Daily Dose Of Jazz…

Wally Schnalle was born on March 30, 1957 in Santa Clara, California. Graduating from San Jose State University he recorded early on with Francis Wong and performed with the Nova Vista and San Jose Symphonies.

In 1994 Wally recorded his debut set as a leader for the small Tree Fort label and he soon formed a regularly working quintet although the drummer had been leading groups on and off since 1989. His quintet with tenor saxophonist Dann Zinn and trumpeter John Worley appeared at the Monterey Jazz Festival.

He recorded for Retlaw in 1997 and played often in northern California. In addition to his work as a drummer, Schnalle has been the music editor for the International Drum! magazine and has been active as a teacher.

Drummer and bandleader Wally Schnalle continues to perform and record.

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Daily Dose Of Jazz…

Carl-Henrik Norin was born on March 27, 1920 in Västerås, Sweden. He first began playing professionally in the early 1940s with Gösta Tönne and Thore Ehrling. As a member of Ehrling’s ensemble, he composed the piece Mississippi Mood.

He led a sextet in Stockholm, Sweden in the 1950s and early 1960s, which played jazz as well as accompanying popular singers such as Bibi Johns. Among his sidemen were Jan Allan and Rolf Billberg.

He played with Harry Arnold, Roy Eldridge, Lars Gullin, Peanuts Holland, and Bjarne Nerem. Saxophonist Carl-Henrik Norin died on May 23, 1967, Stockholm, Sweden.

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Daily Dose Of Jazz…

Gary Bruno was born in New Jersey on March 26, 1962. Showing an interest in music at the age of five he began learning drums and two yers later started studying guitar. Taking weekly lessons he showed prodigious technique and a hunger for learning music. His parents gave him a radio that he took everywhere as early as age three. It only took a short period of guitar lessons that he began to learn the songs of the day from the radio.

By age thirteen Gary had his first professional job with his band. Hired by a family friend he played a Christmas party, and that job was the first of what would become a livelihood. By his junior year in high school he was playing three to four nights a week as well as teaching. All four years of high school also found him playing first chair in the local jazz ensemble and winning outstanding soloist awards two of the four years.

After high school he began to get calls for recording sessions from unsigned local songwriters and local producers creating jingle ads for radio. Local club dates with bands served as his night job, and the days found him teaching, recording and studying guitar. The club dates kept Bruno within the New York, New Jersey, and Pennsylvania area with occasional outside tri-state travel.

Gary landed a seat in the Dave Mason Band, which took his playing to a national & international level. This led to playing Greenpeace concerts with John Denver. Moving to Las Vegas he got gigs playing the Las Vegas Strip as much as six nights a week. Leaving Las Vegas, he settled in Southern California where he currently resides.

Guitarist and educator Gary Bruno will continue composing, recording & performing.

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Jon Ivar Christensen was born March 20, 1943 in Oslo, Norway. In the late 1960s he played alongside Jan Garbarek on several recordings by the composer George Russell. He also was a central participant in the jazz band Masqualero, with Arild Andersen, and they reappeared in 2003 for his 60th anniversary.

He appears on many recordings on the ECM label with such artists as Keith Jarrett, Jan Garbarek, Terje Rypdal, Bobo Stenson, Eberhard Weber, Ralph Towner, including the seminal 1975 Solstice, Barre Phillips, Arild Andersen, Enrico Rava, John Abercrombie, Michael Mantler, Miroslav Vitous, Rainer Brüninghaus, Charles Lloyd, Dino Saluzzi Jakob Bro, and Tomasz Stanko.

Christensen was a member of the Keith Jarrett “European Quartet” of the 1970s, along with Jan Garbarek and Palle Danielsson, which produced five jazz recordings on ECM Records.

Drummer Jon Christensen died on February 18, 2020, at the age of 76 in his hometown.

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Yervant Harry Babasin, Jr. was born on March 19, 1921 in Dallas, Texas to American/Armenian parents. He attended North Texas State University, one of many noted jazz alumni from the school. Among them were Jimmy Giuffre, with whom he played in Bill Ware’s orchestra around 1940, and Herb Ellis, who played with him in the Charlie Fisk Orchestra starting in 1942. Fisk actually fired his rhythm section after hearing Ellis and Babasin play, and after he was admitted, Babasin quit school to go on tour with Fisk.

He toured in the 1940s with Jimmy Joy, Bob Strong, Billie Rogers, Gene Krupa, Charlie Barnet, Boyd Raeburn, Benny Goodman, Woody Herman, Frank DeVol, and Jerry Gray. He also appeared in A Song Is Born, one of many jazz stars to play roles in the film. On the film set he met guitarist Laurindo Almeida, and the two began jamming together. Along with Roy Harte and Bud Shank their quartet was an early experiment blending Brazilian music and jazz. Their 1954 ten inch discs are predecessors to the bossa nova explosion of the late 1950s and early 1960s.

1947 saw him recording the first cello solos known in jazz music, with the Dodo Marmarosa Trio. In order to do so, he tuned his strings in fourths. In later cello ensembles he added a bass player. He and Oscar Pettiford did a session together with two cellos. In the mid-1950s, he put together his own ensemble, Harry Babasin & the Jazzpickers. This ensemble released three albums and played regularly at the Purple Onion in Hollywood, California. One recording of note was made in 1952 at the Tradewinds nightclub in Inglewood. It features Charlie Parker, Chet Baker, Sonny Criss, Al Haig, Larance Marable, and Harry, in one of Bird’s few West Coast appearances.

His career cooled in the 1960s, returning to work with Charlie Barnet and supporting Bob Hope’s USO tours. In the 1970s he and Harte initiated the Los Angeles Theaseum, a jazz archive and preservation society. Harry gave his last tour in 1985 with John Banister on piano. Over the course of his career he was possibly a part of as many as 1,500 recordings.

Bassist Harry Babasin, nicknamed The Bear, died of emphysema in Los Angeles, California on May 21, 1988.

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