Daily Dose Of Jazz…
Pharoah Sanders was born Ferrell Lee Sanders on October 13, 1940 in Little Rock, Arkansas, an only child. He began his musical career accompanying church hymns on clarinet but his initial artistic accomplishments were in the visual arts. When he was at Scipio Jones High School in North Little Rock, he began playing the tenor saxophone.
After graduating from high school in 1959, Sanders moved to Oakland, California, where he lived with relatives. He briefly studied art and music at Oakland City College. He earned a Bachelor of Fine Arts from an unknown art institution.
He began his professional career playing tenor saxophone in Oakland, then moved to New York City in 1962. The following year he was playing with Billy Higgins and Don Cherry and caught the attention of Eric Dolphy and John Coltrane. In 1965, he became a member of Coltrane’s band, as the latter gravitated towards the avant-garde jazz of Albert Ayler, Sun Ra, and Cecil Taylor.
Sanders first recorded with Coltrane on Ascension, followed by their dual-tenor album Meditations, then joined Coltrane’s final quintet. Pharoah released his debut album as a leader, Pharoah’s First, was not what he expected. In 1966 he signed with Impulse! and the years Sanders spent with the label were both a commercial and critical success.
The 1970s had Sanders continuing to produce his own recordings including the 30-minute wave-on-wave of free jazz, The Creator Has A Master Plan from the album Karma, featuring vocalist Leon Thomas and to work with Alice Coltrane on her Journey in Satchidananda album. Although supported by African-American radio, Sanders’ brand of brave free jazz became less popular.
His major-label return came in 1995 when Verve Records released Message from Home, followed by Save Our Children (1998). But again, Sanders’s disgust with the recording business prompted him to leave the label. In the 2000s, a resurgence of interest in jazz kept Sanders playing festivals and was awarded a NEA Jazz Masters Fellowship for 2016 and was honored at a tribute concert in Washington DC on April 4, 2016.
In 2020 he recorded the album Promises, with the English electronic music producer Floating Points and the London Symphony Orchestra. It was widely acclaimed as a clear late-career masterpiece.
Saxophonist Pharoah Sanders, known for his overblowing, harmonic, and multiphonic techniques, died on September 24, 2022 at his home in Los Angeles at the age of 81.
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Daily Dose Of Jazz…
Mwata Bowden was born on October 11, 1947 in Memphis, Tennessee. He is part of a group known as 8 Bold Souls and frequently engages in collaborations with Tatsu Aoki. He helped establish the Miyumi Project which was a blend of music with different ethnic backgrounds, highlighting contributions from Japanese taiko drumming in the framework of jazz music.
As part of his regular repertoire, Bowden plays a range of saxophones and clarinets, including the E-flat clarinet, B-flat clarinet, bass clarinet, contra-alto clarinet, and contrabass clarinet, as well as flute, zamada, and didgeridoo.
As an instructor in improvisational jazz at the University of Chicago teaches young aspiring musicians in the Chicago area. Saxophonist, clarinetist and flutist Mwata Bowden, who is a part of the Association for the Advancement of Creative Musicians, continues to perform.
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Daily Dose Of Jazz…
Dieter Antritter was born in Pforzheim, Germany on October 6, 1929. After the end of World War II he started first to learn guitar, then later he switched to soprano saxophone. A move to Stuttgart, Germany gave him the opportunity to connect with the local jazz-scene.
On holiday in Paris, France in 1949, he unsuccessfully attempted to meet Sidney Bechet. However, Dieter eventually met Charles Delaunay, who opened him to the possibility of jamming with contemporary jazz greats living in Paris that time. Improving his playing, he built up a network with a few well-known jazz musicians.
Returning to Stuttgart in 1952 he founded the Latin Jazz Band. He used his concerts as a platform for guest musicians from his Paris connection to perform. From this band the Quartier Latin Jazz Band emerged, which existed until at least 2009. During those years this band accompanied numerous guest soloists such as Michel Attenoux, Peanuts Holland, Mezz Mezzrow, Benny Waters and Nelson “Cadillac” Williams.
In 1960, this led to several recordings for Deutscher Schallplattenclub, all recorded in Stuttgart venues. Antritter was one of the world’s longest-serving bandleaders, who led his band for 63 years, from 1952 until his death in 2015.
Bandleader, soprano and alto saxophonist Dieter Antritter died on August 5, 2015 in Königsbach-Stein, Germany.
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Daily Dose Of Jazz…
Ronald Wayne Laws was born on October 3, 1950 and raised in Houston, Texas. He is the fifth of eight children and started playing the saxophone at the age of 11. He went on to attend Stephen F. Austin State University in Nacogdoches, Texas, for two years.
In 1971 he journeyed to Los Angeles, California to embark upon a musical career. He started performing with trumpeter Hugh Masekela and the following year joined Earth, Wind & Fire, where he played saxophone and flute on their album Last Days and Time. Eighteen months later he decided to become a solo artist. Laws released his debut album Pressure Sensitive on Blue Note Records in 1975.
His first two albums charted on Billboard and by his third album, Friends and Strangers in 1977 was certified gold. Ronnie produced and sang on his sister Debra’s 1981 album Very Special. He would go on to play saxophone through the Eighties on albums by Ramsey Lewis, Sister Sledge, Deniece Williams, Jeff Lorber, Alphonse Mouzon, and Howard Hewett. In the 1990s he recorded with Norman Brown and again with Earth, Wind & Fire.
Saxophonist, flutist and vocalist Ronnie Laws, who has also worked with Guru, Brian Culbertson, and the Crusaders, also influenced Boney James and Norman Brown, and continues to explore the boundaries of his talent.
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JANE IRA BLOOM
Soaring, poetic, quick silver, spontaneous and instantly identifiable are words used to describe the soprano sound of saxophonist Jane Ira Bloom. She has been developing her singular voice on the soprano saxophone for over 45 years.
She is a pioneer in the use of live electronics and movement in jazz. Winner of the Guggenheim Fellowship for music composition, the Downbeat International Critics Poll & Jazz Journalists Association Award for soprano saxophone, the Mary Lou Williams Award for lifetime service to jazz and the Charlie Parker Fellowship for jazz innovation.
She is the first musician ever commissioned by the NASA Art Program and has an asteroid named in her honor by the International Astronomical Union (asteroid: 6083janeirabloom). Her critically acclaimed Cd “Early Americans” received a Grammy Award for Best Surround Sound Album and made numerous year end best lists.
Her duo release with bassist Mark Helias “Some Kind of Tomorrow” was featured on NPR’s Fresh Air and received 4 stars from Downbeat Magazine. Her critically acclaimed duo projects “Tues Days” with drummer Allison Miller and “See Our Way” with Helias and trio project with Helias and Bobby Previte “2.3.23” all appear on Bandcamp. Picturing the Invisible her latest project featuring duets w/ Allison Miller, Miya Masaoka, & Mark Helias was nominated for a Grammy for Best Immersive Sound Album. Bloom looks forward to the release of her most recent duet and trio recording with Bobby Previte, Mark Helias & Dominic Fallacaro on her Outline label.
Mark Helias bass, Dominic Fallacaro piano
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