Requisites

Dedicated to Tadd ~ The Charles Davis Sextet | By Eddie Carter

The Charles Davis Sextet steps into this morning’s spotlight, showcasing the multi-instrumentalist on his second outing as a bandleader with Dedicated to Tadd (West 54 WLW 8006). My introduction to Davis came through three standout albums: “Breakthrough,” “Illumination,” and “Manhattan Project.” Davis has contributed as a sideman to more than 100 recordings, with some of jazz’s brightest talents; however, he is best known for his work with Archie Shepp and Sun Ra. This date features a stellar lineup: Tex Allen on trumpet; Clifford Adams, Jr. on trombone; Charles Davis alternates between baritone sax (A2, B3), soprano sax (A1, B2), and tenor sax (A3, B1); Kenny Barron on piano; Walter Booker, Jr. on bass; and Billy Hart on drums. My copy of the album is the 1979 U.S. stereo release.

Monking, the first of four originals by Charles Davis, gets off to a good start with the sextet’s engaging melody in unison. The fun begins as Tex leads with a lively opening solo. Clifford comes in next, laying down an infectious groove. Kenny takes over to deliver a performance executed with thoughtful, nuanced articulation. Charles glides effortlessly through the closing statement on soprano into the climax. Eastern Vibrations comes to life with the ensemble’s collective theme at medium speed. Allen steps forward first with a bright and captivating solo. Adams is especially impressive in the following reading. Barron tackles the third reading incisively, and then Booker seizes the moment in his first statement. Davis’s baritone brings it all home with unmistakable authority, leading to the theme’s reprise.

The group ventures onto Mexico Street next, beginning with Billy’s concise introduction ahead of the sextet’s rapid-fire theme. Tex sets the bar with a brisk and agile solo, paving the way for Clifford’s energetic interpretation. Charles’s tenor sax brings a thrilling intensity to the following statement. Kenny keeps things rolling in an electrifying performance, then Walter and Billy both make a brief comment preceding the ensemble’s robust exit. The title tune, Dedicated to Tadd, unfolds as a graceful ballad, opening with a soft piano prelude that ushers in the group’s beautiful melody. Davis draws out the song’s tenderness in the opening tenor sax statement. Barron infuses the following solo with sensitivity and finesse, before the ensemble’s gentle reprise of the theme and a touching ending.

The last two tracks come from the pen of Tex Allen, starting with the sextet’s introduction and medium melody to Love Gods. Charles gets the opening solo underway with a laid-back soprano interpretation. A brief piano interlude leads to Tex, who hits his target in the following interpretation. A second short piano break leads to the sextet’s closing chorus and finale. Sir Charles, the trumpeter’s tribute to Charles Davis, turns the beat upward one final time for the ensemble’s introduction and theme. Davis gets right to work on the baritone sax and turns in an opening solo that’s a sheer delight. Allen shines in a flawless performance, which in turn leads to Barron’s final statement preceding the sextet’s return to the theme, affording Adams a concise comment as the music gracefully fades away.

Roger Pola produced the album, and the executive producer was Pierre Bourdain. Allan Tucker was behind the dials as the recording engineer. The album’s sound quality is excellent, featuring a superb soundstage that places the musicians directly in the listener’s sweet spot with impressive fidelity. Dedicated to Tadd is an enjoyable album that showcases each artist at their best. If you’re a sax fan and are looking for something fresh to add to your library, I offer for your consideration Dedicated to Tadd by the Charles Davis Sextet on your next record-shopping trip! It shines a spotlight on a truly talented multi-instrumentalist deserving of wider recognition!

~ Breakthrough (Cobblestone CST 9011), Illumination! (Impulse A-49/AS-49), Manhattan Project (Bee Hive Records BH 7001) – Source: Discogs.com

© 2025 by Edward Thomas Carter

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CHARLES MCPHERSON QUINTET

For more than 60 years, saxophonist Charles McPherson has been one of the most expressive and highly regarded voices in jazz. His rich musical style, rooted in the blues and bebop, has influenced and inspired generations of musicians and listeners. Wynton Marsalis, a longtime admirer says: “Charles is the very definition of excellence in our music.

He is the definitive master on this instrument. He plays with exceptional harmonic accuracy and sophistication. He performs free-flowing, melodic and thematically developed solos with unbelievable fire and an unparalleled depth of soul.”

The Band

Charles McPherson ~ also saxophone
Terell Stafford ~ trumpet | July 25th & 26th only
Javon Jackson ~ saxophone | July 24th only
Jeb Patton ~ piano
David Wong ~ bass
Billy Drummond ~ drums

Showtimes: Thursday @ 7:00pm | Friday & Saturday @ 6:00pm & 8:30pm

Cover: $45.00 ~ $55.00 +fee | Streaming $15.00 +fee

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Daily Dose Of Jazz…

Eduard “Eddie” Brunner was born on July 19, 1912 in Zürich, Switzerland. He learned to play clarinet, piano, and tenor and alto saxophone before beginning to perform professionally. In the early 1930s he worked with Rene Dumont, Jack and Louis de Vries, and Marek Weber.

By 1936 he moved to Paris, France and recorded under his own name as well as with Goldene Sieben and Louis Bacon. He returned to Switzerland once World War II broke out. Brunner joined Teddy Stauffer’s band, and in 1941 took over leadership of the group until 1947, when it dissolved.

He led a new six-piece ensemble in 1948, and recorded for radio and television broadcasts in the 1950s.

Reedist and bandleader Eddie Brunner died on July 18, 1960 in his city of birth.

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Daily Dose Of Jazz…

Nicole Glover was born on July 18, 1991 in Portland, Oregon. Her musical journey began when her father introduced her to improvised music at a young age. She started playing the clarinet at the age of ten, transitioning to tenor saxophone the following year. Her interest and curiosity for music blossomed in high school, becoming involved in a variety of performance groups, both within her school and in the community.

Nicole was chosen to be one of nineteen students from across the nation for the Next Generation Jazz Orchestra, who embarked on a national tour that involved performances with Bobby Watson and Julian Lage, and concluded with a performance at the Monterey Jazz Festival with Wynton Marsalis.

After studying at William Paterson University, in 2011 Nicole returned to Portland where she was invited to record on Esperanza Spaulding’s Grammy-award winning album Radio Music Society. She now performs in multiple groups with multi-instrumentalist George Colligan, as well as her own jazz trio and several other improvisational ensembles, such as, the Alan Jones Storyline Sextet, Thomas Barber’s Spiral Road, and the Kerry Politzer Quintet.

2015 saw Glover releasing her debut album First Record, featuring pianist and trumpeter George Colligan, bassist Jonathan Lakey and drummer Alan Jones. She leads her own trio with bassist Tyrone Allen II and drummer Kayvon Gordon. This was followed with the release of Plays, and HighNote-Savant Records Memories, Dreams, Reflections.

Throughout her musical career, Nicole has performed with Mulgrew Miller, Esperanza Spalding, Kenny Garrett, George Colligan, Geoffrey Keezer, Bennie Maupin, Bobby Watson, Mike Clark, Carl Allen, Kenny Washington, Al Foster, Victor Lewis, Lenny White, Joe Farnsworth, Reggie Workman, Dee Dee Bridgewater, Ben Wolfe, Bill Stewart, Essiet Essiet, Mel Brown, Julian Lage, Obo Addy, Rob Scheps, Red Holloway, Terell Stafford, Helen Sung, Dana Hall, Scotty Barnhart, and Thara Memory, to name a few.

Glover is a member of Ural Thomas and Pain, Artemis led by Renee Rosnes, Ursa Major led by Christian McBride, and has toured with Jazz at Lincoln Center Orchestra.

Tenor saxophonist, bandleader, composer, and educator Nicole Glover, who is on faculty at the Manhattan School of Music and has taught masterclasses and private lessons to students around the world, continues to fit performance in her busy schedule.

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Daily Dose Of Jazz…

Frederick Walker was born in St. Louis, Missouri on July 16, 1942. He received his high school equivalency from the United State Armed Forces Institute, then went on to study criminal justice for two years from 1873 to 1975 at St. Louis Community College.

In 1980, Fred founded Star City/St. Louis Records and produced two 45 releases with the Nightwind Band titled Later For That and Why Can’t We. He  eventually formed Star City Enterprise encompassing Star City Productions, Star City/St. Louis Records and Saxy Jazz.

His Star City Productions deals with the production of recorded music and the small studio offers digital recording capabilities, CD label production, graphic design and other services related to the production of recorded sound. It also offers copyright registration assistance, music society membership, ISRC encoding and much more.

Soprano and alto saxophonist Fred Walker continues to perform, record and grow his company with new individuals and groups signing on.

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