Daily Dose Of Jazz…
Mark Simon was born in Chicago, Illinois on September 26, 1959 and by age 13 he was listening to Lester Young, Charlie Parker, Roy Eldridge and other jazz legends, and playing along with old Jazz At The Philharmonic records from his father’s massive and eclectic record collection, which ran the gamut from early jazz master Louis Armstrong to avant-garde Cecil Taylor.
His high school jazz band director Don Owens was an important part of his jazz education. Mark soon graduated to jazz sessions, further honing his keyboard skills while beginning to play occasional jazz gigs. From sitting in with the JATP, he enrolled in a youth summer jazz camp at the University of Illinois, where he was exposed to the live side of jazz. Mark would sneak out of the dorm at night to sit in with the faculty on jam sessions,
Simon’s influences were grounded by jazz artists such as pianists Bill Evans, Keith Jarrett, McCoy Tyner, Charles Mingus, Gary Burton and Sonny Rollins. Growing up in jazz, He gained experience playing extensively with Leroy Vinnegar, Hadley Caliman, Bud Shank, Jeff Clayton, Joshua Breakstone, Julie Kelly, Teddy Edwards, Red Holloway and Herb Ellis.
Bassist Mark Simon continues to compose and perform solo piano gigs, accompanying vocalists, playing with jazz groups including his self-named trio, as well as teaching piano.
Daily Dose Of Jazz…
Bill Pierce, known to many as Billy Pierce, was born September 25, 1948 in Hampton, Virginia. He studied with Joe Viola and Andy McGhee at Berklee College of Music, and with Joe Allard.
In the early 1980s he was recruited by Art Blakey and the Jazz Messengers. Through the late Eighties and into the late 1990s he recorded simultaneously as a leader while also in Tony Williams’s quintet in the mid-1980s to early 1990s.
As a leader he has recorded seven albums and another 18 as a sideman with Art Blakey and the Jazz Messengers, Geoff Keezer, Kevin Eubanks, Makoto Ozone, Superblue, Tony Williams, and Lazlo Gardony.
As an educator Billy says he likes seeing music being carried on by young people developing, achieving their dreams, and being a part of history. Many of his students have made a name for themselves: Antonio Hart, Mark Gross, Javon Jackson, Walter Smith, Mark Turner, Miguel Zenon.
Saxophonist Billy Pierce, who is the former chair of the Berklee woodwind department, continues to perform, tour and educate.
More Posts: bandleader,educator,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Isidore Jean “John” Barbarin was born September 24, 1871 in New Orleans, Louisiana. He began learning cornet at age 14, then played in various New Orleans brass bands, like the Onward Brass Band, the Excelsior Brass Band, and Papa Celestin’s Tuxedo Brass Band.
He did not make it on to record until 1945, when he recorded with Bunk Johnson; in 1946 he recorded with the Original Zenith Brass Band. He was a mainstay of the New Orleans jazz scene in the decades around the turn of the 20th century.
Cornet and alto horn player Isidore Barbarin died on June 12, 1960 in New Orleans.
More Posts: alto horn,cornet,history,instrumental,jazz,music
On The Bookshelf
Jazz Singing | Will Friedwald
The four hundred and fifty five page book is a testament to America’s great voices from Bessie Smith to bebop and beyond. Friedwald has over the past two decades, emerged as the single most recognized authority on jazz singers. His liner notes have enhanced hundreds of vocal reissues, and his books and newspaper columns are equally perceptive.
As the title promises, Friedwald has broadened his scope to 210 singers that are not exclusively jazz but now include pop singers, such as Elvis Presley, Johnny Mathis and Patti Page. For serious jazz vocal fans, he gives us seminal performers Ella Fitzgerald, Sarah Vaughan, Louis Armstrong and Sinatra, whose analysis of specific albums is consistently enlightening. There are lesser lights-Jackie Paris, David Allyn, Edythe Wright, Irene Reid and several dozen others. The list also reminds us of Doris Day, Jack Jones, Steve Lawrence, Eydie Gormé, Judy Garland and Martha Raye.
Read at your leisure, dive in for one story or two and discover precious nuggets to add to your understanding of a time when jazz was king..
Daily Dose Of Jazz…
James Bryant Woode was born September 23, 1926 in Philadelphia, Pennsylvania. His father, for whom he was named, was a music teacher and pianist who had played with Hot Lips Page. He studied piano and bass in Boston, Massachusetss at Boston University and at the Conservatory of Music, as well as at the Philadelphia Academy.
He joined the Duke Ellington Orchestra in 1955 and appeared on many of Ellington’s recordings, including Such Sweet Thunder and Ella Fitzgerald Sings the Duke Ellington Songbook, recorded in 1957. Jimmy performed at the 1956 Newport Jazz Festival issued on Ellington at Newport. In 1960 he left the Orchestra to live in Europe.
An original member of The Kenny Clarke-Francy Boland Big Band, in 1995 he also toured with Lionel Hampton’s Golden Men of Jazz. 2003 saw Woode forming a trio with drummer Pete York and German jazz musician/comedian Helge Schneider, touring in Germany with his interpretation of jazz classics like Georgia and Summertime. As a consequence of his co-operation with Schneider, he also starred in the 2004 feature film Jazzclub in the role of a struggling jazz bassist.
Woode’s song Just Give Me Time was covered by Carola in 1966, first released on her album Carola & Heikki Sarmanto Trio, reaching the Finnish charts in 2004.
Bassist Jimmy Woode, who was born on the same day, the same month, the same year as saxophonist John Coltrane, died April 23, 2005, at age 78 at his home in Lindenwold, New Jersey, of complications following a surgery for a stomach aneurysm.