Daily Dose Of Jazz…

Alan Dawson was born on July 14, 1929 in Marietta, Pennsylvania and raised in Roxbury, Massachusetts. Serving in the U.S. Army during the Korean War, he played with the Army Dance Band while stationed at Fort Dix from 1951 to 1953. During his service, Dawson explored the post-bop era by performing with pianist Sabby Lewis. After being discharged from the army, Dawson toured Europe with Lionel Hampton.

In early 1960, he resided in Boston, Massachusetts for a regular engagement with bassist John Neves and pianist Leroy Flander. He was an early teacher of drummers Tony Williams, Joseph Smyth, Terri Lyne Carrington, Julian Vaughn, Vinnie Colaiuta, Steve Smith, Kenwood Dennard, Gerry Hemingway, Jeff Sipe, Billy Kilson, Joe Farnsworth, Bob Gullotti, and many others.

Dawson began teaching at Berklee College of Music in 1957. He suffered a ruptured disc in 1975 which led to him halting his touring schedule, to leave Berklee and limit his teaching to his home in Lexington, Massachusetts.

While teaching, Dawson also maintained a prolific performing and recording career. He was the house drummer for Lennie’s on the Turnpike in Peabody, Massachusetts, from 1963 through 1970. Throughout the 1960s he recorded almost exclusively with saxophonist Booker Ervin on Prestige Records. In 1968, he replaced Joe Morello in the Dave Brubeck Quartet and continued until 1972. His performance credits also included stints with Bill Evans, Sonny Rollins, Jaki Byard, Sonny Stitt, Dexter Gordon, Lee Konitz, Quincy Jones, Charles Mingus, and Tal Farlow.

Drummer Alan Dawson died of leukemia on February 23, 1996. He was 66.

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Daily Dose Of Jazz…

Ron Collier was born on July 3, 1930 in Coleman, Alberta, Canada and began his musical training in Vancouver, British Columbia, Canada. He was a member of the Kitsilano Boys’ Band. He studied music privately in Toronto with Gordon Delamont and was the first jazz musician to receive a Canada Council grant that led him to study orchestration in New York in 1961 and 1962.

He formed the Ron Collier Jazz Quartet, which performed in the 1950s at the Stratford Festival and on CBC’s Tabloid with Portia White, and in 1963 with the Winnipeg Symphony Orchestra.

Duke Ellington performed with the Ron Collier Orchestra on the 1969 album North of the Border in Canada. The album included his compositions and those by several Canadian composers. He also created orchestrations for a number of Ellington’s concerts and recordings.

He composed the scores to three films in the 1970s and began directing a student orchestra at Toronto’s Humber College. His band won the Big Band Open Class at the Canadian Stage Band Festival in 1982. He would go on to perform in and lead a number of jazz groups.

Trombonist, composer, and arranger Ron Collier, who was made an Officer of the Order of Canada, died on October 22, 2003 in Toronto, Canada at the age of 73.

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Daily Dose Of Jazz…

Ronald “Ronnie” Hughes was born in Aberystwyth, Wales on June 27, 1925 and  took up the trumpet at the age of eleven. The following year he was playing local semi-pro gigs. At nineteen he was in the RAF until 1947, spending part of his service in India. After returning to Wales to study photography, he then moved to London, England to join the Trinidadian clarinettist Carl Barriteau band. He worked for a year with the Teddy Foster Band from 1948 until 1949, and was a member of the Ted Heath band from 1949 until 1954.

In the late fifties, Ronnie was in the bands of Geraldo and Jack Parnell, and after his marriage broke up had a spell working on ocean liners. A fluent jazz improviser and reliable and ubiquitous session player during the heyday of TV work, he was one of the original members of the BBC Big Band. He was a member of the Sinatra band and a long-term friend of fellow trumpeter Mannie Klein.

He would go on to appear in the film Quartet directed by Dustin Hoffman, who was captivated by his playing. Throughout his career he worked with Nat Allen, Lesle Holmes’ Londonairs, Harry Parry, Teddy Foster, Cyril Stapleton, Johnny Evans, BBC Radio Orchestra and led own quintet in 1958. He was a member of the Berlin Big Band, Eric Winston & His Orchestra, Johnny Keating and 27 Men, The Pride of London Big Band, and the Ray Davies Orchestra.

Trumpeter Ronnie Hughes died on April 1, 2020 in Banstead, Surrey at the age of 94.

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Jazz Poems

BILLIE HOLIDAY 

Here lies a lady. Day was her double pain,

Pride and compassion equally gone wrong.

At night she sang, “Do you conceive my song?”

And answered in her torn voice, “Don’t explain.”

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Gene Shaw was born Clarence Eugene Shaw in Detroit, Michigan on June 16, 1926. He played the piano and trombone as a child and didn’t begin playing the trumpet sometime around 1946 after hearing Dizzy Gillespie’s Hot House while recovering from injuries sustained in the army.

He attended the Detroit Institute of Music, and studied with pianist Barry Harris. In his hometown he played with Lester Young, Wardell Gray, and Lucky Thompson. His move to New York City in 1956 had him playing with Charles Mingus’s Jazz Workshop a year later and among his credits with the bassist are Tijuana Moods, East Coasting, where he used a Harmon mute, although he was initially wary of using it, given its association with the sound of Miles Davis.

Later that same year over a fight with Mingus, he destroyed his instrument and quit music. Not returning to playing until 1962, Gene formed his own ensemble. He retired again two years later, then returned to music once more in 1968.

As a leader he recorded three albums between 1962 and 1964 on the Argo label titled Breakthrough, Debut in Blues and Carnival Sketches. As a sideman with Mingus he also recorded three albums, East Coasting and A Modern Jazz Symposium of Music and Poetry on the Bethlehem label in 1957, and Tijuana Moods in 1962 on RCA.

Trumpeter Gene Shaw, who was an active member of the Chicago Gurdjieff society and a student of Fourth Way psychology, including its music,  died in Los Angeles on August 17, 1973.

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