The Jazz Voyager

The Jazz Voyager is grabbing a plane for a quick hop to Music City for some jazz. It’s my first club outing since the pandemic lockdown so I’ll be wearing my mask at all times indoors. This week’s destination is Rudy’s Jazz Room located at 809 Gleaves Street, Nashville, Tennessee.

This Saturday I will be catching a triple threat of jazz from the Joel Frahm Trio, Jody Nardone Trio and Don Aliquo with a late afternoon start at 5:30 pm and heading well into midnight and beyond. Rudy’s Jazz Room embodies the history and spirit of traditional jazz clubs, where musicians played their hearts out while people gathered to listen, dance, eat, drink and socialize in a swingin’ atmosphere.

The evening’s performances have a cover charge of $15.00, $20.00 and $10.00 at the door and I plan on giving up my $45.00 when I arrive for the first show. I like going in my pocket one time for things. Doors at 5:00pm, dinner and late night bites are available, however, for additional information, the number is 615.988.2458 and web address is rudysjazzroom.com.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Makanda Ken McIntyre was born Kenneth Arthur McIntyreon on September 7, 1931 in Boston, Massachusetts to a father whoplayed mandolin. He started his musical life on the bugle when he was eight years old, followed by piano. In his teens he discovered the music of Charlie Parker and began playing saxophone at nineteen, then clarinet and flute two years later. Serving in the Army in 1953, for two years he played saxophone and piano in Japan.

Following his discharge Ken attended the Boston Conservatory where he studied with Gigi Gryce, Charlie Mariano, and Andy McGhee. In 1958 he received a degree in flute and composition with a master’s degree the next year in composition. He also received a doctorate (Ed.D.) in curriculum design from the University of Massachusetts Amherst in 1975.

1960 saw McIntyre recording as a leader with Eric Dolphy. The following year and for the next six he taught music in public schools. He took oboe lessons in New York before playing with Bill Dixon, Jaki Byard, and the Jazz Composer’s Orchestra. He went on to spend three years with pianist Cecil Taylor. During the 1970s he recorded with Nat Adderley and Beaver Harris and in the 1980s with Craig Harris and Charlie Haden.

In 1971, he founded the first African American Music program in the United States at the State University of New York College at Old Westbury, teaching for 24 years. He also taught at Wesleyan University, Smith College, Central State University, Fordham University, and The New School for Jazz and Contemporary Music.

In the early 1990s, while performing in Zimbabwe, a stranger handed him a piece of paper with the word “Makanda” written on it, which translates to many skins in the Ndebele language and many heads in Shona. He changed his name to Makanda Ken McIntyre. At the age of 69 on June 13, 2001 he transitioned from a heart attack in New York City.

CALIFORNIA JAZZ FOUNDATION

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Three Wishes

The question that came to Charles Lloyd from the Baroness when she asked if he had three wishes what would his answers be and he told her:

  1. “That’s awful difficult! Well, no – I wish I could play the music that I feel, and play with the musicians I’d like to.”
  2. “I would like to be a … to derive some kind of financial success from my music, and to know that it’s aesthetically pleasing.”
  3. “I’d like to make a contribution to art.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

SUITE TABU 200

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AN EVENING WITH BRANFORD MARSALIS

The NEA Jazz Master, Grammy Award winner and Tony Award nominee is equally at home performing concertos with symphony orchestras and sitting in with members of the Grateful Dead, but the core of his musical universe remains the Branford Marsalis Quartet. The quartet that saxophonist Branford Marsalis has led for the past three decades has always been a model of daring, no-apologies artistry, of ever-widening musical horizons and deepening collective identity.

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Daily Dose Of Jazz…

Joki Freund was born Walter Jakob Freund on September 5, 1926 in Höchst, Frankfurt am Main, Germany. He began playing the accordion as a child, switching to tenor saxophone after World War II ended.

Early in the postwar era, he played with Joe Quitter, Carlo Bohlander, Gerry Weinkopf, Joe Klimm, and Jutta Hipp, before forming his own ensemble. He began performing with American musicians, including Donald Byrd, Art Taylor, and Doug Watkins during their European festival appearances.

He went on to play with and arranged for Albert Mangelsdorff in the jazz orchestra of Hessischer Rundfunk, and Erwin Lehn in the Süddeutscher Rundfunk orchestra. He played with the Frankfurt Jazz Ensemble on soprano saxophone in the 1970s, also performing as a leader around this time.

Saxophonist Joki Freund, who predominantly played in a quintet setting but also in orchestras or big bands, transitioned on February 15, 2012 in Schwalbach am Taunus, Germany.

CALIFORNIA JAZZ FOUNDATION

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