The Jazz Voyager

Staying on the West Coast the Jazz Voyager has taken a leisurely drive up the California coast along the Pacific Coast Highway from Los Angeles to that city by the bay where too many have left their heart.  Along the way to San Francisco there will be a few stops to pick up something to eat and enjoy the scenic views. The ultimate destination for the weekend is a club located in the same building that was once the home of El Matador. It is now the home of Keys Jazz Bistro. Having enjoyed the drive I’ll be having the pleasure of listening to one of the last jazz interpreters of the Great American songbook, Mary Stallings. In a career that has spanned over 65 years, the international jazz vocal legend has earned a unique place in modern jazz. After decades of performing around the globe alongside a who’s who of talented collaborators, while quietly accumulating a series of thoughtful and well respected recordings, she still continues to challenge her boundaries and creative potential. Keys Jazz Bistro is located at 498 Broadway, 94133. For more information visit https://keysjazzbistro.com.

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JIVA

The Sous Vide Trio opens the night of great music with a 30 minute set. This will be followed with the headliner consisting of the 10-piece Soul band JIVA returns with an amazing performance. They will be performing their unique blend of upbeat soul and Brazilian-inspired songs.

Cleveland Jones, Lavahi and Chanda Leigh will be the singers on the show.

Cover Charge: $20.00 Adv | $25.00 at Door
Doors @ 7:30pm | Show @ 8:00pm

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The Jazz Voyager

The Jazz Voyager is heading west once again to the Los Angeles/San Fernando Valley where film producer Mack Sennett built his studio lot on twenty acres in 1927 and subsequently where the surrounding area became known as Studio City. It is there that I will be entertained at The Baked Potato jazz club. This small storied venue offers up an array of its namesake and world class jazz.

I’ll be flying in a day early to visit LA’s Natural History Museum, a nostalgic architecture drive-by of the Brady Bunch house and for some stargazing at the Griffith Observatory. This weekend performance heating up the stage is by six time Grammy winner, pianist and composer Billy Childs. A recipient of several commissions he has worked with orchestras and symphonies, as well as leading his ouw groups.

The Baked Potato is located at 3787 Cahuenga Boulevard, Studio City, CA 91604. For more information visit https://www.thebakedpotato.com.

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JOHNNY O’NEAL TRIO

After more than 45 years as a professional pianist, vocalist and entertainer, Johnny O’Neal has earned the title of “master” with fellow musicians and audiences around the world. Highlights of his awe-inspiring career include stints with Ray Brown, Milt Jackson and Art Blakey’s Jazz Messengers, as well as a Carnegie Hall debut in 1985 on solo piano opening for Oscar Peterson and induction into the Alabama Jazz Hall of Fame in 1998. While playing with Blakey, he accompanied some of the great jazz divas, including Sarah Vaughan and Carmen McRae. O’Neal has also been tapped for appearances by Dizzy Gillespie, Joe Pass, Nancy Wilson, Anita O’Day, Lionel Hampton, Kenny Burrell, Sonny Stitt, Benny Golson, Eddie “Lockjaw” Davis and Clark Terry, among others.

Performances in Canada, Europe, Australia, Japan, China, Israel and South Africa have gained him an international following, and he is beloved by audiences around the U.S. Yet, he remains a fixture on the New York jazz scene, regularly playing in local clubs or stopping by a jam session to check out the young talent. A stint in his band has become a coveted apprenticeship among young players, comparable to that of Betty Carter or Art Blakey. He is the tie that binds the classic jazz traditions to the evolution of the form, making him legendary in his own right.

The Detroit native considers himself a piano player first, but was encouraged to sing in his sets more by Joe Williams. He recalls Williams advising him, “If you’ve got it, flaunt it!” Astonishingly, he is largely self-taught. His playing evokes the influences imbued in him by his idols Oscar Peterson and Art Tatum, with a nod to bebop master Barry Harris (who first heard O’Neal play as a teenager in Detroit). He has reshaped these elements into his own very swinging and melodic approach.

In live performances, he is apt to catch his audience off-guard with his blues shouting, soulfully rendered yet unpretentious vocalizations or seemingly effortless scatting. No two sets are ever alike. O’Neal explains, “I’m a tune guy. I know 1,500 songs. My father was a pianist and singer who emphasized that learning lyrics creates dynamics and a better interpretation of melody. I rehearse so that the bassist, drummer and I can get familiar with each other’s styles—not to set the songs we’ll play.”

Cover: $25.00 ($3.50 fee)

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BAPTISTE HERBIN

Baptiste Herbin Trio ft André Ceccarelli releases his new album “Django!” For this new album, Baptiste, for the first time, called upon an artistic director. He found in Daniel Yvinec an enlightened and stimulating interlocutor, who after hearing him play a Django theme during a jam session, suggested the subject of this album to him.

Together, they then shape a repertoire that draws a fascinating universe around the guitarist; some of his emblematic compositions skillfully rethought, intoxicating musette waltzes, to which are added a choro dedicated to him by Herbin, the moving homage of the pianist John Lewis, and a stunning reinterpretation of “Night and Day” in which Baptiste takes up the original solo of Django harmonized for two saxophones with an elegance and a naturalness that confirm the merits of the enterprise.

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