Daily Dose Of Jazz…
Willie Ruff was born on September 1, 1931 in Sheffield, Alabama and learned to play both the French horn and the double bass. He attended the Yale School of Music graduating with a Bachelor and Master of Music degrees by 1954.
He met pianist Dwike Mitchell in 1947 when they were teenage servicemen stationed at the former Lockbourne Air Force Base in Ohio. They began a professional relationship when Mitchell recruited him to play bass with his unit band for an Air Force radio program. They later played in Lionel Hampton’s band but left in 1955 to form their own group, then together as the Mitchell-Ruff Duo that lasted over fifty years. They also played as the second act to artists such as Louis Armstrong, Count Basie, Duke Ellington, and Dizzy Gillespie.
From 1955 to 2011, the duo regularly performed and lectured in the United States, Asia, Africa, and Europe. In 1950 the Mitchell-Ruff Duo was the first jazz band to play in the Soviet Union and in China in 1981. Ruff was chosen by John Hammond to be the bass player for the recording sessions of Songs of Leonard Cohen, was one of the founders of the W. C. Handy Music Festival in Florence, Alabama in 1982.
As an educator, Willie was a faculty member at the Yale School of Music, teaching music history, ethnomusicology, and arranging. He is founding Director of the Duke Ellington Fellowship Program at Yale, held a visiting appointment at Duke University, where he oversaw the jazz program and directed the Duke Jazz Ensemble, and also has been on faculty at UCLA and Dartmouth.
French hornist, double bassist, music scholar, and educator Willie Ruff, was awarded the Sanford Medal, the Connecticut Governor’s Arts Award, and was an inductee of the Alabama Jazz Hall of Fame, primarily a Yale professor from 1971 to 2017, and continues to reside in Alabama.
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Daily Dose Of Jazz…
Fay Victor was born on July 26, 1965 in Brooklyn, New York City. After spending her early childhood years in New York, Zambia, and Trinidad & Tobago, her mother settled in Long Island, New York where she spent her teenage years. After her mother’s sudden death, she re-discovered music and singing, and after a three-month stint at a club in Fukui City, Japan with pianist Bertha Hope, she decided to start a career as a jazz singer.
In 1996, Fay settled in Amsterdam, The Netherlands and performed and toured through the country, as well as Spain, Germany, the UK, Sweden, Russia, and India. While living in the Netherlands, Victor branched out into blues, songwriting, and forms of improvising outside the standard jazz canon.
Returning to the States in 2003, Victor has made her home in New York City. She has worked with the likes of Randy Weston, Roswell Rudd, Anthony Braxton, Misha Mengelberg, Vijay Iyer, Tyshawn Sorey, Wadada Leo Smith, Nicole Mitchell, Marc Ribot, Martine Syms, Daniel Carter, William Parker, Darius Jones, Wolter Wierbos, Ab Baars, Joe Morris, Sam Newsome, and Reggie Nicholson.
Victor has coined the term “freesong” to describe her vocal approach. In her jazz repertoire, he has specialized in the work of Thelonious Monk, Ornette Coleman, and Herbie Nichols.
Vocalist, composer, lyricist, and educator Fay Victor, who originally sang in the traditional jazz field, has expanded her repertoire to include blues, opera, free improvising, avant-garde, modern classical music, and occasional acting, continues to perform and record.
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Daily Dose Of Jazz…
John Bishop was born in Seattle, Washington on April 5, 1956 and raised in Germany, Washington, DC, San Antonio, Texas and Eugene, Oregon. He started playing drums at 9 in Washington, DC with the Patriots drum corps and performed regularly throughout high school and college in Oregon, studying with Mel Brown and Charles Dowd. Attending the University of Oregon, he later transferred to the jazz program at North Texas State University.
Moving to Seattle in 1981 he had an extended engagement with the band Glider and never left. An unusually creative and fertile scene at the time, the city offered performances with top touring artists and the opportunity to create long and substantial musical relationships with inspired Northwest musicians. 1983, saw Bishop helping to form the fusion group Blue Sky, which released two national Top 10 albums and toured throughout the west coast and Canada over the next 9 years.
He was a twenty-year member of the piano trio New Stories with pianist Marc Seales and bassist Doug Miller, releasing 4 CDs of their own, 6 with the late be-bop saxophonist Don Lanphere, and Song for the Geese with Mark Murphy. They were a house trio for 17 years at Bud Shank’s Pt. Townsend Jazz Festival, headlined the 1993 JVC Jazz Festival in Vladivostok, Russia, appeared in concert with Tom Harrell, Julian Priester, Charles McPherson, Vincent Herring, Nick Brignola, Conte Condoli, Bobby Shew and Larry Coryell.
They regularly appeared around the country by themselves or touring with Mark Murphy, Ernie Watts or Don Lanphere. He has performed in concerts and clubs with Lee Konitz, Slide Hampton, Benny Golson, George Cables, Kenny Werner, Bobby Hutcherson, Dr. Lonnie Smith, Sonny Fortune, Herb Ellis, Buddy DeFranco, Bobby McFerrin, Joe Locke, Jerry Bergonzi, Carla Bley, Steve Swallow, Larry Coryell, and countless others.
John has taught drums privately for forty years, was on the faculty at the University of Washington from 2005-2009, regularly holds drum and jazz workshops throughout the country with the Hal Galper Trio, and co-founded The Reality Book, a web-based, HD Video Play-Along education system for jazz musicians of all levels.
Drummer, educator, record label owner, graphic designer, and festival presenter John Bishop continues to perform, record, tour and educate. has been one of the primary voices in Northwest Jazz for over 35 years. He’s appeared on more than 100 albums, was inducted into the Seattle Jazz Hall of Fame in 2008, and was named a “Jazz Hero” by the Jazz Journalists Association in 2019.
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Daily Dose Of Jazz…
David Burns was born on March 24, 1924 in Perth Amboy, New Jersey and began playing trumpet when he was nine years old. As a teenager, he heard bebop performances at Minton’s Playhouse, among others Dizzy Gillespie. His first ensemble was in Al Cooper’s Savoy Sultans, with whom he played from 1941 to 1943, prior to joining the Army Air Force. There he led a band from 1943 to 1945 that included James Moody as a sideman.
He joined Gillespie’s band in 1946 and appeared with Gillespie in Jivin’ in Bebop in 1947. After leaving Gillespie’s band in 1949, he worked with Duke Ellington from 1950 to 1952 and then with James Moody until 1957.
The late 1950s saw Dave playing shows in New York City and in the Sixties recorded for Vanguard Records. He worked with Billy Mitchell, Al Grey, Willie Bobo, Art Taylor, Dexter Gordon, Johnny Griffin, Leo Parker, and Milt Jackson. From the 1970s through the end of his career he increased his work as an educator. Trumpeter, flugelhornist, arranger, composer, and teacher Dave Burns passed away on April 5, 2009 in Freeport, New York.
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Daily Dose Of Jazz…
Woody Witt was born on March 16, 1969 in Omaha, Nebraska and started on the clarinet in fourth grade and switched his focus to saxophone the following year. A professional musician from the age of 16, he studied at the University of Houston, earned a Master’s degree in Jazz Studies from the University of North Texas, and a doctorate from the University of Houston’s Moores School of Music.
As a saxophonist, Witt has recorded ten albums as a leader and over twenty-five albums as a sideman. He has collaborated with major jazz artists such as Randy Brecker, Tim Hagans, Jim Rotondi, the late James Moody, David Liebman, and Tim Armacost, Conrad Herwig, Larry Ham, Joe LoCascio, Mark Levine, Louis Hayes, Adam Nussbaum, Billy Hart, and Nancy King. He has worked with the Houston Symphony and Houston Ballet and has been featured on major third-stream works that blend together jazz and classical music.
The winner of the 2010 Chamber Music America French American Cultural Exchange grant and the 2014 International Jazz Saxophone Competition in Taiwan, Woody is the booker and the artistic director at Houston’s top jazz club, Cezanne. He has taught at Houston Community College since 2000, is an Affiliate Artist at the University of Houston, and conducts a countless number of workshops and masterclasses throughout the United States, France, Romania, Germany, and Asia. Currently, saxophonist Woody Witt is involved in several different group projects.
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