Daily Dose Of Jazz…
Karel Velebný was born March 17, 1931 in Prague, Czechoslovakia and at seven years old, he played piano and at fifteen was a modern jazz enthusiast who taught himself to play alto saxophone. He graduated from Gymnasium then studied drumming at the Prague Conservatory, making his first public performance as a student, and became a full-time professional as soon as he graduated.
From 1955 to 1958 he played with Czech jazzman Karel Krautgartner’s orchestra, then joined contrabassist Luděk Hulan to co-found Studio 5, which became the key ensemble of modern Czech jazz. He continued to work with Krautgartner until the latter emigrated in 1968.
In 1960, the Studio 5 ensemble was absorbed by the Dance Orchestra of Czechoslovakia Radio, but Velebný and the original Studio 5 members soon quit. In 1961, he and flautist Jan Konopásek co-founded SHQ, initially part of the Spejbl and Hurvínek Theatre thus Spejbl and Huvínek Quintet, but later began taking independent performances.
SHQ became one of the most important bands in Czech jazz history. He was its leader, composer, arranger, played as a multi-instrumentalist and taught the younger band members. SHQ’s instrumental line-up and membership changed frequently. Karel played with various Czech jazz ensembles, including Kamil Hála’s orchestra, the Linha Singers ensemble and with other regular collaborators.
As a composer, Velebný concentrated solely on jazz, in compositional styles and arrangements reminiscent of Gerry Mulligan, Chick Corea, Gary Burton and Benny Golson. He wrote mainly for his own ensembles notably Studio 5 and SHQ but also for the Kamil Hála Orchestra, the Karel Vlach Orchestra and others.
In 1978 he was invited to the Berklee College of Music, where he studied jazz teaching and the different approaches of European and American jazz. He organized and led the Summer Jazz Workshop in Frýdlant, Czech Republic until his death. As a teacher, he emphasized knowledge of techniques which could be broadly applied on jazz standards. He also wrote the specialist jazz textbook The Jazz Practical.
Diagnosed with a serious heart disease he was forced to quit as a saxophonist and vibraphonist and was restricted to piano. On March 7, 1989 vibraphonist, pianist and saxophonist Karel Velebný,who was also a composer, arranger, actor, writer and music pedagogue and one of the founders of modern Czech jazz in the second half of the 20th century, died in Prague.
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Daily Dose Of Jazz…
Andrew Morgan was born on March 13, 1901 in Pensacola, Florida. He played clarinet with the Imperial Band in the mid-1920s and then joined his brother Isaiah Morgan’s band in 1925. Sam Morgan led this ensemble for its recordings in 1927.
Heading to New Orleans, Louisian he played in the late 1920s and 1930s with Kid Howard, Kid Rena, and Kid Thomas Valentine. In the 1940s he and Isaiah played together again in Biloxi, Mississippi, then moved back to New Orleans to play with Alphonse Picou, Kid Rena again, Herb Morand from 1946 to 1952 and Kid Clayton from 1952.
He played with Percy Humphrey in 1953 and with the Young Tuxedo Brass Band and led the group after 1964. From 1958 he played Sweet Emma Barrett, Kid Howard again, Alvin Alcorn, Onward Brass Band, Eureka Brass Band, and Captain John Handy.
Clarinetist and saxophonist Andrew Morgan, who recorded once as a leader for his 1969 album Down By the Riverside, died in New Orleans, Louisiana at the age of 71 on September 19, 1972.
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MELISSA ALDANA
Grammy-nominated saxophonist and composer Melissa Aldana brings her visionary sound to Jazz St. Louis, including music from her latest Blue Note Records release, Echoes Of The Inner Prophet. Blending deep introspection with dynamic collaboration, Aldana’s music explores themes of personal growth, storytelling, and sonic innovation. Influenced by jazz legends like Wayne Shorter and Sonny Rollins, she crafts compelling compositions that push the boundaries of modern jazz while honoring its rich tradition. Don’t miss this opportunity to experience one of today’s most captivating jazz artists live at Jazz St. Louis!
Performing:
Melissa Aldana – saxophone
Sam Yahel – piano
Joe Martin – bass
JK Kim – drums
Tickets: $40.00 ~ $50.00
Show times: 7:30pm & 9:30pm | 3.27 @ 11:00am
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Daily Dose Of Jazz…
Layla Angulo was born March 12, 1976 to a Greek mother and an Irish-American father and started playing the piano at age 6. However, it was her grandfather’s upright bass playing that inspired her to learn the saxophone at age 10. She began playing in jazz clubs during high school. After graduation, she played in various funk, jazz, and pop and groups and performed as the horn section leader of various salsa bands around the Northwest.
Developing the idea to write her own music. Soon after Layla released her debut album, Live at The Triple Door, was recorded at the noted Seattle theater in 2005. The album’s first single Que Te Vaya Bien was Top 10 for three months. Mientras, her sophomore album, was recorded in New York with Arturo O’Farrill, Oscar Estagnaro, Tony Escapa, and Dario Escanazi and released in 2008.
Moving to New York City in 2009, she subsequently spent a year on tour with reggaeton artist Don Omar. Her third album TriAngulo gave up a single, No Se Como Olvidarte that rose to #16 on the Billboard Tropical Charts. Another song from TriAngulo, La Pelicula, reached #1 in the National Latin Record Pool.
On March 24, 2015, the International Songwriting Competition announced its 2014 Finalists, including Layla’s song Dame Todo.
Alto saxophonist, composer, singer, band director, and recording artist known professionally by the mononym Layla, continues to specialize in Latin music.
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Daily Dose Of Jazz…
Ofer Assaf was born on March 10, 1976 in Israel and went to the Thelma Yellin High School of the Arts dividing his time between his two passions: music and dance, and started training as a professional ballet dancer at the age of eight before switching to a full-time jazz career. He won the Israeli National Competition in Jazz and Contemporary Music for young musicians in 1991. He went on to become a member of the Air Force and IDF Orchestras of the Israeli Army, played with the Jerusalem Symphony Orchestra, and a diverse array of national TV and radio shows. He has performed with leading Israeli musicians and was a member of the Tel Aviv Big Band in the mid-1990’s.
Moving to New York City in 1997 he entered The New School University’s jazz program and also studied with tenor saxophonist Billy Harper, bassist Reggie Workman, pianist Richie Beirach, trumpeter Jimmy Owens and percussionists Bobby Sanabria. Upon graduation in 2002, Ofer performed with Wayne Shorter and Herbie Hancock at Carnegie Hall as part of the JVC Jazz Festival.
A recipient of scholarships and awards from the Eubie Blake National Jazz Institute and the America-Israel Cultural Foundation, he was pre-nominated for the Grammy Awards in the “Best Jazz Instrumental Album” category in 2009 for his debut album Tangible Reality for Summit Records. With the Bernie Worrell Orchestra he was awarded “Best Funk/Fusion/Jam Song of the Year” at the 12th annual Independent Music Awards in 2013.
Tenor saxophonist, composer and educator Ofer Assaf continues to perform and conduct workshops around the world.
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