Daily Dose Of Jazz…
Willie James Humphrey was born on December 29, 1900 in New Orleans, Louisiana into a musical family, the son of prominent local clarinetist and music teacher Willie Eli Humphrey. His brothers Earl and Percy also became well known professional musicians.
After establishing himself with such New Orleans bands as the Excelsior and George McCullum’s band, Humphrey traveled north, playing with Lawrence Duhé, and King Oliver in Chicago, Illinois. In the 1920s he made his first recordings in St. Louis, Missouri.
Returning to New Orleans, he played for many years with the Eureka and Young Tuxedo Brass bands, the bands of Paul Barbarin and Sweet Emma Barrett, and the Preservation Hall Jazz Band.
Clarinetist Willie Humphrey, whose playing remained vigorous and continued to grow more inventive in his old age, passed away at 93 on June 7, 1994.
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Three Wishes
Nica’s inquiry of Walter Lee Bolden as to his three wishes if granted, he told her:
- “I’d like to straighten out my personal life.”
- “I’d like to be among the greats, as far as my career is concerned.”
- “And then I want to be able to live comfortably.”
*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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Daily Dose Of Jazz…
René Compère was born in Brussels, Belgium on December 28, 1906 in and by the time he was 17 he was working with the Billy Smith Brussels-based band. He then went on to found his own ensemble, the New Royal Dance Orchestra. However, as a member of Smith’s group, he met Charles Remue, with whom he worked for several years and Jean Omer who also played in Compère’s orchestra.
He recorded with Fernand Coppieters in 1929, then joined Josephine Baker’s backing band for several European tours in the first half of the 1930s. He was hired to play aboard the ship SS Normandie for transatlantic voyages. In 1937 he played at the Paris Exposition with Django Reinhardt, then worked in France with Joe Bouillon and in Belgium with Joe Heyne. During World War II he recorded with Eddie Tower.
Trumpeter René Compère, who never recorded as a leader, passed away on April 24, 1969 in his hometown.
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Daily Dose Of Jazz…
Johnny Frigo was born on December 27, 1916 in Chicago, Illinois and studied violin for three years beginning at age seven. In high school he started to play double bass in dance orchestras. In 1942 he played with Chico Marx’s orchestra and performed a comedy routine on violin with Marx on piano.
Entering the United States Coast Guard during World War II, he played in an Ellis Island band with Al Haig and Kai Winding. After his brief turn at active service near the end of the war he moved to New Jersey and from 1945 to 1947 he toured with Jimmy Dorsey’s band. He later formed the Soft Winds trio with Dorsey’s guitarist Herb Ellis and pianist Lou Carter. During this time he wrote the music and lyrics to Detour Ahead and I Told Ya I Love Ya, Now Get Out.
In 1951, returning to Chicago, Johnny primarily worked as a studio bassist and arranger. He also led the band at Mr. Kelly’s, and until 1960 he played fiddle hoedowns and novelties with the Sage Riders, WLS radio house band for the National Barn Dance. Then in 1961 WGN revived the show and he played with the Sage Riders for another fourteen years.
He went on to work with Chicago jazz vocalist Anita O’Day in live and studio recordings. In the mid-1980s Frigo largely abandoned playing bass and concentrated on violin. He performed as a jazz violinist at festivals worldwide. Frigo also was a published poet and artist and played flugelhorn. He wrote and performed the 1969 Chicago Cubs fight song Hey Hey, Holy Mackerel.
Violinist and bassist Johnny Frigo, who was also a composer, lyricist, published poet and artist, passed away of cancer on July 4, 2007 at age 90.
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Requisites
A Date With Jimmy Smith, Volume One~ Jimmy Smith | By Eddie Carter
Jimmy Smith steps into the spotlight for this morning’s discussion with his 1957 album, A Date With Jimmy Smith, Volume One (Blue Note BLP 1547/BST 81547). This is the first of three large group recordings the organist made for Blue Note, the other two were in 1958, producing the albums, Houseparty and The Sermon and 1960, resulting in Open House and Plain Talk. It’s also the only time he recorded with Donald Byrd (tracks: A1, B1) on trumpet and Hank Mobley (tracks: A1, B1) on tenor sax. Also featured is Lou Donaldson (tracks: A1, B1) on alto sax, Eddie McFadden on guitar, Art Blakey (tracks: A1, B1), and Donald Bailey (track: A2) on drums. The copy used in this report is a friend’s 1966 Liberty Mono reissue sharing the original catalog number.
Falling In Love With Love by Richard Rodgers and Lorenz Hart opens the album with the sextet’s collective uptempo melody. It was first heard in the musical, The Boys From Syracuse (1938). Hank leads off with a smokin’ opening solo, then Eddie puts together a swinging statement. Jimmy dispenses enthusiastic energy on the next presentation. Donald shifts into high gear on the fourth reading. Lou cooks on a delicious solo and Art shares a brief exchange with the front line ahead of the closing chorus. How High The Moon by Nancy Hamilton and Morgan Lewis is a gorgeous jazz standard from the Broadway revue, Two For The Show (1940). This is a trio tune with Bailey taking over the drum chair. Jimmy embraces the melody tenderly and gives two thoughtfully passionate solos. McFadden also has a very gentle reading and Bailey compliments both with elegant brushwork.
Funk’s Oats is a bluesy midtempo original by Jimmy beginning with the sextet stating the melody. Lou leads off this time with a joyously carefree interpretation. Donald extends the happy mood on the second statement. Hank delivers some excellent blowing with an easy swing next. Eddie unfolds the fourth reading as smooth as velvet, and Jimmy takes us into the ensemble’s reprise and exit with a delightful groove. A Date With Jimmy Smith, Volume One was recorded by Rudy Van Gelder, and this Liberty reissue has an outstanding soundstage. The vinyl is quiet for a pressing of this vintage and the instruments emerge from your speakers as if the group is in your listening room. If you’re a jazz fan who enjoys the swinging organ of Jimmy Smith, I offer for your consideration A Date With Jimmy Smith, Volume One. It’s a vibrant, inspired album with everyone in top form that’s sure to make a nice addition to any jazz library!
~ Houseparty (Blue Note BLP 4002/BST 84002), Open House (Blue Note BLP 4269/BST 84269), Plain Talk (Blue Note BST 84296), The Sermon (Blue Note BLP 4011/BST 84011) – Source: Discogs.com ~ Falling In Love With Love, How High The Moon – Source: JazzStandards.com © 2021 by Edward Thomas Carter
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