Daily Dose Of Jazz…
Eugene Porter was born in Pocahontas, Mississippi on June 7, 1910 and began on cornet, but when his instrument was stolen he picked up saxophone and clarinet, studying the latter under Omer Simeon. His family moved to Chicago while still in high school, but left school early to start a career in music
Moving to New Orleans, Louisiana in the Thirties he worked in and around town as well as on riverboats, with Papa Celestin, Joe Robichaux, and Sidney Desvigne. He was with the Jeter-Pillars Orchestra from 1935 to 1937, then played with Don Redman briefly before returning to Jeter-Pillars until 1942. Following this Gene worked with Jimmie Lunceford and then with Benny Carter until 1944, working as assistant bandleader under him. He appeared in several films, including with Fats Waller.
Porterer was in the Army in 1944-45 as a member of an Army band, then played with Carter again and recorded with Dinah Washington during this period. For the next two years he performed with Charles Mingus and Lloyd Glenn.
After moving to San Diego, California in 1948 he played with Walter Fuller until 1960. Gene led his own ensemble at the Bronze Room in La Mesa, California beginning in 1967.
Saxophonist and clarinetist Gene Porter, who was named a member of the St. Louis Jazz Hall of Fame in the 1980s, died in San Diego County, California, on February 24, 1993.
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The Jazz Voyager
From Chi-town, the Jazz Voyager is making tracks south to Hotlanta once again to sit in the ambience of the environs of City Winery at Ponce City Market. A laid back atmosphere welcomes the audience to settle in and enjoy an evening of music, food and wine, for which this venue is noted.
This Thursday I will be a member of one of his sold out audiences to witness the talents of Robert Glasper. He is the leader of a new sonic paradigm with a career that bridges musical and artistic genres. He has 5 Grammy awards, 11 nominations across 11 categories, an Emmy Award for his song for Ava Duvernay’s critically hailed documentary “13th” with Common and Karriem Riggins, and a Peabody Award for his Composition of “Mr. Soul!”.
The venue is located at 650 North Avenue NE, Atlanta, GA 30308. For tickets and more information visit https://notoriousjazz.com/event/robert-glasper.
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Daily Dose Of Jazz…
Paul Lovens was born on June 6, 1949 in Aachen, Germany. In the early 1970s, he was part of a trio with pianist Alexander von Schlippenbach. He went on to work with Cecil Taylor, Harri Sjöström, Günther Christmann, Eugene Chadbourne, Peter Brötzmann, Teppo Hauta-Aho, Mats Gustafsson, Thomas Lehn, Phil Wachsmann, Rajesh Mehta and Joëlle Léandre.
He also played with Florian Schneider and Ebehard Kranemann in an early incarnation of Kraftwerk. Since 1967, Lovens has run the record label Po Torch with Paul Lytton
Drummer Paul Lovens, who also plays percussion, singing saw, and cymbals, has performed with the Aardvark Jazz Orchestra and Berlin Contemporary Jazz Orchestra, and continues his musical endeavors.
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Daily Dose Of Jazz…
Karl Sterling was born in Ithaca, New York on June 5, 1961. Growing up in a musical household, it was a natural thing for him to take to music and drums. Both parents attended the Ithaca College School of Music with his father, a drummer, composer/arranger, and band leader, his mother, a vocalist and pianist.
His interest turned to medicine and he became a nuerorehabilitation specialist, educator, and advocate for people with Parkinson’s disease. So in 2018 Karl founded the Parkinson’s Global Project nonprofit corporation dedicated to funding research and supporting associations around the world.
Using his musical talents to raise awareness of the disease, in 2019, Sterling recorded Dream, a project in which Jimmy Haslip, Jeff Richman, Peter Erskine, Scott Kinsey, and other musicians donated their time and talent.
He has since traveled, researching with and educating neurologists, physical therapists, fitness trainers, people with Parkinson’s, and caregivers all over the world.
Drummer Karl Sterling has spent the majority of his life in the Syracuse, New York area and continues to perform, compose and educate.
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Jazz Poems
FOUR BONGOS: TAKE A TRAIN for Vinnie The drummer wears suspenders to look like an old-timer, and plays a salsa “Caravan,” bad boy from the panyard with an evil, evil beat. The conga man chants Yoruba and shakes his sweat loose on a girl up front. His hand worries the drum like a live fish thrashing. Call the bassist “Pops,” with his grizzly goatee, his Banshee yelp, his rhumba step. Tha hall is fluorescent. “Take a Train,” Lawrence Welk called that tune, and played. Ellington, hovers above this group like changeable weather, in gabardine. ELIZABETH ALEXANDER | 1962from Jazz Poems ~ Selected and Edited by Kevin Young
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