Quebec in 1977
In the 1980s he played with local and visiting acts including Tommy Flanagan, Rob McConnell, Ed Bickert, Slide Hampton, James Moody, Jay McShann, Moe Koffman, Lee Konitz, Joe Farrell, George Coleman, and Woody Shaw. He went on to collaborate with Woody Shaw appearing on two of his recordings: In My Own Sweet Way and Solid. He toured with Shaw often in New York City and on many European tours.
A collaboration between Swainson and pianist George Shearing would form in 1986, after he replaced Don Thompson in 1988. Their relationship continued until Shearing’s passing in 201 and during their time together they toured across North America, Great Britain, Europe, Australia, Hong Kong, and Japan. They played with musicians including Joe Williams, Nancy Wilson, Diana Krall, Robert Farnon and Mel Tormé.
Together the two recorded eight recordings and he recorded his own album; 49th Parallel on Concord Jazz in 1987. His recordings feature Woody Shaw on trumpet, and Joe Henderson on saxophone along with numerous other musicians such as Jay McShann, Geoff Keezer, Doc Cheatham, Sam Noto, Don Thompson, Peter Leitch, Pat LaBarbera, Joe LaBarbera, Rob McConnell, Ed Bickert, Lorne Lofsky, Kirk MacDonald and JMOG, a cooperative band featuring, Kevin Dean and Pat LaBarbera.
Swainson has also recently toured worldwide with the singer Roberta Gambarini and as well with pianist Gene DiNovi in Japan. As an educator he works at Humber College as a professor in the Bass department after receiving a music degree. Bassist Neil Swainson continues to compose music and freelance in Toronto.
More Posts: bandleader,bass,history,instrumental,jazz,music
Daily Dose Of Jazz…
Elmon Wright was born on October 27, 1929 in Kansas City, Missouri to trumpeter Lammar Wright Sr. and the brother of trumpeter Lammar Wright Jr. Following in his father’s and brother’s footsteps, he learned to play the trumpet.
Wright played with Don Redman early in his career, then with Dizzy Gillespie’s first big band in 1945. He then went on to play with Roy Eldridge and then went back to Gillespie’s band, touring and recording with him from 1946 until 1950.
He toured with Earl Bostic for a year in 1954, then worked as a freelance musician in New York City, performing at the Apollo Theater in Harlem with R&B and rock groups. He played with Buddy Rich and Earle Warren in 1959 and recorded with Milt Jackson in 1963. Trumpeter Elmon Wright transitioned in 1984.
More Posts: history,instrumental,jazz,music,trumpet
Daily Dose Of Jazz…
John Cocuzzi was born in Camp Springs, Maryland on Andrews Air Force Base on October 26, 1964. Taking a very early interest in playing drums, immediately after graduating from high school, in 1982 he attended Montgomery Junior College in Rockville, Maryland as an applied percussion major. While there he also studied arranging with Bill Potts, who wrote for Buddy Rich and others.
Towards the end of the decade he had established himself, performing in and around the nation’s capital. During these years, in addition to playing drums, Cocuzzi also played piano and vibraphone, gradually advancing his skills on the latter instrument until it became the dominant force in his impressive arsenal.
The early 90s saw John appearing at numerous festivals across the country, as well as Belgium and the Netherlands. Throughout his career he has mainly led his own small groups and has also played piano with the swing, blues and jump band, Big Joe And The Dynaflows, led by Big Joe Maher.
He has worked and/or recorded with Howard Alden, Joe Ascione, Louie Bellson, Bobby Gordon, Chuck Hedges, Nat King Cole, Milt Hinton, Dick Hyman, Russell Malone, Ken Peplowski, Bucky and John Pizzarelli, Houston Person, Eddie Locke, Barbara Morrison, Peter Appleyard, Russell Malone, Ed Polcer, Daryl Sherman, Warren and Allan Vaché, Johnny Varro, Bob Wilber and Snooky Young. A dynamic and swinging drummer, Cocuzzi is a fluently inventive improviser on piano. His vibraphone playing ably blends the urgent thrust he displays in his drumming with the fluid grace of his piano playing.
On radio, Cocuzzi recorded a session for NPR’s “Riverwalk: Live at The Landing” with the Jim Cullum Band. It was a tribute to Benny Goodman, The Swing Shift: Jazz on Late-Night Radio, and featured Allan Vaché on clarinet with Nicholas Payton on trumpet.
For 15 years, he was the music director for the 219 Restaurant’s Basin Street Lounge in Old Town, Alexandria, Virginia. He was also music director for the Crystal City Jazz Celebration from 2003 to 2006.
Jazz, blues and swing vibraphonist, pianist and drummer John Cocuzzi, whose influences are Lionel Hampton and Red Norvo, continues to perform
More Posts: bandleader,drums,history,instrumental,jazz,music,piano,vibraphone
Daily Dose Of Jazz…
Manny Flores Jr. was born in El Paso, Texas on October 9, 1954. He spent his first eighteen years of life as an army brat, traveling and listening to music in a variety of different places. He began his playing career in the summer of 1971 at a gig at the Fort Huachuca NCO Club. At this time his inspiration for the bass was fellow left-handed bass player Paul McCartney. Graduating from Buena High School in Sierra Vista, Arizona in l972.
He also listened to jazz when he would buy Blue Note LPs at the bargain bin with Eric Dolphy and Charles Mingus among his favorites. He then graduated from Cochise College in Douglas, Arizona in 1974 with an Associates degree in Liberal Arts. By 1975 he was back in his hometown of El Paso and began playing in various groups including Top 40 and Country/Western groups in New Mexico, Wyoming and Arizona. Enrolling at the University of Texas at El Paso, he received his Bachelor of Music Education degree in 1982.
In 1983 he auditioned for and began playing with the El Paso Symphony Orchestra under the direction of Maestro Abraham Chavez Jr. He also began teaching instrumental music in the Ysleta Independent School District. During the decade Manny met many musicans who inspired him to make music a way of life including Frank Zappa, Jaco Pastorius, Ray Brown and Julliard cello teacher Harvey Shapiro.
In 1985 he began the first of a four-year trek to Victoria, British Columbia, Canada to attend the prestigious Johannesen International School of the Arts. He attended six-week master classes, and spent a summer in New York City studying jazz and listening to live performances of Charlie Haden, Marc Johnson, Harvie Swartz, and Eddie Gomez.
Flores has played with several big bands in addition to Bobby Saunders, Frank Dove and the Sundowners, Mario Otero, Crossroads, El Paso Brass Quintet, Bobby Booth Dixieland Band, M.D. Quartet, U.T.E.P. Lab Band I with Gene Lewis, Mike Francis Quartet, Gerald Hunter and the Quintones, Art Lewis and the Earthmen, Orchestra Puerto Rico, Spice of Life, Bing Browning Trio, Cecile Larochelle, The Platters, The Four Lads, The Four Aces, Jimmy Dorsey Orchestra, Mel Carter, Roger Miller, Johnny Mathis, Guy Lombardo’s Royal Canadians, Charlie Rouse and Boyz II Men.
By 1998 he made his first trip to Rio de Janeiro, Brazil to fulfill a lifelong desire to experience Brasilian music firsthand and to meet one of his favorite musicans Hermeto Pascoal. He hung out with his friends Albert Suhett, Itibere Zwarg, Marcio Bahia, and Hermeto. Marcio Bahia introduced him to bassist Adriano Giffoni with whom he studied with each summer in Rio.
Bassist Manny Flores Jr. is involved in the Universal Music movement and continues to perform locally in Austin and El Paso.
More Posts: bass,history,instrumental,jazz,music