Daily Dose Of Jazz…
Benny Featherstone was born on July 30, 1912 in Brown’s Creek, Tasmania, Australia. His family moved to Melbourne, Australia around the time he was six where he attended Melbourne Grammar and played trombone with the school orchestra and its Footwarmers band between 1926 and 1927. He went on to play drums with Joe Watson and His Green Mill/Wentworth Hotel Orchestra for three years when he was 17. During those years he recorded with the Beachcombers.
Between 1931 and 1933 he worked with bands led by Maurice Guttridge, Les Raphael, Em Pettifer, Geoff Smith and the 3DB Radio Studio Band. Mid 1933 he went to Englandwhere he heard and met Louis Armstrong and Duke Ellington and had a short residency at the Silver Slipper Club. Returning home he joined Art Chapman’s New Embassy Band and led a group at Rex Cabaret. He joined Art Chapman’s New Embassy Band and led a group at Rex Cabaret.
In Sydney, Australia he led the Benny Featherstone Famous Band for a year residency at the Manhattan Club/Cabaret.that only lasted eight weeks when the club went bankrupt. He led the Commodore Cabaret Band, was a member of Art Chapman’s Orchestra at Wattle Palais, then reformed his band in 1935. Two years later he worked with popular dance, swing and show bands. He contributed to the legendary Fawker Park Kiosk Jam Sessions on weekends.
He led his own swing quartet, sextet, Six Stars of Swing, and the Dixielanders. Joining the merchant navy late in 1943 he played in American Servicemen’s clubs in Queensland and in Oakland, California. He disappeared from music in 1945 became a shipping clerk from 1958 to 1975 but played the occasional jam session.
Trumpeter Benny Featherstone became reclusive in his later years and died in Melbourne on April 6, 1977.
On The Bookshelf
Jazz On Film: The Complete Story Of The Musicians & Music Onscreen is a compendium of reviews, analyzes, and rates virtually every appearance of a jazz musician or singer on film. After presenting a detailed essay on the history of jazz on film and television.
Reading this book one gets a brief history of jazz on film between 1917 to 1960, accounting for Soundies, Snader telescriptions, jazz on television and movies. from 1960 to the present day, Ruth Etting, the film careers of Hoagy Carmichael, Harris Barris, Cliff Edwards, Kay Kyser, and Svend Asmussen. It includes three jazz film collectors: Mark Cantor, Ken Poston, John Altman.
Yanow reviews and rates 1,300 movies, documentaries, shorts, videos, and DVDs. This book lets readers know how to view the jazz legends and the greats of today, and what DVDs and videos are worth acquiring. Each film is given a 1 to 10 rating and a concise description of its contents and value.
Daily Dose Of Jazz…
Albert Wynn was born on July 29, 1907 in New Orleans, Louisiana but grew up in Chicago, Illinois where he began his professional career as a trombonist. His first appearance on record in 1926 backing Ma Rainey and the following year he played and recorded in St. Louis, Missouri with Charlie Creath.
Wynn went on to work with Earl Hines’s band briefly in 1928 before assembling a group of his own. Later that same year he joined the Sam Wooding Orchestra on their European tour and didn’t return to the United States until 1932 when he would live in New York City for a short time before going back to Chicago.
He was a member of Sidney Bechet’s New Orleans Feetwarmers for a stint going on to work with the bands of Jesse Stone, Carroll Dickerson, Richard M. Jones, and the Earl Hines Orchestra once again. During the late 1930’s and early ’40’s Albert played in the big band of Fletcher Henderson and the short lived assembly of Jimmie Noone.
Settling into semi-retirement he ran a Chicago record store and enjoined his final professional band work as a member of Franz Jackson’s Original Jazz All-Stars from 1956 to 1960 and the Gold Coast Jazz Band from 1960 to 1964.
Trombonist Albert Wynn died on May 1, 1973.
More Posts: bandleader,history,instrumental,jazz,music,trombone
Requisites
Out Of The Forrest ~ Jimmy Forrest | By Eddie Carter
This morning’s spotlight shines on Jimmy Forrest, whom I first heard on the 1960 release, “Soul Battle,” with King Curtis and Oliver Nelson. Out of the Forrest (Prestige PRLP 7202) was his fifth outing as a bandleader and hit the stores in 1961. Jimmy was born in St. Louis, Missouri and built his reputation with the Count Basie, Duke Ellington, Andy Kirk, Fate Marable, and Jay McShann bands. Forrest demonstrated impressive versatility on the tenor sax, delivering energetic solos at brisk tempos. He also infused the lively pulse of bop at a medium beat, and he poured deep emotion into every ballad or standard. On this date, he’s supported by Joe Zawinul on piano, Tommy Potter on bass, and Clarence Johnston on drums.
My copy of the album is the 2023 Analogue Productions U.S. stereo audiophile reissue, matching the original catalog number. Side One opens with Bolo Blues, an original by Jimmy Forrest, which was one of his biggest hits. His relaxing introduction sets the melody off to a comfortable groove. The saxophonist has the solo spotlight to himself and delivers a thoughtfully crafted, laid-back interpretation, leading to the theme’s reprise and climax. The beat moves upward for the jazz and pop standard, I Cried For You, by Gus Arnheim, Arthur Freed, and Abe Lyman. Forrest’s brief introduction quickly segues to the ensemble’s medium theme. Jimmy goes to work first with a sparkling solo. Zawinul responds with a performance as refreshing as a cold drink on a hot day until the melody’s restatement and close.
I’ve Got a Right to Cry by Joe Liggins is a beautiful ballad beginning with a delicately expressive introduction by the quartet that continues as the melody unfolds. Jimmy, again, is the lone soloist and awakens poignant memories in a tenderly passionate interpretation before the theme’s return leads to a soft ending. This Can’t Be Love by Richard Rodgers and Lorenz Hart has long been a favorite of jazz musicians and vocalists. The trio’s introduction develops nicely into the ensemble’s lively theme. Forrest takes the first solo with stunning precision and enthusiasm on each note. Zawinul gets the last word and gives an excellent account before the theme is restated.
Side Two gets underway with By the River Sainte Marie by Edgar Leslie and Harry Warren. The rhythm section’s introduction segues into the quartet’s medium melody. Jimmy’s opening statement swings with a joyful spirit. Tommy takes a short, satisfying walk in his first solo next, then the leader makes his return for a concise comment leading to the finale. The quartet takes a nostalgic trip back in time with Yesterdays by Otto Harbach and Jerome Kern. Forrest’s gentle introduction sets things in motion for the foursome’s melody. Jimmy is the song’s only soloist, and his reading is very intimate, complemented by the rhythm section’s tender accompaniment ahead of a soft summation.
Crash Program by Jimmy Forrest and Clarence Johnston is off and running from the outset of the ensemble’s rapid theme. The saxophonist flies out of the gate with a flawlessly executed burst of speed. Joe continues soaring with infectious energy in the following solo. Johnston rounds things out with a swift finale, before the quartet returns to the theme and a quick exit. The album ends with a gorgeous rendition of That’s All by Alan Brandt and Bob Haymes. The pianist’s concise introduction sets the mood for Forrest’s sultry theme and elegantly phrased opening solo. Zawinul has a lovely interlude of tenderness preceding the leader’s return to take the song out softly.
Esmond Edwards supervised the initial session, and Rudy Van Gelder expertly managed the recording dials. Kevin Gray mastered this audiophile reissue from the original tapes at Cohearant Audio. The record was pressed on 180-gram vinyl and is dead silent until the music begins. The album’s sound quality is sensational, with an outstanding soundstage placing your sweet spot in the studio with the musicians. Out of the Forrest impresses not only from the music itself but also from the exceptional support of the ensemble. If you’re in the mood for a top-tier quartet and enjoy the tenor sax, I highly recommend Out of the Forrest by Jimmy Forrest for a spot in your library. If you’re a newcomer to his music, this album is a fine place to start your journey!
~ Soul Battle (Prestige PRLP 7223/PRST 7223) – Source: Discogs.com
~ I Cried For You, That’s All, This Can’t Be Love, Yesterdays – Source: JazzStandards.com
>© 2025 by Edward Thomas Carter
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Edward Simon was born July 27, 1969 in Punta Cardón, Venezuela and when he was ten years old came to the United States to study at the Performing Arts School in Philadelphia, Pennsylvania. After graduating, he attended the University of the Arts in Philadelphia, where he studied classical piano, then the Manhattan School of Music, where he studied jazz piano.
In 1988, he recorded as a sideman with Greg Osby, then worked as a member of the band Horizon led by Bobby Watson. For the next eight years he was a member of Terence Blanchard’s band. He has also worked with Herbie Mann, Paquito D’Rivera, Bobby Hutcherson, Jerry Gonzalez, John Patitucci, Arturo Sandoval, Manny Oquendo, and Don Byron.
Simon recorded Beauty Within in 1994), his debut album as a bandleader, with Horacio Hernández and bass guitarist Anthony Jackson. That same year, he was a finalist in the Thelonious Monk International Jazz Piano Competition. Then the following year he composed Rumba Neurotica for the Relache Ensemble.
In 2003 Simon formed Ensemble Venezuela to combine jazz with the music of Venezuela. Given a commission by Chamber Music America to write Venezuelan Suite and recorded the album in 2012 with musicians from Venezuela, Colombia, and the U.S. He has played on several Grammy-nominated jazz albums. Besides his trio he leads the Sexteto Venezuela, the Afinidad Quartet, and the group Simon, Simon, & Simon with his brothers.
Wearing his educator hat he has taught at the New School for Jazz and Contemporary Music in New York City and has been artist in residence at Western Michigan University.
Pianist and composer Edward Simon continues to perform, compose and record.
More Posts: bandleader,compose,educator,history,instrumental,jazz,music,piano