Daily Dose Of Jazz…
Kobi Yakob Arad was born on October 2, 1981 and raised in Haifa, Israel. He earned his bachelor’s degree at Tel Aviv University and became the first musician to earn a doctorate in contemporary improvisation and third stream from the New England Conservatory of Music.
While living in Israel, Kobi participated as a keyboardist in a trio with Asaf Sirkis and Gabriel Mayer in the 1990s. He collaborated with Stevie Wonder and his manager Stephanie Andrews at the Berklee Performance Center in 2005.
Between 2009 and 2015 Arad released Sparks of Understanding, The Experience Project, Webern Re-Visioned, and Superflow which is a collaboration with Roy Ayers, featuring bassist Jonathan Levy.
He went on to record a tribute album Ellington Upside Down with the Kobi Arad Band. The album’s mashup of “Take The ‘A’ Train” and “It Ain’t Mean a Thing” was nominated for Best Jazz Instrumental at the 17th Independent Music Awards in 2019. His album Segments went on to win Best Jazz Instrumental in the album category at the same event.
In 2021 he won the Independent Music Artist award in Best Jazz for his performance of Thelonious Monk’s Bemsha Swing at the Hollywood Music in Media Awards. Pianist, vocalist, composer, and music producer Kobi Arad, who has collaborated with Stevie Wonder, Cindy and Carlos Santana, and Jack DeJohnette, continues to perform and record.
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Daily Dose Of Jazz…
Michael Anthony Nock was born September 27, 1940 in Christchurch, New Zealand. He began studying piano at 11 and attended Nelson College for one term in 1955. By the age of 18, he was performing in Australia and in Sydney he played in The Three Out trio with Freddy Logan and Chris Karan. They toured England in 1961 before he left to attend Berklee College of Music.
Nock was a member of Yusef Lateef’s group from 1963 to 1965. Three years later he became involved with fusion, leading the Fourth Way band for two years. For a decade beginning in 1975 he was a studio musician in New York City, then returned to Australia.
His 1987 album Open Door with drummer Frank Gibson, Jr. was named that year’s Best Jazz Album in the New Zealand Music Awards. The 2003 New Year Honours saw Mike appointed an Officer of the New Zealand Order of Merit, for services to jazz.
Currently residing in New South Wales, pianist, composer and arranger Mike Nock, who taught at the Sydney Conservatorium of Music until 2018, continues to perform with his trio, big band, and various one-off ensembles.
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Daily Dose Of Jazz…
Tiny Bradshaw was born Myron Carlton Bradshaw on September 23, 1907 in Youngstown, Ohio. Graduating from high school he went on to matriculate through Wilberforce University with a degree in psychology, then turned to music for a living.
In Ohio, he sang and played drums with Horace Henderson’s campus oriented Collegians. Relocating to New York City in 1932 he drummed for Marion Hardy’s Alabamians, the Charleston Bearcats, and the Mills Blue Rhythm Band, and sang for Luis Russell. Two years later Bradshaw formed his own swing orchestra, which recorded eight sides in two separate sessions for Decca Records that year in New York City. The band would go on to record in 1944 for Manor Records with the music leaning more towards rhythm and blues than jazz or swing. In 1947 he recorded for Savoy Records.
The band recorded extensively for the rhythm and blues market with King Records between late 1949 and early 1955. His influence as a composer is evidenced in the rock world with his 1951 song The Train Kept A-Rollin’ that has been recorded by Johnny Burnette & The Rock and Roll Trio, The Yardbirds with Jeff Beck, Aerosmith, Motörhead and performed by Jimmy Page as the first song played, at the very first rehearsal of the band that would become Led Zeppelin.
Returning to R&B with Soft and Heavy Juice, he brought along with him on both of these 1953 hits, Red Prysock on tenor saxophone. Tiny’s later career was hampered by severe health problems, including two strokes, the first in 1954, that left him partially paralyzed. However he made a return to touring in 1958.
As a bandleader, he was an invaluable mentor to important musicians and arrangers including Sil Austin, Happy Caldwell, Shad Collins, Wild Bill Davis, Talib Dawud, Gil Fuller, Gigi Gryce, Big Nick Nicholas, Russell Procope, Red Prysock, Curley Russell, Calvin “Eagle Eye” Shields, Sonny Stitt, Noble “Thin Man” Watts, and Shadow Wilson.
Weakened by the successive strokes as well as the rigors of his profession, bandleader, singer, composer, pianist, and drummer Tiny Bradshaw, who was important to the development of rock and roll, transitioned from a final stroke on November 26, 1958 in Cincinnati, Ohio at 51 years of age.
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Daily Dose Of Jazz…
Robert Falk was born in Paris, France on September 22, 1953 but soon moved to Brussels, Belgium where he studied guitar at the Université Libre de Bruxelles. He started playing folk-music, then jazz-rock before getting interested in computer-aided musical composition.
He played in several bands in the 80’s such as Spring with Michel Delory and François Garny, and Falklands with Alain Rochette and Sam Mc Kinney. In 1989 he visited Zaire giving him the opportunity to get acquainted with African music.
He became active as a producer-arranger for various African artists in the Nineties and has produced Embowassa, Dominic Kakolobango, Malick Pathé Sow & Welnere, and early in the new century Diariyata and Pas Mal +.
He recorded and released his debut album Muzungu as a leader in 2006 featuring his afro-jazz compositions. Mixing intello jazz with african rythms that mainly come from the Congo, Rwanda and Burundi.
His sophomore project is afro-jazz centered around West~African music but includes Brazilian influences as in a congolese samba. It is titled Xelu Sowu, which translates to The Spirit of the West in wolof.
Guitarist and composer Robert Falk continues to perform and record.
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Daily Dose Of Jazz…
Sir John Phillip William Dankworth was born on September 20, 1927 in Woodford, Essex, England. He grew up within a family of musicians and attended Selwyn Boys’ Junior School and later Sir George Monoux Grammar School. Prompted by hearing a Benny Goodman Quartet album at 16, before settling on the clarinet he took violin and piano lessons. Soon afterwards he was inspired by Charlie Parker and learned to play the alto saxophone.
Beginning his career on the British jazz scene after studying at London’s Royal Academy of Music and then national service in the Royal Air Force, during which he played alto sax and clarinet for RAF Music Services. By 1947 he was working on the Queen Mary in Bobby Kevin’s band, and in London with Les Ayling. Through the rest of the decade he performed with Tito Burns, with Charlie Parker at the Paris Jazz Festival, and a tour of Sweden with Sidney Bechet. In 1949, Johnny was voted Musician of the Year.
The Fifties saw him forming a small group, the Dankworth Seven, as a vehicle to showcase his writing as well as several young players, Jimmy Deuchar, Eddie Harvey, Don Rendell, Bill Le Sage, Eric Dawson, Tony Kinsey and Frank Holder. also sang and recorded with this ensemble. Forming his big band in ‘53 and Cleo Laine was now a regular voice on appearances and recordings.
The band came to the States and performed at Newport, Birdland had Louis Armstrong sit in for a set and shared several stages with the Duke Ellington Orchestra. In 1959, John became chair of the Stars Campaign for Inter-Racial Friendship, set up to combat the fascist White Defence League.
The following decades saw him working and recording with numerous American and British jazz musicians, began composing for film and television, and received commissions all while performing live and on the radio.
As an educator his enthusiasm for jazz education led him to run for many years the Allmusic summer schools at the Stables in Wavendon and from 1984 to ‘86 he was a professor of music at Gresham College in London, where he gave free public lectures.
He was awarded an Honorary Doctorate of Music from Berklee College of Music, was made a Knight Bachelor in the 2006 New Year’s Honours List, and was made a Commander of the British Empire (CBE). In 2009 he fell ill and while he had to cancel several concerts he made one last appearance in December.
Saxophonist, clarinetist, composer, educator John Dankworth, who along with his wife Dame Cleo were one of a few couples to hold British titles, transitioned on February 6, 2010 at the age of 82, on the afternoon before a show celebrating the 40th anniversary of the foundation of The Stables.
Confer a dose of a Woodford saxophonist to those seeking a greater insight about the musicians around the world who are members of the pantheon of jazz…
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