Daily Dose Of Jazz…
William Overton Smith was born on September 22, 1926 in Sacramento, California and grew up in Oakland, California where he began playing clarinet at the age of ten. Putting together a jazz group to play for dances at 13, by 15 he joined the Oakland Symphony. Idolizing Benny Goodman, after high school and a brief cross-country tour with a dance band, he ended his romance for the road. Giving notice when the band reached Washington, D.C., he was encouraged by an older band member to get the best education he could, so he headed to New York.
He started his formal music studies at the Juilliard School of Music, playing in New York jazz clubs at night. Uninspired at Juilliard, he returned to California after hearing the music of Darius Milhaud, who was then teaching at Mills College in Oakland. At Mills, Smith met pianist Dave Brubeck, with whom he often played, was a member of the Dave Brubeck Octet, and later occasionally subbed for saxophonist Paul Desmond in the Dave Brubeck Quartet. Brubeck’s 1960 album Brubeck à la mode that featured ten of his own compositions. Rejoining Brubeck’s group in the 1990s.
Bill went on to study composition with Roger Sessions at the University of California, Berkeley, where he was graduated with a bachelor’s and a master’s degree. He won the Prix de Paris, study at the Paris Conservatory, was awarded the prestigious Prix de Rome in 1957, and spent six years in Italy. After a teaching stint at the University of Southern California, he went on to a thirty-year career at the University of Washington School of Music in Seattle, Washington. He co-led the forward-thinking Contemporary Group, first with Robert Suderburg, and then with trombonist Stuart Dempster, from 1966 to 1997.
Clarinetist and composer Bill Smith, who recorded in jazz, classical and third stream genres, passed away at age 93 in his home from complications of prostate cancer on February 29, 2020.
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Daily Dose Of Jazz…
Ayako Shirasaki was born on September 16, 1969 in Tokyo, Japan and started classical piano lessons at age five, and was intrigued by her father’s professional trombone-playing. By age twelve she began her professional career playing gigs at the “J” jazz club in Tokyo.
After attending the Tokyo Metropolitan High School for Arts, Shirasaki majored in classical music at the Tokyo National University of Fine Arts and Music and gave concerts as a classical pianist for several years after graduating before returning to play jazz.
Her 1997 move to New York City saw her pursuing a master’s degree at the Manhattan School of Music, studying with pianist Kenny Barron. Landing in the Park Slope neighborhood of Brooklyn, Ayako operates the Brooklyn location of the Sakura Music School, which specializes in teaching music to small children with an emphasis on those of Japanese ancestry.
Performing regularly in the New York area, she tours internationally, in addition to recording. Her debut trio album Existence brought drummer Lewis Nash and bassist Marco Panascia together in 2003. She has since recorded four addition albums, has been featured on Marian McPartland’s National Public Radio show Piano Jazz, and was a finalist in the Mary Lou Williams Women In Jazz Piano Competition in 2005 and 2006 and the Great American Jazz Piano Competition in 2004, 2005 and 2006. Pianist and educator Ayako Shirasaki continues to perform, tour, record, and teach.
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Daily Dose Of Jazz…
Clifford Edward Thornton III was born on September 6, 1936 in Philadelphia, Pennsylvania into a musical family, his uncle pianist Jimmy Golden and his cousin, drummer J. C. Moses. He began piano lessons when he was seven-years-old, and studied with trumpeter Donald Byrd during 1957 after Byrd had left Art Blakey’s Jazz Messengers, and also that he worked with 17-year-old tuba player Ray Draper and Webster Young. Following a late 1950s stint in the U.S. Army bands, he moved to New York City.
In the early 1960s, Clifford lived in the Williamsburg area of Brooklyn, New York in an apartment building with other young musicians, including Rashied Ali, Marion Brown, and Don Cherry. He performed with numerous avant-garde jazz bands, recording as a sideman with Sun Ra, Archie Shepp, Pharoah Sanders, and Sam Rivers.
During the Seventies, Thornton and others were affected by the compositional ideas of Cecil Taylor, was active in the Black Arts Movement, and associated with Amiri Baraka and Jayne Cortez. This musical and artistic network provided him with a variety of perspectives on ideas such as black self-determination, performance forms, outside playing, and textural rhythm; and giving him access to performers who would provide the abilities some of his later compositions required.
He was included in the dialogue around the developing thought of political artists, including Shepp, Askia M. Touré, and Nathan Hare, as well as the journals Freedomways and Umbra. As an educator, he taught world music at Wesleyan University and created an Artists-in-Residence on campus, giving the academic world-music community exposure to Sam Rivers, Jimmy Garrison, Ed Blackwell, and Marion Brown. He arranged performances by Rashied Ali, Horace Silver, McCoy Tyner, and numerous others
Trumpeter, trombonist, activist, and educator Clifford Thornton, who played free and avant~garde jazz in the 1960 and ‘70s, passed away on November 25, 1989.
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Daily Dose Of Jazz…
Willie Ruff was born on September 1, 1931 in Sheffield, Alabama and learned to play both the French horn and the double bass. He attended the Yale School of Music graduating with a Bachelor and Master of Music degrees by 1954.
He met pianist Dwike Mitchell in 1947 when they were teenage servicemen stationed at the former Lockbourne Air Force Base in Ohio. They began a professional relationship when Mitchell recruited him to play bass with his unit band for an Air Force radio program. They later played in Lionel Hampton’s band but left in 1955 to form their own group, then together as the Mitchell-Ruff Duo that lasted over fifty years. They also played as the second act to artists such as Louis Armstrong, Count Basie, Duke Ellington, and Dizzy Gillespie.
From 1955 to 2011, the duo regularly performed and lectured in the United States, Asia, Africa, and Europe. In 1950 the Mitchell-Ruff Duo was the first jazz band to play in the Soviet Union and in China in 1981. Ruff was chosen by John Hammond to be the bass player for the recording sessions of Songs of Leonard Cohen, was one of the founders of the W. C. Handy Music Festival in Florence, Alabama in 1982.
As an educator, Willie was a faculty member at the Yale School of Music, teaching music history, ethnomusicology, and arranging. He is founding Director of the Duke Ellington Fellowship Program at Yale, held a visiting appointment at Duke University, where he oversaw the jazz program and directed the Duke Jazz Ensemble, and also has been on faculty at UCLA and Dartmouth.
French hornist, double bassist, music scholar, and educator Willie Ruff, was awarded the Sanford Medal, the Connecticut Governor’s Arts Award, and was an inductee of the Alabama Jazz Hall of Fame, primarily a Yale professor from 1971 to 2017, and continues to reside in Alabama.
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Daily Dose Of Jazz…
Fay Victor was born on July 26, 1965 in Brooklyn, New York City. After spending her early childhood years in New York, Zambia, and Trinidad & Tobago, her mother settled in Long Island, New York where she spent her teenage years. After her mother’s sudden death, she re-discovered music and singing, and after a three-month stint at a club in Fukui City, Japan with pianist Bertha Hope, she decided to start a career as a jazz singer.
In 1996, Fay settled in Amsterdam, The Netherlands and performed and toured through the country, as well as Spain, Germany, the UK, Sweden, Russia, and India. While living in the Netherlands, Victor branched out into blues, songwriting, and forms of improvising outside the standard jazz canon.
Returning to the States in 2003, Victor has made her home in New York City. She has worked with the likes of Randy Weston, Roswell Rudd, Anthony Braxton, Misha Mengelberg, Vijay Iyer, Tyshawn Sorey, Wadada Leo Smith, Nicole Mitchell, Marc Ribot, Martine Syms, Daniel Carter, William Parker, Darius Jones, Wolter Wierbos, Ab Baars, Joe Morris, Sam Newsome, and Reggie Nicholson.
Victor has coined the term “freesong” to describe her vocal approach. In her jazz repertoire, he has specialized in the work of Thelonious Monk, Ornette Coleman, and Herbie Nichols.
Vocalist, composer, lyricist, and educator Fay Victor, who originally sang in the traditional jazz field, has expanded her repertoire to include blues, opera, free improvising, avant-garde, modern classical music, and occasional acting, continues to perform and record.
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