Daily Dose Of Jazz…
Randy Sutin was born on May 14, 1958 in Great Falls, Montana where he studied piano starting at age four and guitar when he turned eight. By the time he was ten he began study of the drums. He began playing mostly rock and some country professionally with local groups at age thirteen. At 20, he began to study mallet percussion, in particular the vibraphone, which became the main staple of his professional life as a musician.
In 1985, Randy relocated to Trenton, New Jersey, then to the Philadelphia, Pennsylvania area four years later. He was a regular member of the Bill Hollis Quartet and soon began working regularly and recording with the Barry Sames Jazz Ensemble. A regular member of the late pianist Eddie Green’s group, he was featured on Eddie’s last recording, Shades of Green. He has also played and recorded with Walter Bell and the Latin Jazz Unit.
Over the last fifteen years, Sutin has continued playing as a regular member of the Barry Sames Jazz Ensemble, which does jazz arrangements of Christian music. He is featured as a soloist on both of Barry Sames’ recordings, Awaiting the Spirit and Celebration. This association with playing jazz for spiritual purposes and a desire to do a project with his wife, Marianne, who is an experienced yogi, led to his latest musical endeavor.
In 2007 they released Meditations for Percussion and Flute, a suite of compositions based on yoga practice blending a mixture of styles, but always falling back to jazz as its core. Together they created their record label, Balanced American Music. Recent work has focused on The Birdhouse Project, a trio with Jim Miller and Tyrone Brown, performing the compositions of Charlie Parker.
His most current project is with The Tyrone Brown String Ensemble. Randy is featured on both of their 2008 releases, The Magic Within and Moon of the Falling Leaves.
Vibraphonist Randy Sutin, who also plays marimba, continues to perform and record.
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Daily Dose Of Jazz…
ELEW was born Eric Robert Lewis on May 13, 1973 in Camden, New Jersey where he studied piano as a child. Graduating from Overbrook High School in 1991, he received a full merit scholarship to the Manhattan School of Music. He graduated on the Dean’s List in 1995, then began touring.
Lewis began his career as a jazz purist, playing as a sideman for jazz artists like Wynton Marsalis, Cassandra Wilson, Elvin Jones, Jon Hendricks, and Roy Hargrove as well as performing as a member of the Lincoln Center Jazz Orchestra. Eventually becoming interested in rock music he embarked on a solo career as a crossover musician, quickly gaining recognition for his instrumental Rockjazz piano covers of mainstream rock hits like The Rolling Stones’ Paint It, Black and The Killers’ Mr. Brightside. He released his debut album of instrumental covers, titled ELEW Rockjazz Vol. 1, on his own label, Ninjazz Entertainment, in 2010.
Lewis became disillusioned with the jazz world after a solo record deal failed to materialize and struck out on his own to find success. It was around this time that he heard his first rock album, Linkin Park’s Meteora, which made a profound impression on his musical sensibilities. Taking the stage name ELEW, he adjusted his stage presence accordingly, growing an afro and adopting a distinctive style of dress, wearing armored vambraces over tailored suits. Discarding his piano bench for standing, he reached inside to grab the strings and beat on its wooden case like a percussion instrument.
Mainstream recognition came when he played a cover of Evanescence’s Going Under and an original composition, and was a featured speaker at the Long Beach TED Conference in 2009. He drew the interest of fashion designer Donna Karan, for whom he composed an original piece inspired by her fall 2009 collection and at her next New York City fashion show. That led to an invite by White House Social Secretary Desiree Rogers to play in the East Room for President Obama and the First Lady.
Pianist Eric Lewis, popularley known as ELEW, continues his journey of performing, composing, recording and touring.
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Daily Dose Of Jazz…
Ronnie Foster was born in Buffalo, New York on May 12, 1950. Attracted to music at the age of four, he attended Public School 8, Woodlawn Jr. High for a year, McKinley Vocational High School for two years, and then spent his final year at Lafayette High School. The only formal musical instruction he received was a month of accordion lessons. Taking music more seriously from his early teens, he had his first professional gig aged fifteen, playing in a strip club.
He initially performed with other local musicians. Moving to New York City with his own band, he acquired a publishing company. Foster performed as a sideman with a wide range of musicians, frequently working with guitarist George Benson, including playing on the guitarist’s album Breezin’.
Ronnie has played organ with Grant Green, Grover Washington, Jr., Stanley Turrentine, Roberta Flack, Earl Klugh, Harvey Mason, Jimmy Smith, and Stevie Wonder.
He is also a record producer and his song Mystic Brew was sampled in Electric Relaxation by A Tribe Called Quest and in J. Cole’s song Forbidden Fruit, where it was reversed, pitched, and slowed down in the song Neighbors as well as the instrumental of Forbidden Fruit.
Funk and soul jazz organist Ronnie Foster continues to perform, record, tour and produce.
TOMI BERRY
An accomplished, classically trained singer, Tomi has performed most of her life in multiple music genres, starting formally in gospel and spiritual church choirs in her hometown of Montclair, New Jersey. She continued to perform throughout college in classical and madrigal choirs, chorale and was the first soloist to sing with the college jazz band. She also performed with a campus band that did pop and R&B tunes for campus events and private functions.
In Atlanta, she performed with the Hillside Chapel and Truth Center Choir and Jubilee Singers and was a member of the “neo-spiritual” group I Am Unlimited. She has been a member and briefly served on the board of Southeastern Organization for Jazz Arts (SOJA) where she performed a two-woman show with vocalist Nina Carl, with support from Terry Harper on piano, Danny Harper on trumpet and Delbert Felix on contrabass.
She also had the opportunity to perform with jazz pianist/songwriter, Donald Brown during an in-home performance in the Atlanta area and has been supported by jazz pianist/musician/songwriter Takana Miyamoto on multiple projects as well as by pianist Rodney Martino Avery.
She was the featured performer at The Velvet Note Acoustic Living Room in 2013 where she performed two shows featuring GRAMMY Award winning, Atlanta-based producer/keyboardist, Phil Davis, bassist. Trey Gilbert, and drummer, Joey Williams.
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MYRNA CLAYTON
America’s Songbird, Myrna Clayton, captivates audiences worldwide with her unforgettable, classy, and soul-filled jazzy style. From the United States to five continents abroad, her performances leave audiences in awe. Alabama-born and Atlanta-raised, Myrna is a highly respected singer renowned for her versatility, particularly her mastery of Jazz: Standards, Straight Ahead, Bebop, Contemporary, and Smooth.
Commissioned by the U.S. State Department, she has represented American music at U.S. Embassies across the globe, including performances in France, Germany, Russia, Namibia, Guatemala, Nigeria, the Baltics, Switzerland, and most recently, Ghana’s 2024 Jazz in January Festival. A Jazz orchestra conductor in Kazan, Russia, even tagged her “The Maynard Ferguson of Jazz vocals,” highlighting her mesmerizing musical presence. Locally in Atlanta, Myrna graces stages at venues like the High Museum’s Friday Night Jazz and City Winery.
Beyond her vocal prowess, Myrna is a passionate advocate for accessibility for performing artists across the disability spectrum. She is deeply committed to highlighting their talents and improving their career trajectories and life possibilities. This dedication led her to found SHOWAbility, a non-profit organization serving artists and audiences across the disability spectrum. SHOWAbility creates accessibility and visibility for these artists, focusing on their unique talents and abilities rather than their challenges.
Jazz Brunch Tickets: $20.00 ~ $35.00 | $25.00 Food & Beverage Per Person
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