DASHILL SMITH & NAME THAT FEELING BAND

Multi-instrumentalist, singer/songwriter, producer, performer and actor Dashill Smith performs an eclectic array of genres including hip-hop, free jazz, funk, soul, blues, afro-beat. and more. He puts together freestyle rhymes, plays the trumpet, and improvises with the same mind frame as he does when I rhyme.

Smith performs with quite a few bands in town with his small unit, The Omega Level Squad, as well as The Biological Misfits, a band he co-Lead with actor, poet, and musician Malcom-Jamal Warner, and  Mausiki Scales’ The Common Ground Collective. He also performed regularly for a few years with the legendary Jazz-Funk pioneer; vibraphonist Roy Ayers.

Tickets: $10.00 ~ $20.00 + $2.51 fee

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CHANDA LEIGH

Vocalist and pianist Chanda Leigh brings her quartet to the Cafe I Am Lounge for a night of jazz.

The Band: Chanda Leigh ~ Piano | Joe Jennings ~ Saxophone | Anthony Daniel ~ Bass | Bernard Linnette

Tickets: $35.00

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Requisites

The Song Book ~ Booker Ervin | By Eddie Carter

In February 1964, tenor saxophonist Booker Ervin recorded an album of standards. The Song Book (Prestige PRLP7318/PRST 7318) is a quartet session featuring Tommy Flanagan on piano, Richard Davis on bass, and Alan Dawson on drums. My copy is the 2023 Analogue Productions stereo audiophile reissue matching the original catalog number. The album opener, The Lamp Is Low by Peter de Rose, Mitchell Parish, Maurice Ravel, and Bert Shefter, kicks off the quartet’s melody at a fast gallop. Booker wails with remarkable energy, then Tommy rips down the road next. Richard follows suit with a brisk walk, and Alan goes to work last, preceding the ending theme and fadeout.

The quartet brings a profound emotional depth to Duke Ellington’s Come Sunday. Tommy’s gentle introduction sets the mood for Ervin’s warm tone, tenderly embracing the theme. Flanagan shines as the song’s lone soloist, delivering sweet moments of beauty matched by the rhythm section’s serene accompaniment, leading up to the leader’s soft conclusion. All The Things You Are by Oscar Hammerstein II and Jerome Kern picks up the beat for the quartet’s lively melody. Booker goes right to work on the opening statement and is consistently inventive and entertaining. Tommy swings effortlessly into the spotlight next with a spirited solo before the theme’s restatement dissolves gradually.

Just Friends by John Klenner and Sam M. Lewis begins the second side on an upbeat note, with Flanagan’s introduction leading to the quartet’s opening theme. Ervin blazes the trail with a commanding performance, then Flanagan delivers the song’s second message with authority. Davis completes the proceedings with a concise comment leading to a charming conclusion. Yesterdays by Otto Harbach and Jerome Kern opens with a tender piano introduction ahead of the saxophonist’s beautiful melody. Tommy takes the first turn with an emotionally rich, heartfelt interpretation, then Booker blends nostalgia and sentiment flawlessly until the theme’s gentle reprise and serene ending.

Our Love Is Here To Stay by George and Ira Gershwin picks up the pace one final time for the foursome’s lively melody. Ervin takes hold of the first spot swiftly, then Flanagan swings effortlessly into the following reading. Davis provides the exclamation point propelled by the rhythm section’s brisk supplement, ahead of the group’s upbeat exit.

Don Schlitten produced The Song Book, and Rudy Van Gelder was the recording engineer. Kevin Gray mastered the audiophile reissue, and the album’s sound quality is mesmerizing, placing the musicians in front of the sweet spot. The record was pressed on 180 grams of audiophile vinyl and is quiet as a church mouse until the music starts.

Booker and the rhythm section bring each track to life with genuine emotion, and approach each song with heartfelt affection, showcasing a profound admiration for the melodies of these cherished standards. If you’re a fan of hard bop and haven’t acquired an earlier pressing yet, please make a note to add The Song Book by Booker Ervin to your list on your next record hunt. This Analogue Productions reissue beautifully celebrates the timeless treasures of The Great American Songbook and undoubtedly deserves a place in every jazz fan’s library!

~ All The Things You Are, Come Sunday, Just Friends, Love Is Here To Stay – Source: JazzStandards.com

~ The Lamp Is Low, Yesterdays – Source: Wikipedia.org

© 2025 by Edward Thomas Carter

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Daily Dose Of Jazz…

Ralph Humphrey was born on May 11, 1944 in Berkeley California. While still a student at California State College Northridge he recorded with the Don Ellis Big Band in 1968, and stayed with the band until 1973.

Leaving Don Ellis and jazz he joined Frank Zappa’s band in 1973 and his drumming can be heard on at least a dozen albums. Humphrey, never far from jazz, played drums for Wayne Shorter, Al Jarreau, and Manhattan Transfer, as well aas pop stars Barbra Streisand, José Feliciano, Bette Midler, Captain and Tenille, Richard Carpenter. His music has been heard in television series such as American Idol, Charmed, The Simpsons, Family Guy, and more.

As an educator he has taught the drum curriculum at the Los Angeles Music Academy. He and Joe Porcaro created the drum program for the Percussion Institute of Technology, a part of the Musicians Institute in Hollywood, California. Between 1980 and 1996 he taught the program and headed the department.

Drummer Ralph Humphrey, whose name has been spelled differently in some credits as Humphry or Humphries, continues to perform, record, tour and educate.

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Daily Dose Of Jazz…

Julius Wechter was born on May 10, 1935 in Chicago, Illinois and studied and learned to play the vibraphone and percussion, which he did with the Martin Denny group by the time he was out of highschool in the 1950s. The early Sixties saw him moving to movie soundtracks, television and session work for the Beach Boys, the Monkees, Sonny & Cher, and various Phil Spector productions.

His long and successful association with Herb Alpert and his Tijuana Brass started when he played percussion on their first hit, The Lonely Bull in 1962. He later composed Spanish Flea. He went on to play marimba and vibes on many of Alpert’s songs in the 1960s, as well as writing at least one song on most of those albums.

Encouraged by Alpert, he formed the Baja Marimba Band which was quite successful, hitting four chart songs in Billboard’s Top 100, and numerous on its Easy Listening Top 40. Disbanding in the mid Seventies, Julius turned his attention to television and movies again, but continued to play with Alpert.

In his later years, he devoted himself to psychology, earned a master’s degree, and served as vice president of the Southern California chapter of the Tourette Syndrome Association.

Marimba and vibraphonist Julius Wechter died on February 1, 1999 at his home in California of lung cancer, at the age of 63, a day after his song Spanish Flea was used in The Simpsons episode Sunday, Cruddy Sunday.

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