Daily Dose Of Jazz…
Hailing from Los Angeles, California on September 18, 1951 Steve Slagle was born. He grew up in suburban Philadelphia, Pennsylvania and received a scholarship to the Berklee College of Music and received a master’s degree in music from Manhattan School of Music. In 1976 New York City saw him first working with Machito and his Afro-Cuban orchestra, before touring and recording with Ray Barretto, Steve Kuhn, Lionel Hampton, Brother Jack McDuff, and Carla Bley. He has also performed and traveled with Woody Herman and Cab Calloway.
In the mid-1980s he began leading his own combos, first with Mike Stern and Jaco Pastorius, and then with Dave Stryker. He has played frequently with Joe Lovano and has been featured on several of Lovano’s albums, including the Grammy-winning 52nd Street Themes.
The mid-1980s had Steve recording with Milton Nascimento and recorded Rio Highlife in Brazil. He toured frequently worldwide during the 1990s and 2000s, in Western Europe, Japan, South America, Russia and Bulgaria. During the 1990s, he was a leading figure in the Charles Mingus Big Band, and co-leads a band with guitarist Dave Stryker.
He has played with such diverse artists as St. Vincent, Elvis Costello, the Beastie Boys, and Dr. John. As an educator Slagle has taught at the Manhattan School of Music, Rutgers, The New School, NYU, and clinics through the Thelonious Monk Institute, the Mingus Jazz Workshop and master classes and clinics worldwide.
He recorded a duo album with pianist Bill O’Connell in tribute album to Kenny Drew Jr. was released as The Power of Two. He has published a composition and improvisation workbook for the creative musician titled Scenes, Songs and Solos. He has released eighteen albums as a leader, six as a collaborator and 41 as a sideman. Saxophonist Steve Slagle continues to perform, record, teach.
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Daily Dose Of Jazz…
Stanley Mackay Greig was born on August 12, 1930 in Joppa, Edinburgh, Scotland to a father who was a drummer and piano tuner. While still in high school he played with Sandy Brown in 1945, then played piano and drums with him from 1948 to 1954. Moving to London, England in the mid-Fifties he played with Ken Colyer, Humphrey Lyttelton, and Bruce Turner, then with the Fairweather-Brown All-Stars in 1958-59.
He played with Turner again briefly before becoming a member of Acker Bilk’s Paramount Jazz Band from 1960 to 1968. After 1969 Greig made piano his primary instrument, leading his own small groups and playing boogie woogie and blues piano. He played with Dave Shepherd and Johnny Hawksworth as a sideman in the early 1970s, then formed the London Jazz Big Band in 1975.
From 1977-80 he played with George Melly, then toured as a bandleader in Europe in the early Eighties. He worked again with Lyttelton for a decade beginning in 1985, then worked with Wally Fawkes later in the 1990s. The Stan Greig Trio played many gigs in and around London, with the Rolling Stones’s Charlie Watts sometimes turning out on drums.
Pianist, drummer, and bandleader Stan Greig transitioned on November 18, 2012 after suffering from Parkinson’s disease.
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Daily Dose Of Jazz…
Peter John King was born on August 11, 1940 in Kingston upon Thames, Surrey, England. He took up the clarinet and saxophone as a teenager, entirely self-taught. His first public appearances were in 1957, playing alto in a trad jazz group at the Swan Public House in a group organized by trumpeter Alan Rosewell. After the performance he chose to be a professional musician. He came under the strong musical influence of Charlie Parker developing a bebop style inspired by Parker.
In 1959, at the age of 19, he was booked by Ronnie Scott to perform at the opening of Scott’s club in Gerrard Street, London, England. In the same year, he received the Melody Maker New Star award. He worked with Johnny Dankworth’s orchestra from 1960 to 1961, and went on to work with the big bands of Maynard Ferguson, Tubby Hayes, Harry South, and Stan Tracey, the Brussels Big Band, and the Ray Charles band on a European tour.
He played in small groups with musicians such as Philly Joe Jones, Zoot Sims, Al Cohn, Red Rodney, Hampton Hawes, Nat Adderley, Al Haig, John Burch, Bill Watrous, and Dick Morrissey, Tony Kinsey, Bill Le Sage, Jimmy Witherspoon, Joe Williams, Jon Hendricks, and Anita O’Day. His musical curiosity led him to associate with freer idioms in John Stevens’ ‘Freebop’ group in the 1980s. He appeared on the soundtrack of the 1969 film The Italian Job. He was a member of the Charlie Watts Tentet.
From the early 1990s, his style matured and flourished as an improviser and a composer. He found ways to combine jazz and classical techniques without diluting either and he recorded the results on his albums Tamburello, Lush Life and Janus with the Lyric String Quartet.
He won the BBC ‘Musician of the Year’ award, appeared in the documentary film, No One But Me, discussing jazz vocalist Annie Ross and appeared in the movies Blue Ice and The Talented Mr. Ripley. His autobiography Flying High was widely praised for its candour and honesty about his musical career and personal life, his international associations in the jazz world, and the many years in which he battled addiction. Saxophonist, clarinetist and composer Peter King transitioned on August 23, 2020 in Putney, South London, England at 80.
Daily Dose Of Jazz…
Matthew Mitchell was born in Hamilton, New Zealand on August 9, 1973 and didn’t start studying jazz until late in his teens, beginning on guitar at the age of 17. Four years later he attended what became the Massey University Wellington School of Music majoring in jazz. By 1998 he became a member of the New Zealand Youth Jazz Orchestra and toured with ex-Buddy Rich trumpeter John Hoffman.
First achieving prominence on the New Zealand jazz scene the following year when he won the Wellington Fringe Festival Music Award. His study of Indian classical music produced cohesive results and Matthew toured the country with Master Tabla drummer Dr. Tarlochan Singh from Delhi, India and then with New York vibraphonist Arthur Lipner. He then put together his own trio featuring Paul Dyne and Rick Cranson and they released two CDs, one of which was a big band work.
Moving to London, England in 2000 he continued work with his trio and rapidly became a prominent member of the jazz scene and joined Byron Wallen’s As Is project touring the UK and performing at a number of international festivals. He went on to perform and tour with German saxophonist Ingrid Laubrock, as well as Japanese electronic music artists Takagi Masakatsu and Ogorusu Norihide and with countryman electronics artist Signer.
Guitarist Mattewh Mitchell continues to tour regularly throughout Europe with his own groups and release recordings.
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The Jazz Voyager
Setting down in Atlanta, Georgia after a fourteen and a half hour flight from Kyoto this Jazz Voyager is heading to friends for a shower and a lay down before heading out to indulge myself in a two stop night of jazz. My first stop is St. James Live for a little night music. Operated by husband-and-wife Ron and Evelyn St. James along with their daughter, Tiffany have established a warm, relaxing ambience for an extraordinary evening. With a menu ranging from tapas to sweet treats, salads and small bites, their culinary diversity will enchant and satisfy any palate. I’m looking at fish tacos and peach cobbler to hold me through the evening.
This week I’ll be in the audience enjoying The Baylor Project. A husband. A wife. An astonishing duo built on love, family, faith, culture and community. These are the things that power Jean and Marcus Baylor. This enticing collaboration is steeped in the heart and soul of jazz.
St. James Live is located in Camp Creek Village Townhomes at 3220 Butner Rd #240, 30331. More information can be obtained by calling 404-254-3561 or by visiting stjamesliveatl.com.
I’ll wrap up my evening with a late night hit with The Hightower Harper Hang at the Handle Bar at 476 Edgewood Avenue. More info at 404-600-2639. It’s a full night of jazz in the A where this Jazz Voyager hasn’t had the opportunity to see friends and musicians not seen or heard in a few years.
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