VIRGINIA MACDONALD ~ TODD MARCUS QUINTET

Juno Award-nominated clarinetist Virginia MacDonald has established herself as a rising star of her generation. Known for her lyrical and soulful clarinet playing, Virginia has been described as a “powerful new voice in the Canadian scene” by Juno Award-winning bassist Mike Downes. As a highly in-demand bandleader, sidewoman, and composer, Virginia keeps a regular performance schedule across Canada, the United States, and Europe.

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Daily Dose Of Jazz…

Arthur Doyle was born June 26, 1944 in Birmingham, Alabama and was inspired to play music as a child after watching Louis Armstrong and Duke Ellington on television. During his high school years, he began listening to Miles Davis, John Coltrane and Sonny Rollins, and picked up gigs as a saxophonist. While still a teenager, he played with saxophonist Otto Ford, trumpeter Walter Miller and in R&B and blues groups.

After graduating high school, Doyle attended Tennessee State University in Nashville, receiving a degree in Music Education. While there he played with trumpeter Louis Smith and singers Gladys Knight and Donny Hathaway. He briefly went to Detroit, Michigan to play with hard bop trumpeter Charles Moore. He gravitated toward free jazz after playing at a Black Panthers festival.

Moving to New York City in 1968, Doyle worked with Sun Ra and Bill Dixon, and met and befriended saxophonist Pharoah Sanders and guitarist Sonny Sharrock. The following year, he recorded with Noah Howard and while in the city he met drummer Milford Graves, who encouraged him to pursue his natural affinity for pure sound. In 1977 he recorded his debut album Alabama Feeling, his first as a leader. He began playing with guitarist Rudolph Grey, and in 1980 along with Grey and drummer Beaver Harris, they became known as The Blue Humans and recorded Live NY 1980.

At around this time, Arthur began struggling with anxiety issues, and moved to Endicott, New York, where he worked as a counselor. In 1981, he moved to Paris, France where he began an association with multi-instrumentalist Alan Silva and his Celestrial Communication Orchestra, and participated in the recording of the album Desert Mirage in 1982. The following year, while in France, he was accused of rape and imprisoned. Maintaining his innocence he was pardoned and released in 1988 and during his time in prison, he wrote over 150 songs and assembled what he called the Arthur Doyle Songbook.

In the early Nineties Doyle returned to the United States, moving back to Endicott, and restarted his involvement in music. He resumed his association with Grey, playing at CBGB and releasing Arthur Doyle Plays and Sings from the Songbook Volume One on Grey’s Audible Hiss label. Over the next decade, he played and recorded with drummers Hamid Drake, Sabu Toyozumi, and Sunny Murray, among others, and formed The Arthur Doyle Electro-Acoustic Ensemble.

Saxophonist, bass clarinetist, flutist, and vocalist Arthur Doyle, who was best known for playing what he called free jazz soul music, died on January 25, 2014 in his hometown.

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Daily Dose Of Jazz…

Eddie Miller was born Edward Raymond Müller on June 23, 1911 in New Orleans, Louisiana. In his early teens he got a job selling newspapers, so he would be eligible for a newsboys’ band. His professional career began in New Orleans at 16, with his recording debut occurring in 1930 with Julie Wintz.

He went on to work in Ben Pollack’s orchestra and then stayed when Bob Crosby took over its leadership. He stayed with Crosby until the band broke up in 1942. He had his own band for a brief time after that, before being drafted. However, he was discharged from the military early because of illness.

Settling in Los Angeles, California he worked with Pete Fountain, appeared in most of Crosby’s reunions, did club work and also played with trumpeter Al Hirt.

As a songwriter Eddie composed Slow Mood, which later became known as Lazy Mood after Johnny Mercer noticed the tune and composed lyrics. Miller was inducted into the Big Band and Jazz Hall of Fame in 1998. He won numerous Playboy and Esquire Jazz polls. Miller finished his career as the lead saxophonist with Pete Fountain, living in New Orleans.

Tenor saxophone and clarinet Eddie Miller died at age 79 in Van Nuys, California of pneumonia on April 1, 1991.

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Daily Dose Of Jazz…

Eugene Porter was born in Pocahontas, Mississippi on June 7, 1910 and began on cornet, but when his instrument was stolen he picked up saxophone and clarinet, studying the latter under Omer Simeon. His family moved to Chicago while still in high school, but left school early to start a career in music

Moving to New Orleans, Louisiana in the Thirties he worked in and around town as well as on riverboats, with Papa Celestin, Joe Robichaux, and Sidney Desvigne. He was with the Jeter-Pillars Orchestra from 1935 to 1937, then played with Don Redman briefly before returning to Jeter-Pillars until 1942. Following this Gene worked with Jimmie Lunceford and then with Benny Carter until 1944, working as assistant bandleader under him. He appeared in several films, including with Fats Waller.

Porterer was in the Army in 1944-45 as a member of an Army band, then played with Carter again and recorded with Dinah Washington during this period. For the next two years he performed with Charles Mingus and Lloyd Glenn.

After moving to San Diego, California in 1948 he played with Walter Fuller until 1960. Gene led his own ensemble at the Bronze Room in La Mesa, California beginning in 1967.

Saxophonist and clarinetist Gene Porter, who was named a member of the St. Louis Jazz Hall of Fame in the 1980s, died in San Diego County, California, on February 24, 1993.

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Daily Dose Of Jazz…

Artie Shaw was born Arthur Jacob Arshawsky on May 23, 1910 in New York City to Austrian and Russian Jewish parents Sarah and Harold Arshawsky, a dressmaker and photographer. He grew up in New Haven, Connecticut, where his natural introversion was deepened by local antisemitism. Buying a saxophone by working in a grocery store and began learning the saxophone at 13. At 16, he switched to the clarinet and left home to tour with a band.

From 1925 to 1936 Shaw performed with many bands and orchestras, working in Cleveland, Ohio and establishing a lasting reputation as music director and arranger for an orchestra led by violinist Austin Wylie. Exposed to symphonic music while playing with Irving Aaronson’s Commanders, which he later incorporated in his arrangements. In 1932 he joined the Roger Wolfe Kahn Orchestra and made several recordings. Three years later he gained attention with his “Interlude in B-flat” at a swing concert at the Imperial Theater in New York. During the swing era, his big bands had numerous popular hits with Begin the Beguine, Stardust and others.

In addition to hiring Buddy Rich, he signed Billie Holiday as his band’s vocalist in 1938, becoming the first white band leader to hire a full-time black female singer to tour the segregated South. However, after recording Any Old Time, Holiday left the band due to hostility from Southern audiences, as well as from music company executives who wanted a more mainstream singer.

He fashioned a smaller band within the orchestra in 1940, naming it Artie Shaw and the Gramercy Five after his home telephone exchange. Over time members of the band were pianist Johnny Guarnieri, electric guitarist Al Hendrickson, trumpeter Roy Eldridge succeeded Billy Butterfield, Oran “Hot Lips” Page, Max Kaminsky, Georgie Auld, Dave Tough, Jack Jenney, and Ray Conniff. In 1940, the original Gramercy Five cut eight sides, then Shaw dissolved the band in early 1941.

The long series of musical groups Shaw subsequently formed included Lena Horne, Helen Forrest, Mel Tormé, Buddy Rich, Dave Tough, Barney Kessel, Jimmy Raney, Tal Farlow, Dodo Marmarosa, and Ray Conniff.

Throughout his career, Shaw formed big bands for his radio broadcasts, made several musical shorts for Vitaphone and Paramount Pictures, and played with Navy personnel during World War II. Active until 1954, his music was used in several films, he had numerous talk show appearances, came out of retirement in 1983 and put together one last band.

Clarinetist Artie Shaw, who received a Lifetime Grammy Award in 2004, died on December 30, 2004, aged 94.

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