SHERYL BAILEY QUARTET

Her own trio, The Sheryl Bailey 3, is a modernized version of the organ trio-“the ultimate organ trio” according to JazzInside Magazine. In addition to their 15-year plus residency at NYC’s 55 Bar, they have toured China, Canada, Europe and the US. She also tours the world as a member of David Krakauer’s “Ancestral Groove”. A partial list of others with whom she has performed and recorded with includes Richard Bona, George Garzone, Lincoln Goines, Kim Plainfield, Bill O’Connell, Mike LeDonne, Irene Cara, Lea Delaria, Jack Wilkins, Howard Alden, Shingo Okudaira, Ingrid Jensen, Dwayne Burno, Tommy Campbell, Simon Woolf, Alex Garnett and Ken Peplowski.

Sheryl is a Professor at Berklee College of Music, and at the Collective in New York. In keeping with Sheryl’s philosophy of “giving back”, her 2011 quartet release, “For All Those Living” donates 20% of sales to the Ronald McDonald House of NYC. She has been an Artist in Residence at countless other programs, including NYU, Bates College, the Stanford Jazz Workshop, Towson University, the LA Music Academy and GIT. In 2009, Mel Bay published her book Moveable Shapes: Concepts for Re-Harmonizing II-V-I’s. She has also developed a complete curriculum in jazz improvisation for interactive cyber study via Truefire’s Guitar Sherpa program, The Bebop Dojo. In addition she has top selling courses available from Mike’s Masterclasses, Jazz Guitar Society, JamPlay, and Truefire.

Featuring Ian Froman, Ron Owanski, Mike Fahn

Cover: $25.00

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DEBO RAY

Grammy-nominated, vocalist extraordinaire Debo Ray is an immersive musical and visual experience. She has performed on some of the world’s biggest stages: Newport and Monterey Jazz, Carnegie Hall, The Hollywood Bowl and more.

Her versatility from neo-soul/R&B to jazz, pop, classical/opera and rock is unmatched. In a Boston Globe feature, music critic Jon Garelick asks: “Is there anything Debo Ray can’t sing?” as well as describing her “emotional expression and charismatic stage presence”.

Debo recently completed recording her first album of original contemporary R&B material which she co-wrote along with, among others, Grammy winning producer Prince Charles Alexander.  Each song tells a bold, unique story musically and lyrically.

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FIERY STRING SISTAS

At the core of Firey String Sistas are three powerhouse women, Nioka Workman (founder),Marlene Rice and Mala Waldron. Together they infuse world, global funk, ‘head bopping’ soul and Jazz music to produce a unique sound for violin, cello, bass, piano and percussion. The Firey String Sistas extend from 3 to 5 members, featuring cutting edge acoustic and electric musicians. The ‘Sistas’ presentations include tone portraits of the current times, reflections of women’s culture and a celebration of family traditions. The ensemble’s first recording received overwhelming critical acclaim with the press saying; “ ….there’s enough energy in Firey StringSistas to fire up a constellation….deeply personal, naturally expressive playing….whets the appetite for further releases.” – Raul da Gama (Jazz daGama ). “,….eight fun and swingingoriginals.

The team literally shows pluck…a treat” -George Harris (Jazz Weekly) “ ….. a charming and delectable work by .. supremely talented musicians. It is simultaneously accessible and sophisticated, poignant and erudite and, as such, should have a wide appeal. It certainly whets the appetite for more to come…..” -Hrayr Attarian (All About Jazz) . After the success of CD “That’s What She Said” , the Firey String Sistas have begun to record their sophomore CD with dedications to icons, Maxine Waters, Michelle Obama and Mal Waldon This CD also includes surprise features of renowned Jazz artists sprinkled in. Firey String Sistas are recipients of the South Arts Jazz Tours 2023 for performances at Outpost Performing Center, Albuquerque and SITE Museum, Santa Fe Jazz Collective in New Mexico.

Tickets: $35.00~$110.00

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BRIAN BROMBERG, PAUL BROWN & MICHAEL PAULO

The Supergroup, formed by the first letters of their first names, as well as the term BPM stands for beats per minute, the definition of the tempo in music.

Collectively they are responsible for over 80 Billboard Smooth Jazz Number 1 Hits and many hundreds of thousands of record sales. Now together as BPM, they share their success with Grammy wins, nominations, and bring over 100 years of experience to the stage and to the music. BPM is the new fresh voice of Contemporary and Smooth Jazz!

Tickets: $40.00~$150.00

 

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Requisites

Swiss Movement ~ Les McCann and Eddie Harris | By Eddie Carter

This morning’s record from the library is an exceptional live album by Les McCann and Eddie Harris. They performed a spontaneous concert at the 1969 Montreux Jazz Festival. Their set, which became the highlight of the three-day event, was a testament to the quintet’s exceptional musicianship. Swiss Movement (Atlantic SD 1537) immortalizes this incredible performance. The ensemble consists of Benny Bailey on trumpet, Eddie Harris on tenor sax, Les McCann on piano, Leroy Vinnegar on bass and Donald Dean on drums. My copy is the original 1969 U.S. Stereo release.

The opener, Compared To What by Gene McDaniels, is a poignant reflection of the sentiments of many Americans towards the Vietnam War and the President of the United States. McCann’s vocals, which delve into the pressing issues of the time, add a layer of historical significance to the song. Les starts things with a spirited introduction, setting the stage for a lively dialogue when Donald joins in. Leroy and Eddie add to the jubilant theme with McCann’s vibrant vocal choruses. Benny follows with a zestful solo, and Les returns for another round of swinging. He then lets his fingers do the talking with exhilarating energy. Eddie takes the performance to a whole new level next, leading to an electrifying climax, the audience’s thunderous applause, and McCann’s quintet introduction.

Cold Duck Time by Eddie Harris slows the pace to medium speed, opening with Les McCann’s introduction to the crowd. Leroy and Donald build the song softly to the quintet’s relaxing theme. Eddie starts the soloing with a nice, easygoing groove. Benny delivers the following solo with thoughtful construction and captivating lines. Les ends with a contagious swing on the closer, which cooks to the finale. Kathleen’s Theme by Les McCann ends the first side with Harris leading a quartet performance. Eddie delivers a feisty reading with a spirited momentum fueled by the rhythm section’s groundwork, which receives a well-deserved ovation from the Montreux audience at its conclusion.

Les McCann’s You Got It In Your Soulness opens Side Two with the trio’s festive introduction to Les scatting along in the background of the melody. He continues taking care of business on the first solo. Eddie launches a funky, firm-toned attack next. Benny responds with energetic verses in the following reading, and Les puts the exclamation point on the solos with intense heat, which glows brightly into the close. The Generation Gap by Les McCann starts with the trio’s introduction and melody. Eddie begins with a velvety, smooth opening statement. Les delivers a stimulating workout before the trio’s gentle ending.

Nesuhi Ertegün and Joel Dorn produced Swiss Movement, and French recording engineer Pierre Grandjean crafted the album with meticulous diligence to detail. The album boasts an excellent soundstage with a “you are there” feeling, immersing the listener in the Montreux Jazz Festival audience as the group performs. The record is also quiet until the music begins. As for the music itself, Swiss Movement by Les McCann and Eddie Harris is a testament to the highest standards of jazz, a live performance that rocked the house that night and continues to captivate audiences today. If you’re a soul jazz or post-bop fan, it’s a must-have for your library!

~ Compared To What – Source: Wikipedia.org

© 2024 by Edward Thomas Carter

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