NICOLE HENRY & LEESA RICHARDS

Nicole Henry’s versatile and emotionally driven performances have wowed audiences in 20 countries, earning her numerous accolades including a Soul Train Award for “Best Traditional Jazz Performance” and “Best New Jazz Artist” by HMV Japan. Her latest album “Time to Love Again” reached #4 on the U.S. jazz radio chart, and she completed a 35-city U.S. national tour.

Leesa Richards, a Detroit native now based in Miami, began her career as a professional dancer and gained critical acclaim for her role as Mary Magdalene in the national tour of Jesus Christ Superstar. She has performed with artists like Faith Hill, Whitney Houston, and Gloria Estefan, and recorded with Barbra Streisand and Lenny Kravitz.

Limited number of free tickets for students.

After concert jam session, musicians bring your instrument

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Daily Dose Of Jazz…

Darius Brubeck was born David Darius Brubeck on June 14, 1947 in San Francisco, California into a musical family. His father Dave and mother Iola Brubeck named after his father’s teacher and mentor, French composer Darius Milhaud. Moving from Oakland, California they settled in Wilton, Connecticut in 1960 and ultimately graduated from Wilton High School in 1965.

Darius majored in ethnomusicology and the history of religion at Wesleyan University, graduating cum laude in 1969. While there he composed and performed the music for the film Christopher’s Movie Matinee. During the next decade and into the early 1980s he would go on to lead two groups, The Darius Brubeck Ensemble and Gathering Forces, cross America as a sideman with Don McLean and record two albums with guitarist Larry Coryell. He toured the world and recorded as a member of Two Generations of Brubeck and The New Brubeck Quartet, both led by his father.

In 1983, Brubeck and his South African wife, Catherine, moved to Durban, South Africa, joined the music Department at the University of Natal and initiated the first degree course in Jazz Studies offered by an African university. In 1989, he was appointed as Professor of Jazz Studies and Director of the Centre for Jazz and Popular Music, where he taught until 2005.

A move to London, England in 2005, Darius taught courses at the Guildhall School of Music and Drama and Brunel University. Appointed as a Fulbright Senior Specialist in Jazz Studies in 2007, he taught at Yıldız Technical University in Istanbul, turkey and subsequently at the Gheorghe Dima Music Academy in Cluj-Napoca, Romania, in 2010.

His years in South Africa saw him forming five student/staff bands, record the album The Jazzanians: We Have Waited Too Long to be released in 2024, form the band Afro Cool Conceptwhich toured for nearly 15 years and recorded a live album in New Orleans.

As a composer Brubeck has written music for all types of ensemble, large and small. He has arranged and written an original composition for his father’s 80th birthday, and the Rockefeller Foundation awarded him a residency as a composer at the Bellagio Study and Conference Center in Italy.

Pianist, author, composer, arranger and educator Darius Brubeck, who has had a documentary film made by Michiel ten Kleij titled Playing the Changes: Tracking Darius Brubeck, currently leads The Darius Brubeck Quartet.

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THE HEAVY HITTERS

Mike LeDonne piano | Eric Alexander tenor saxophone | Vincent Herring alto saxophone | Sean Jones trumpet | Alexander Claffy bass | Kenny Washington drums

The Heavy Hitters is the eponymous album from a brand-new sextet featuring some of the most established players in the jazz game. The group is led by Mike LeDonne, New York-based bop pianist best known for his sideman work with Milt Jackson and Benny Golson. His partner in crime, Eric Alexander (himself a first-rate soloist working with Harold Mabern amongst others) was his quartet-mate on a well-received series of releases on the Venus label in the mid-2000’s. The two friends came together for this, their first sextet release as leaders, featuring a set composed entirely of originals.

The music is built to tickle your mind, hit you in the heart and get your head swaying back and forth. The Heavy Hitters have been swinging hard their whole lives! It’s a true “Jazz” sound, recorded by some of the greatest jazz musicians of their generation.

“Together, these two ‘Heavy Hitters’ offer us a smokin’ hot production featuring five other heavy-hitters and a product plush with crème de la crème of both musicianship and original compositions.” – Dee Dee McNeil, Musical Memoirs

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JOHN PIZZARELLI

World-renowned jazz guitarist and singer John Pizzarelli was called “Hip with a wink” by Town Country, “madly creative” by The Los Angeles Times and “the genial genius of the guitar” by The Toronto Star. John remains one of the most acclaimed interpreters of classic and modern song and an influential advocate for the continuing evolution of the American standards songbook. AllAboutJazz.com gave his 2023 album Stage Screen 4 stars, calling it “enduring music.”

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JASON MARSALIS

Jason Marsalis – Vibraphone | Adam Shulman – Piano | David Ewell – Bass | Jaz Sawyer – Drums

From a tender young age it was clear that Jason Marsalis had what it took to be great. Jason is the son of pianist and music educator Ellis Marsalis and his wife Dolores, and the youngest sibling of Wynton, Branford and Delfeayo. Together, the four brothers and their patriarch Ellis, comprise New Orleans venerable first family of jazz.

Ellis and Dolores began to cultivate Jason’s interest in music at age three, with the purchase of a toy set of drums. Jason is fond of telling the story of a game he and his parents would play with the drums. “When I was three, my parents bought me a toy drum set and the used to introduce me to an
imaginary audience. They would say, ‘Ladies and gentleman introducing the fabulous Jason!’ and I would come out and start banging away much to my parents delight. I too enjoyed it to the point that I started to go up to my parents unsolicited and say, ‘Dad, introduce me again!’”

By age six, not only had Jason gotten his first real drum set, but he was also taking lessons from the legendary New Orleans drummer James Black. At age seven he was sitting in with his father’s jazz group, as well as playingwith his trombonist brother Delfeayo. Jason was progressing so rapidly as a drummer that in 1984 his father started using him consistently on engagements. Jason was starting to become a seasoned road veteran before the age of nine, even traveling to the prestigious Berklee School of Music in Boston for older brother Delfeayo’s recital.

Though Jason had also taken up violin at age five, drums remained his primary focus throughout his grade school years. However, in his last year living in Richmond, VA,it was as a member of a junior youth orchestra that he first discovered the percussion section. The following year, Jason gave up the violin and focused exclusively on percussion. In 1991, he auditioned and was accepted to the acclaimed New Orleans Center for the Creative Arts High School (NOCCA). Throughout his high school years he continued to hone his skills by playing gigs with his father and brothers, as well as studying orchestral percussion techniques at the venerable Eastern Music Festival. Shortly after graduation from NOCCA in 1995, Marsalis ascended to the drum throne of a new group lead by virtuoso pianist and former sideman for Wynton Marsalis, Marcus Roberts. Despite a demanding touring schedule with Roberts, Marsalis furthered his educational goals by attending Loyola University in New Orleans, as well as studying composition with notable classical composer, Roger Dickerson. While Marsalis made appearances with such international jazz luminaries as Joe Henderson and Lionel Hampton, he was visible on the New Orleans scene working with a diverse cross section of bands from Casa Samba (Brazilian), Neslort (jazz fusion) Summer Stages (children’s theater), Dr. Michael White (traditional jazz) and many others. It was in 1998 that he co-founded the Latin-jazz group Los Hombres Calientes. While recording two albums with the group, Marsalis also produced two albums under his own name, Year of the Drummer (1998) and Music in Motion (2000), as well as producing reissues and current recordings of his father on their self-owned label, ELM Records.

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