Daily Dose Of Jazz…

David William Sanborn was born July 30, 1945 in Tampa, Florida where his father was stationed in the US Air Force, and grew up in Kirkwood, a suburb of St. Louis, Missouri. Contracting polio at the age of three and confined to an iron lung for a year, the polio left him with impaired respiration and his left arm shorter than the right.

While confined to bed he was inspired by the saxophone breaks in songs he heard on the radio by Fats Domino’s Ain’t That a Shame and Little Richard’s Tutti Frutti. At the age of eleven David changed to saxophone from piano lessons when doctors recommended that he take up a wind instrument to improve his breathing and strengthen his chest muscles. By 14 he was good enough to play with blues Albert King and Little Milton in local clubs. Alto saxophonist Hank Crawford was an early and lasting influence.

Sanborn studied free jazz in his youth with saxophonists Roscoe Mitchell and Julius Hemphill. He continued his education at Northwestern University and transferred to the University of Iowa, where he played and studied with saxophonist J.R. Monterose. In 1967 he took a Greyhound bus to San Francisco, California to join the Summer of Love, and was invited to sit in on a session with The Paul Butterfield Blues Band and stayed with the band for five years. He went on to play with the Brecker Brothers, Al Jarreau, and Tim Berne.

Finding life on the road increasingly difficult he continued to tour, was active as a session musician, and played on numerous albums by artists including Stevie Wonder, Bruce Springsteen, Aretha Franklin, Sting, the Eagles, Rickie Lee Jones, James Brown, George Benson, Carly Simon, Elton John, Bryan Ferry and the Rolling Stones.

As a leader he recorded twenty-five albums and his discography as composer and sideman is extensive and includes videos, television and film. Sanborn won six Grammy Awards and had eight gold albums and one platinum album and was inducted into the St. Louis Walk of Fame.

Alto saxophonist David Sanborn, who was known primarily as a smooth jazz musician, died of complications from prostate cancer in Tarrytown, New York on May 12, 2024.

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DANNY JANKLOW & ELEVATION BAND

Dennis Hamm ~ Keys
Luca Alemann0 ~ Bass
Anthony Fung ~ Drums
Danny Janklow ~ Saxophone, Flute

$25.00 1st Set | $20.00 2nd Set ~ Inside Seating
$15.00 Patio Seating  is a live video concert, not inside the club

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Daily Dose Of Jazz…

Mario Rivera was born on July 22, 1939 in Santo Domingo, Dominican Republic and learned to play during his childhood. Moving to New York City in 1961 at 22 he started working with singer Joe Valle as his accompanist. He spent two years with bandleader Tito Rodríguez. During his career he worked with Mongo Santamaria, Eddie Palmieri, and Machito.

From the 1970s to the 1990s he worked with Tito Puente. Both appeared in the films Calle 54 and The Mambo Kings. In 1988 he became a member of the United Nations Orchestra led by Dizzy Gillespie. He was also a member of the Afro-Cuban Jazz Band led by Chico O’Farrill. His only solo album, El Commandante, was released in 1996.

He recorded seventy-six albums as a sideman with Willie Colon, Cheo Feliciano, Dizzy Gillespie, Kip Hanrahan, Conrad Herwig, Giovanni Hidalgo, Chico O’Farrill, Eddie Palmieri, Tito Puente, Tito Rodriguez, Típica 73, Africando, Alfredo “Chocolate” Armenteros, Soledad Bravo, George Coleman, Junior Cook, Rafael Cortijo, Tito Gomez, Jerry Gonzalez, Juan Luis Guerra, La Lupe, Machito, Arturo O’Farrill, Pat Patrick, Bobby Paunetto, Daniel Ponce, Louie Ramirez, Paquito D’Rivera, Alfredo Rodriguez, Mongo Santamaria, Laba Sosseh, Juan Pablo Torres, Stanley Turrentine, Dave Valentin, Fernando Villalona, and Pete Yellin.

Saxophonist Mario Rivera, who also played trumpet, flute, piano, vibraphone, congas, and drums, died from cancer on August 10, 2007 in New York City.

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ERIC CHACÓN QUARTET

Jazz At The J presents The Eric Chacón Quartet.

Eric Chacón is a recognized and multifaceted Venezuelan musician. From a musical family, he began his musical studies at a very early age within the renowned project “El Sistema.” Since childhood, he has had an extensive career within this institution until becoming part of the flute section of the prestigious Simon Bolivar Symphony Orchestra, under the direction of the famous director Gustavo Dudamel. For 15 years he held his position as flutist with the Simón Bolívar Symphony Orchestra.

Within modern music, Eric is also highly respected, having as his main quality his great interpretive sensitivity, worthy of a bilingual musician. In this musical line he has eight record plates as a soloist, playing the flute and the saxophone as well as composing and arranging his own music.

The Band: Tal Cohen ~ piano | Samuel Burgos ~ Bass | Juan Pablo Romero ~ Drums & Percussion

Musical Director: Alan Lieberman

For more information call 305-932-4200 ext 127

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PETER ERSKINE & BOB MINTZER

Speaking about the musical marriage of drummer Peter Erskine, pianist Alan Pasqua and bassist Darek Oles, journalist Jim Worsley from All About Jazz said, “The trio could be considered the perfect melting pot of creativity, complexity, and rhythm, pollinated with spontaneous interplay and intelligent conversation.”  That’s quite a summary of these top-tier jazzmen who, after playing together for decades, find themselves at the top of their game. Their Live In Italy recording, which garnered a Grammy nomination in 2022, is evidence of their primacy.

What makes the meeting of minds extra special now is the addition of saxophonist Bob Mintzer, acclaimed composer, arranger, and founding member of the Yellowjackets. A long-time associate to all, Mintzer elevates the group’s collective mastery in a new project, The McIntosh Sessions, a direct-to-tape recording representing the partnership between hi-end audio giants McIntosh Laboratory and Sterling Sound. At the heart of this captured performance is a vibrant intimacy that speaks volumes about the singular power of jazz and pure, reproduced sound.

Erskine and company revealed this immediacy in the studio. But, in fact, they bring it to the stage each time they play.

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