Daily Dose Of Jazz…

Bobby Orr was born Robert on August 15, 1928 in Cambuslang, Scotland and began playing drums at the age of three, encouraged by his father, a drum major. From the age of 16 he started playing the trumpet, as a member of Basil Kirchin’s band; however, he had difficulties with his embouchure and returned to the drums.

In the 1950s and 1960s, Orr was a fixture on the London jazz scene, including as a founder member of Joe Harriott’s quintet, which he left and subsequently rejoined, and played for Tubby Hayes among others. He also served as a house drummer at Ronnie Scott’s Club, backing top American visitors such as Zoot Sims, Al Cohn, Milt Jackson, and Dizzy Gillespie.

He had three tours with Benny Goodman, then as a freelance musician from 1970, he also toured with Billy Eckstine and Sammy Davis Jr., as well as Tommy Whittle and Don Lusher. In the 1990s, Bobby toured extensively with the UK Glenn Miller Tribute Band.

Over the course of his career he recorded with Sandy Brown, George Chisholm, Digby Fairweather, and Shake Keane. Drummer and session musician Bobby Orr, who played on many recording sessions for pop and rock artists such as Donovan and Dusty Springfield, passed away on March 12, 2020.

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Daily Dose Of Jazz…

Mikio Masuda 益田 幹夫, also known as Mickey Masuda, was born on August 14, 1949 in Osaka, Japan. Largely self-taught, he played bass at the age of 16, before switching to piano and performing in various Osaka clubs. Moving to Tokyo, Japan In 1969 he played around the Japanese jazz scene, notably in a quartet with Motohiko Hino, Shunzo Ohno and Terumasa Hino.

Recording his debut album Trace for East Wind Records in 1974, he followed it with his sophomore jazz-fusion album Mickey’s Mouth in 1976. The following years saw Masuda working with a number of Japanese musicians prior to moving to New York City in 1978. He recorded the album Corazón, and worked in New York City with David Matthews. He recorded the trio album Black Daffodils in 1996 with Ron Carter and Lewis Nash, and Blue Dumplings in 1998 with Ron Carter and Grady Tate.

In the field of jazz he was involved between 1972 and 1998 in 46 recording sessions, most recently with Chie Ayado. Pianist Mikio Masuda continues to be active on the jazz scene.

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Chuck Israels was born Charles H. Israels on August 10, 1936 in New York City, New York. He was raised in a musical family which moved to Cleveland, Ohio when he was 10 and his stepfather Mordecai Bauman was a singer who performed extensively with composer Hanns Eisler. With music a part of normal daily activity, folks like  Paul Robeson, Pete Seeger, and The Weavers were regular visitors. In 1948, the appearance of Louis Armstrong’s All Stars in a concert series produced by his parents gave him his first opportunity to meet and hear jazz musicians.

In college, Israels had the opportunity to perform with Billie Holiday. His first professional job after college was working with pianist Bud Powell in Paris, France. His first professional recording was Stereo Drive a.k.a. Coltrane Time with John Coltrane, Cecil Taylor, Kenny Dorham, and Louis Hayes.

>Israels is known for the Jazz Repertory as Director of the National Jazz Ensemble from 1973 to 1981. He made recordings with the Kronos Quartet and Rosemary Clooney in 1985. He was the Director of Jazz Studies at Western Washington University in Bellingham, Washington until 2010. In 2011, he created the Chuck Israels Jazz Orchestra and recorded Second Wind: A Tribute to the Music of Bill Evans in 2013.

He has worked with Billie Holiday, Benny Goodman, Coleman Hawkins, Stan Getz, Herbie Hancock, J. J. Johnson, John Coltrane, and Judy Collins. Bassist, composer, arranger and bandleader Chuck Israels, who is best known for his work with the Bill Evans Trio,  continues to perform.

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Andile Yenana was born on August 9, 1968 in King William’s Town, South Africa. His love of music was triggered at an early age and he grew up in a household where music was really loved. His father, Felix Thamsanqa Yenana, had a huge collection of music, ranging from jazz to Motown, and other forms of urban black music and this had a huge influence in his life.

Andile began music studies under Darius Brubeck at the University of Natal’s School of Jazz and Popular Music It was here that he became friends with saxophonist Zim Ngqawana and trumpeter Feya Faku.

Joining the Zim Ngqawana Quartet and worked with Zim on all five of his albums, including San Song recorded with Bjorn Ole Solburg and his Norwegian San Ensemble. He also worked on the Pan-African music project Mahube with saxophonist Steve Dyer and others. He has also worked as arranger for Sibongile Khumalo, Gloria Bosman and Suthukazi Arosi. In 2005 he was selected as the 2005 Standard Bank Young Artist for Jazz.

Pianist Andile Yenana, who made an indelible mark on the industry by switching from teaching to studying jazz, continues to perform and record.

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Eddie Lee McFadden was born on August 6, 1928 in Baltimore, Maryland and as a small child tried the piano but later settled on guitar. After his military service, he concentrated on jazz guitar. By the 1950s the guitarist was playing in Philadelphia, Pennsylvania clubs. From 1957-58 he was in organist Jimmy Smith’s band and recorded a dozen albums with Smith as part of a trio and sextet. The trio included Donald Bailey on drums.

Staying with organists he next joined Johnny “Hammond” Smith and during the period 1960–63 and one more in 1966, McFadden made eight recordings. Two further sideman appearances on albums came to fruition in the late 1970s.

In November 1967, the Al Grey & Eddie McFadden Quartet played at Count Basie’s Lounge in New York. During the late Seventies he recorded with Sonny Phillips and Don Patterson.

Guitarist Eddie McFadden, who also wrote music for some of his bands, passed away on September 23, 1992 in Philadelphia.

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