Daily Dose Of Jazz…

Jean Oh was born in Seoul, Korea on June 11, 1978 and began playing the guitar at the age of 13. He began studying music formally at Seoul Jazz Academy, and soon began playing gigs. After several years of playing with many different bands around town, he realized he needed different experiences which led him to Paris, France.

In Paris he studied jazz with Misja Fitzerald Michel, Sylvain Beof, Bernard Maury, Joe Malcolm, Emil Spanyl and Frederic Favarel. He performed in various clubs and after graduating from the music conservatory Jean moved to New York City to attend New York University where he obtained a master’s degree. During his two years at NYU, he studied with Ralph Alessi, George Garzone, John Scofield, and Gil Goldstein. He also attended the School of Improvisation Music, studying with Steve Coleman, Mark Helias, Uri Caine, David Binney, and Bily Hart.

Working his way into the New York Jazz scene he played different gigs that became his springboard to his professional career. He has played on several commercially released recordings and toured throughout the United States, Canada, Japan, South America, Philippine, Russia and has shared stages with George Garzone, John Lockwood, Jeff Hirshfield, Billy Drummond, Ralph Alessi, Ron McClure, Mike Richmond.

Guitarist Jean Oh released his debut album Invisible Worth featuring George Garzone, John Lockwood, and Jeff Hirshfield. He is pushing himself to have his voice defined in music, both as a sideman and as a band leader.

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Daily Dose Of Jazz…

John William Stevens was born on June 10, 1940 in Brentford, Middlesex, England, the son of a tap dancer. He listened to jazz as a child but was more interested in drawing and painting, through which he expressed himself throughout his life. He studied at the Ealing Art College and then started work in a design studio, but left at 19 to join the Royal Air Force. It was here that he studied the drums at its School of Music in Uxbridge, England and where he met Trevor Watts and Paul Rutherford, two musicians who became close collaborators.

In the mid-1960s, Stevens began to play in London jazz groups with Tubby Hayes and Ronnie Scott, and in 1965 he led a quartet. He moved away from mainstream jazz when he heard free jazz from the U.S. by musicians like Ornette Coleman and Albert Ayler. By 1966, he formed the Spontaneous Music Ensemble (SME) with Watts and Rutherford. The band moved into the Little Theatre Club at Garrick Yard, St Martin’s Lane, London, England. In 1967, they released their debut album, Challenge, however, his interest turned to quiet music, non-Western music and improvisation.

Stevens would go on to play with free improvisors Derek Bailey, Peter Kowald, Julie Tippetts and Robert Calvert, until the mid-1970s when the SME settled down to regulars Stevens, Nigel Coombes on violin, and Roger Smith on guitar. During the same period he consistently played with guitarist and songwriter John Martyn as part of a trio that included bassist Danny Thompson, recording Martyn’s 1976 Live at Leeds.

The Eighties saw John becoming an educator involved with Community Music, an organisation through which he took his form of music making to youth clubs, mental health institutions, the Lewisham Academy of Music, and other unusual places. Notes taken during these sessions were later turned into a book for the Open University called Search and Reflect.

Drummer John Stevens died at the age of 54 from a heart attack on September 13, 1994.

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Requisites

The Griffith Park Collection ~ Stanley Clarke, Chick Corea, Joe Henderson, Freddie Hubbard, Lenny White | By Eddie Carter

This morning’s record from the library unveils a unique jazz collaboration. The Griffith Park Collection (Elektra Musician E1-60025) is the second of two studio albums recorded over four days with an all-star ensemble: Freddie Hubbard on flugelhorn (tracks: A3, B3) and trumpet (A1, A2, B1), Joe Henderson on tenor sax (A1 to A3, B1, B3), Chick Corea on piano, Stanley Clarke on upright bass, and Lenny White on drums. Their first record was Echoes of An Era, an album of jazz standards with Chaka Khan. This was a rare reunion for Corea, Clarke, and White, who had not played together since they were members of Return to Forever. My copy is the 1982 U.S. Stereo release.

The opener is L’s Bop by Lenny White. The quintet’s lively theme takes off at a brisk pace, leading to Joe’s swinging opening solo. Freddie maintains the vigorous intensity in the second reading; then Chick skillfully navigates the third statement into a short exchange with Lenny until the theme’s reprise and fade out. The pace slows down slightly for Why Wait by Stanley Clarke, a medium-tempo blues that opens with the ensemble’s theme. Joe gets this grooving affair going in the first solo. Freddie answers him with an exceptional performance; then Chick provides the exclamation point preceding the group’s return for the closing chorus and exit.

October Ballade by Chick Corea begins with the pianist’s soothing introduction ahead of Freddie’s tender melody. Joe has the first solo and builds each chorus gently with deep emotion until Chick takes over for a brief, lovely interpretation. The quintet wraps up things with a poignantly touching reprise and finale. Side Two gets underway with Happy Times by Freddie Hubbard, a cheerful tune that the group takes to heart in the theme. Joe greets the opening statement joyfully, and then Freddie comes in for a bright and bubbly solo. Chick adds to the festive atmosphere in the second interpretation. Lenny delivers a finale that is quite enjoyable before the close.

Remember, by Steve Swallow is a beautiful waltz that opens with the trio’s thoughtfully polite introduction and theme. Chick carefully cultivates the lead solo with delicate notes. Stanley’s reply is an affectionately warm interpretation as Lenny’s drums softly compliment him until the ensemble’s theme restatement. Guernica by Lenny White is a musical portrait of Pablo Picasso’s Spanish Civil War painting. It is a haunting song and the album’s most adventurous tune with a melancholy theme. Joe begins the opening solo with an airy, nostalgic tone. Freddie emerges next with a breathtaking reading; then Chick delivers an enthusiastic statement preceding the group’s return for the climax.

Lenny White produced The Griffith Park Collection and Bernie Kirsh was the recording engineer. The album’s sound quality is good, with a softer soundstage in the highs, midrange, and bass. At just under forty minutes, it is a hidden gem that flows with a beat and does not disappoint. If you are in the mood for an excellent album with remarkable chemistry and exceptional performances. In that case, I invite you to check out The Griffith Park Collection by Stanley Clarke, Chick Corea, Joe Henderson, Freddie Hubbard, and Lenny White on your next record shopping trip. It is a wonderful album that I highly recommend for your library, and I am sure it will reward your purchase for years to come!

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Daily Dose Of Jazz…

Mick Goodrick was born on June 9, 1945 in Sharon, Pennsylvania and began studying guitar in his pre-teens and was performing professionally a few years later. At sixteen he became interested in jazz at a Stan Kenton Band Camp. He moved to Boston, Massachusetts and attended the Berklee School of Music from 1963 to 1967, eventually teaching at Berklee,

After spending a few years touring with Gary Burton, he returned to Boston, he settled into a career largely as an educator. Goodrick’s notable students include Bill Frisell, Julian Lage, John Scofield, Lage Lund, Mike Stern, Avner Strauss, and Rale Micic.

During the 1980s to the late 1990s,Mick worked with Charlie Haden’s Liberation Music Orchestra, Jack DeJohnette and with Steve Swallow. He performed in a duo with Pat Metheny at the Montreal Jazz Festival in 2005 and with Wolfgang Muthspiel at the Jazz Standard in 2008.

Guitarist Mick Goodrick died November 16, 2022 from the long-term effects of Parkinson’s disease at the age of 77.

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Daily Dose Of Jazz…

William C. Rank was born in Lafayette, Indiana, on June 8, 1904 and initially worked in Indiana and Florida. In 1922, He played trombone in Tade’s Singing Orchestra, which was led by violinist Tade Dolen. Between 1923 and 1927 he played with Jean Goldkette’s band in Detroit, Michigan and often recorded with Bix Beiderbecke.

After playing with Adrian Rollini in 1927 he had a period working freelance, then he joined Paul Whiteman’s band, and stayed until 1938. Rank became a studio musician in Hollywood into the early 1940s, when he moved to Cincinnati, Ohio It was while living here that he led a tenet for the rest of the 1940s.

After changing his musical lifestyle to performing part-time, he worked in the insurance industry. His one album as a leader, a tribute to Beiderbecke, was recorded in 1973.

Trombonist Bill Rank continued playing until a short time before his death, on May 20, 1979, in Cincinnati.