CÉCILE MCLORIN SALVANT
Cécile McLorin Salvant is a French-American jazz vocalist. She is one of the most highly regarded jazz vocalists of her generation, often winning DownBeat annual critics polls. She has released seven albums since 2010, six of which have been nominated for Grammy Awards. She is a 3-time winner of the Best Jazz Vocal Album Grammy Award for her 2015 album For One to Love, her 2017 album Dreams and Daggers, and her 2018 album The Window, each released on the Mack Avenue label. Salvant’s most recent album is Mélusine, released in 2023 by Nonesuch Records. Salvant primarily sings in English or French, her first language, and has also recorded songs in Occitan and Haitian Kreyòl.
Cécile McLorin Salvant Quartet
The Band:with Sullivan Fortner ~ piano | Yasushi Nakamura ~ bass | Kyle Poole ~ drums
Shows:
2025 August 20th Wed. – August 22nd Fri.
[1st]Open5:00pm Start6:00pm [2nd]Open7:45pm Start8:30pm
Cover: ¥ 8,800 | $59.24
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GORDON GOODWIN’S BIG PHAT BAND
25th Anniversary Year of Celebration of the Grammy Award-winning big band.
Gordon Goodwin is a 70-year-old pianist, saxophonist, composer, arranger and conductor. Best known for leading Gordon Goodwin’s Big Phat Band, an 18-piece jazz orchestra that blends big band swing with funk and jazz fusion. Goodwin has won four Grammy Awards and three Emmy Awards.
August 15th Fri. – August 18th Mon.8.15 fri., 8.18 mon.
[1st]Open5:00pm Start6:00pm [2nd]Open7:45pm Start8:30pm
Cover: ¥ 11,000 | $74.05
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TERRI LYNE CARRINGTON & CHRISTIE DASHIELL
Terri LynE Carrington: WE INSIST 2025! featuring Christy Dashiell
Four-time GRAMMY-winning jazz icon Terri Lyne Carrington and GRAMMY-nominated vocalist Christie Dashiell release “Freedom Day (Part 1),” their vibrant reimagining of Max Roach’s timeless anthem “Freedom Day.” The single highlights Carrington’s lifelong mission to champion jazz and advocate for inclusivity and raise the voice of women, trans and non-binary people in the genre. The single is out now via Candid Records, listen here.
“Freedom Day (Part 1)” is a dynamic tribute to the 1960 Max Roach and Oscar Brown Jr. composition, from the groundbreaking album We Insists! Max Roach’s Freedom Now Suite. Written to commemorate the emancipation of enslaved people in the United States, the album stands as a defining artistic statement of the Black American civil rights movement. With a career defining performance by the incomparable Abbey Lincoln, it is one of the most powerful and enduring statements of music as protest
The new arrangement breathes new life into the track, blending Carrington’s signature drumming and electronics with Dashiell’s soulful vocals and an all-star ensemble featuring Matthew Stevens (guitar), Simon Moullier (vibes), Morgan Guerin (bass, woodwinds), and Milena Casado (trumpet, electronics). The result is a dynamic interpretation that honors the original’s revolutionary spirit, while echoing a social justice message which remains poignant as ever today.
Cover: ¥ 10,000 | $67.32
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On The Bookshelf
Jazz On Film: The Complete Story Of The Musicians & Music Onscreen is a compendium of reviews, analyzes, and rates virtually every appearance of a jazz musician or singer on film. After presenting a detailed essay on the history of jazz on film and television.
Reading this book one gets a brief history of jazz on film between 1917 to 1960, accounting for Soundies, Snader telescriptions, jazz on television and movies. from 1960 to the present day, Ruth Etting, the film careers of Hoagy Carmichael, Harris Barris, Cliff Edwards, Kay Kyser, and Svend Asmussen. It includes three jazz film collectors: Mark Cantor, Ken Poston, John Altman.
Yanow reviews and rates 1,300 movies, documentaries, shorts, videos, and DVDs. This book lets readers know how to view the jazz legends and the greats of today, and what DVDs and videos are worth acquiring. Each film is given a 1 to 10 rating and a concise description of its contents and value.
Daily Dose Of Jazz…
Albert Wynn was born on July 29, 1907 in New Orleans, Louisiana but grew up in Chicago, Illinois where he began his professional career as a trombonist. His first appearance on record in 1926 backing Ma Rainey and the following year he played and recorded in St. Louis, Missouri with Charlie Creath.
Wynn went on to work with Earl Hines’s band briefly in 1928 before assembling a group of his own. Later that same year he joined the Sam Wooding Orchestra on their European tour and didn’t return to the United States until 1932 when he would live in New York City for a short time before going back to Chicago.
He was a member of Sidney Bechet’s New Orleans Feetwarmers for a stint going on to work with the bands of Jesse Stone, Carroll Dickerson, Richard M. Jones, and the Earl Hines Orchestra once again. During the late 1930’s and early ’40’s Albert played in the big band of Fletcher Henderson and the short lived assembly of Jimmie Noone.
Settling into semi-retirement he ran a Chicago record store and enjoined his final professional band work as a member of Franz Jackson’s Original Jazz All-Stars from 1956 to 1960 and the Gold Coast Jazz Band from 1960 to 1964.
Trombonist Albert Wynn died on May 1, 1973.
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