Daily Dose Of Jazz…
Irving A. Aaronson was born in New York on February 7, 1895 and learned to play the piano from Alfred Sendry at the David Mannes School for music. By age 11 he played accompaniment in silent movie theaters called nickelodeons. In 1921 he co-wrote a hit song, Boo-Hoo-Hoo.
When his band was signed with the Victor label, the band name was changed to Irving Aaronson and his Commanders. From 1926 to 1929, the band recorded for the label and had a notable success with Let’s Misbehave in 1927. The band appeared in Cole Porter’s Broadway musical Paris, in 1928 and broadcasted on KFWB in Hollywood, California in 1929.
In 1935, he starred in the Irving Aaronson Orchestra radio program on NBC. The band toured movie theatres and ballrooms across the US before calling it quits in the mid-1930s, But his band had included at various times musicians such as Phil Saxe, Joe Gillespie, Artie Shaw, Gene Krupa, Tony Pastor, and western movie actor Fuzzy Knight was the band’s drummer in the late Twenties.
By the time he turned 45, Irving was working as a musical director for MGM studios. He remained there in that capacity, voicing for television Mr. Nobody in the MGM’s animation Betty Boop for President and as an assistant to producer Joe Pasternak, until his death from a heart attack. Pianist, bandleader and composer Irving Aaronson passed away in Hollywood, California on March 10, 1963 at the age of 68. His most popular song, The Loveliest Night of the Year, was not recorded with his band but was adapted by Aaronson in 1950 for the Mario Lanza film The Great Caruso.
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Daily Dose Of Jazz…
Floyd George Smith was born on January 25, 1917 in St. Louis, Missouri and learned to play the ukulele as a child before taking up guitar. As a teenager he studied music theory and spent his early career in territory bands, playing in groups such as Eddie Johnson’s Crackerjacks, the Jeter-Pillars Orchestra, the Sunset Royal Orchestra, the Brown Skin Models, and Andy Kirk’s 12 Clouds Of Joy. His composition Floyd’s Guitar Blues, recorded with Andy Kirk’s orchestra in 1939, has been claimed as the first hit record to feature a blues solo on electric guitar.
Enlisting during World War II, Floyd was stationed in Britain as a sergeant and he had the fortune to meet and play with Django Reinhardt in Paris. Following the war, he rejoined Andy Kirk’s band before forming his own small ensembles. He went on to play with Wild Bill Davis in the 1950s, recorded occasionally with drummer Chris Columbo’s bands during the late 1950s and early 1960s. He would later settle in Indianapolis, Indiana and formed his own jazz trio.
The 1970s, had Smith moving into writing songs and record production, working with Dakar/Brunswick Records in Chicago, for which he recorded a few singles. He produced two albums with R&B star, Loleatta Holloway for Aware Records of Atlanta, as well as two unreleased with John Edwards, who later became the lead singer of the Detroit Spinners. He produced two Top 10 R&B hits on Aware with Edwards and Holloway.
In the late 1970s, he produced tracks on several albums with Loleatta Holloway for Gold Mine/Salsoul Records, managed and later married her. Guitarist Floyd Smith, sometimes credited as Floyd Guitar Smith passed away in Indianapolis, Indiana on March 29, 1982 at the age of 65.
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Daily Dose Of Jazz…
Bill Le Sage was born William A. Le Sage in London, England on January 20, 1927. His father and two uncles were musicians and he started playing the ukulele at the age of eight, drums at fifteen and taught himself to play the piano.
His career began in 1945 when he led his first sextet. He was then a member of army bands while serving with the Royal Signals. He played piano for the Johnny Dankworth Seven in 1950 but decided to switch to the vibraphone. Leaving in 1954 Bill joined the various small groups led by the drummer Tony Kinsey, until 1961 when he started playing with baritone saxophonist Ronnie Ross, with whom he co-led various line-ups until 1966. During this period, he also played with Kenny Baker’s Dozen and wrote music for television and films.
The 1960s gave Le Sage the opportunity to work with the Jack Parnell Orchestra, the Chris Barber Band, and led his group, Directions In Jazz. His composer credits included scores for the films The Tell-Tale Heart, Tarnished Heroes, The Silent Invasion, Strip Tease Murder and The Court Martial of Major Keller.
He accompanied numerous visiting American musicians, including guitarist Tal Farlow on an annual basis. In 1969, he formed the Bebop Preservation Society Quintet, which he continued for more than two decades and also worked with Barbara Thompson’s Jubiaba and others. Vibraphonist Bill Le Sage passed away in London on October 31, 2001.
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Daily Dose Of Jazz…
Wilton “Bogey” Gaynair was born on January 11, 1927 in Kingston, Jamaica, Gaynair was raised at Kingston’s Alpha Boys School, where fellow Jamaican musicians Joe Harriott, Harold McNair and Don Drummond were also pupils of a similar age.
Beginning his professional career playing in Kingston’s clubs backing such performers as George Shearing and Carmen McRae, he traveled to Europe in 1955, basing himself in Germany because of the plentiful live work that was offered. Bogey recorded only three times as a bandleader and two of those recordings came during visits to England, 1959’s Blue Bogey and Africa Calling in 1960, on Tempo Records but the latter went unreleased until 2005 due to the label’s demise.
Gaynair returned to Germany shortly after recording these sessions where he remained based for the rest of his life. He concentrated on live performance with such bands as the Kurt Edelhagen Radio Orchestra and played at the opening ceremony of the 1972 Summer Olympics in Munich. He was involved in extensive session work and was a guest artist on Ali Haurand’s Third Eye in 1977 but only recorded one more jazz album under his own name, Alpharian 1982. Among the numerous artists he performed with included Gil Evans, Freddie Hubbard, Shirley Bassey, Manhattan Transfer, Horace Parlan, Bob Brookmeyer, and Mel Lewis.
In September 1983, he suffered a stroke during a concert, and from then until his death, he was unable to play the instrument. Tenor saxophonist Wilton Bogey Gaynair passed away on February 13, 1995 in Cologne, Germany, aged 68.
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Daily Dose Of Jazz…
Carol Stearns Sudhalter was born on January 5, 1943 in Newton, Massachusetts and grew up in a musical family. Her father Albert played the alto saxophone in the New England area, a brother played baritone saxophone and one brother who played trumpet, cornet and wrote award-winning books on jazz.
In the early Sixties, Sudhalter began to play the flute while majoring in biology at Smith College. She continued to study flute with private teachers in Washington DC, New York, Boston, Israel, and Italy until 1978. She studied theory and Third Stream music with Ran Blake and Phil Wilson at the New England Conservatory of Music. From the 1970s on she has been teaching piano, saxophone, and flute privately, at Mannes College, and for the New York Pops Salute to Music Program.
1975 saw Carol deciding to take up the saxophone, and by 1978 relocated from Boston to New York City to join the first all-women Latin band, Latin Fever, produced by Larry Harlow. In 1986 she founded the Astoria Big Band, and she has performed with Sarah McLawler, Etta Jones, Chico Freeman, Jimmy McGriff, Duffy Jackson, and others around the New York jazz clubs, as well as domestic, Italian and British jazz festivals.
She initiated the Jazz Monday concerts at Athens Square Park between 1989 and 2001, along with several other local festivals in Queens where she resides.
A member of the Jazz Journalists Association, Sudhalter also has a chapter in Leslie Gourse’s Madame Jazz and in W. Royal Stokes’ Growing Up With Jazz. In 2012 she was nominated for the 2012 International Down Beat Readers’ Jazz Poll, and was voted 9th place in the category “Best Jazz Flutist”. She has recorded eight albums as a leader, one as a sideman, and the tenor and baritone saxophonist, flutist and pianist Carol Sudhalter continues to perform and educate.
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