Daily Dose Of Jazz…
Cleopatra Brown was born on December 8, 1909 in De Kalb, Mississippi. She moved to Meridian, Mississippi when her father took a position as pastor and in his church she played piano as a child.
In 1919 her family moved to Chicago, Illinois and she began learning piano from her brother who worked with Pine Top Smith, playing boogie-woogie for dances. Around the time Cleo was 14 she worked in vaudeville, as well as taking gigs in clubs. In 1935, she replaced Fats Waller as pianist on New York radio station WABC.
From the 1930s to the 1950s she toured the United States regularly, recording for Decca Records among other labels along the way and recording many humorous, ironic titles such as Breakin’ in a New Pair of Shoes, Mama Don’t Want No Peas and Rice and Coconut Oil, When Hollywood Goes Black and Tan, and The Stuff Is Here and It’s Mellow.
Cleo’s stride piano playing was often compared to Fats Waller and she is credited as an influence on Dave Brubeck, who played during the intermissions of her shows, and on Marian McPartland. She played regularly at clubs in Chicago, toured widely, and recorded for both Decca and Capitol Records.
Brown began to shy away from singing bawdy blues songs because of her deepening religious beliefs. In 1953, she was baptized, retired from music, and became a nurse in 1959. Jazz biographies frequently listed her as deceased due to her absence from music. The song Sweet Cleo Brown was recorded by Brubeck in tribute.
From the mid-1970s until 1981, she performed under the name of C. Patra Brown on radio shows in Denver, Colorado. She replaced boogie-woogie music with slower, inspirational music. She returned to record again, and performed on National Public Radio.
Pianist and vocalist Cleo Brown, who was the first woman instrumentalist to receive the NEA Jazz Masters Fellowship, and also performed and recorded under the name of Cleo Patra Brown, died on April 15, 1995, in Denver, Colorado.
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Daily Dose Of Jazz…
George James was born in Boggs, Oklahoma on December 7, 1906. His career didn’t begin until the late 1920s joining the bands of Charlie Creath and Johnny Neal. He moved to Chicago, Illinois in 1928, where he played with Jimmie Noone, Sammy Stewart, Ida Marples, Jabbo Smith, and Bert Hall.
In 1931 through the first quarter of 1932 he toured with Louis Armstrong, and at the end of the tour he remained in New York City. There he joined the Savoy Bearcats and later played with Charlie Turner’s Arcadians. By the middle of the decade Fats Waller assumed leadership of the Arcadians, and James played under him until 1937.
Finishing the decade playing in the Blackbirds Revue, early in the 1940s he worked with James P. Johnson, Benny Carter, Teddy Wilson, and Lucky Millinder, and led his own bandhttps://notoriousjazz.com/jazz-type/swing/daily-dose-of-jazz-3977↗ in 1943-44. Later in the decade James played with Claude Hopkins and Noble Sissle.
He was active both as a leader and a sideman into the 1970s, playing with Clyde Bernhardt and the Harlem Blues and Jazz Band in that decade. Saxophonist, clarinetist, and flautist George James died on January 30, 1995 in Columbus, Ohio.
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Daily Dose Of Jazz…
Joseph Francis Lamb was born of Irish parents on December 6, 1887 in Montclair, New Jersey. The youngest of four children, he taught himself to play the piano and admired the early ragtime publications of Scott Joplin. His first known works were Meet Me At The Chutes and Idle Dreams, at the age of 13 in 1900, but they are unpublished and assumed lost.
During his teenage years while living in Toronto, Canada he published several march and waltz compositions for Harry H. Sparks Music Publisher. Most notable were The Lilliputian’s Bazaar, Celestine Waltzes, and Florentine. Most were published after he left Canada
Lamb dropped out of St. Jerome’s College in 1904 to work for a dry goods company. He met Joplin in 1907 while purchasing the latest Joplin and Scott sheet music in the offices of John Stark & Son. It was there that Joplin was impressed with Lamb’s compositions and recommended him to ragtime publisher John Stark. Stark published Lamb’s music for the next decade, starting with Sensation.
Joseph’s twelve rags published by Stark from 1908 to 1919 can be divided into two groups: the “heavy” rags are incorporated with Joplin’s melody–dominated style and Scott’s expansive use of the keyboard registers. The “light” rags with the cakewalk tradition show the narrow-range melodies inspired by Joplin.
He went on to work as an arranger for the J. Fred Helf Music Publishing Company and in 1914 became an accountant for L. F. Dommerich & Company. When popular music interest shifted from ragtime to jazz Lamb stopped publishing his music, playing and composing only as a hobby.
Composer Joseph Lamb, who was the only non-African American of the Big Three composers of classical ragtime, the other two being Scott Joplin and James Scott, died of a heart attack in Brooklyn, New York at age 72 on September 3, 1960.
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Daily Dose Of Jazz…
Theodor Christian Frølich Bergh, better known as Totti Bergh was born December 5, 1935 in Oslo, Norway. He began playing clarinet, and started learning to play the saxophone in 1952. By the time he turned 21 in 1956, he became a professional musician, becoming a regular member of Kjell Karlsen Sextet for three years, in addition to collaborating sporadically with Rowland Greenberg and other musicians on the Norwegian jazz scene.
He joined the Norwegian America Ships house orchestra on the voyage to New York City. In 1960 Totti succeeded Harald Bergersen as tenor saxophonist in Karlsen’s new big band and in the summer of 1961 he met his future wife Laila Dalseth, who joined the band.
He would go on to play with the bands of Einar Schanke, Rowland Greenberg, Per Borthen and in Dalseth’s orchestra. During the Nineties he played tenor and soprano saxophone with Christiania Jazzband and with Christiania 12.
Saxophonist Totti Bergh, who released several albums as a leader and whose music is reminiscent of Lester Young and Dexter Gordon, died January 4, 2012 in his home city.
Daily Dose Of Jazz…
Andy LaVerne was born on December 4, 1947 in New York City, and studied at Juilliard School of Music, Berklee College, and the New England Conservatory. He also took private lessons from jazz pianist Bill Evans.
LaVerne has worked with Frank Sinatra, Stan Getz, Woody Herman, Dizzy Gillespie, Chick Corea, Lionel Hampton, Michael Brecker and Elvin Jones. As a leader he has recorded more than 50 albums including a duo with saxophonist Jerry Bergonzi.
An educator, Andy has released a series of instructional videos, Guide to Modern Jazz Piano, Vols. 1 &, 2, and Jazz Piano Standards, and In Concert with guitarist John Abercrombie.
He has authored several books that has included his own compositions as well as the Handbook of Chord Substitutions, Tons of Runs, Bill Evans Compositions 19 Solo Piano Arrangements, and is the pianist on The Chick Corea Play-Along Collection. He is a frequent contributor to several jazz, music and piano publications.
Besides receiving being a recipient of several fellowships and awards, holding numerous clinics, masterclasses and performances worldwide, pianist Andy LaVerne currently is Professor of Jazz Piano at The Hartt School on the campus of the University of Hartford in Connecticut and on the faculty of the Aebersold Summer Jazz Workshops.
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