Daily Dose Of Jazz…
Jean Omer was born in Nivelles, Belgium on September 9, 1912. He played violin before switching to clarinet and saxophone, playing with local groups in Strassburg and Brussels. He worked in France in the band of Billy Smith, then played with the Golden Stars and in René Compère’s band.
Omer participated in a recording session with Gus Deloof in 1931. Following a tour with Fud Candrix’s Carolina Stomp Chasers, he founded his own group, which included at times, Lauderic Caton and Jean Robert. He and Robert De Kers accompanied Josephine Baker in the mid-1930s and played in a group with Ernst van’t Hoff late in the decade.
In 1941, he recorded with Rudy Bruder. He settled in Brussels and led a band into the 1960s which played at the club Le Boeuf sur le Toit. Clarinetist, saxophonist, and bandleader Jean Omer passed away on May 30, 1994 in Brussels, Belgium.
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Daily Dose Of Jazz…
Phillip Sanford Wilson was born on September 8, 1941 in St. Louis, Missouri and was a third-generation musician. His grandfather, Ira Kimball, was a riverboat percussionist on the Mississippi to New Orleans.
His recording debut was with Sam Lazar, noted for having one of the first interracial bands in the St. Louis area. After moving to Chicago, Illinois he became a member of the Association for the Advancement of Creative Musicians (AACM) and performed with the Art Ensemble of Chicago.
He joined up with the Paul Butterfield Blues Band in 1967 at a time when the band membership changed greatly, including an added horn section. He recorded three albums with the group. Wilson’s song Love March, written with Gene Dinwiddie, was performed at Woodstock and released in 1970 on the live album from the festival.
Wilson, along with Dinwiddie and fellow former Butterfield Band member Buzz Feiten, formed the jazz-rock band Full Moon in the early 1970s. They recorded a self-titled album which is considered one of the finest early examples of jazz fusion. He was part of the loft jazz scene in 1970s New York City, worked as a session musician for Stax Records in Memphis, Tennessee and with Jimi Hendrix at the Cafe Au Go Go and Generation Club in 1968. They recorded with The Last Poets, Fontella Bass, Olu Dara, David Murray, Anthony Braxton, and Carla Bley. He worked extensively with Lester Bowie. In 1985, along with Bill Laswell co-produced the album Down by Law under the group name Deadline.
He recorded four albums as a leader and as a sideman recorded twenty-one albums with Hamiet Bluiett, Lester Bowie, Anthony Braxton, Paul Butterfield, Julius Hemphill, Sam Lazar, Frank Lowe, Roscoe Mitchell, and David Murray.
Drummer Phillip Wilson, while pursuing his musical career, was stalked and murdered in New York City on March 25, 1992. As a result of America’s Most Wanted television program, Marvin Slater was convicted for premeditated murder in 1997 and sentenced to 33 1/3 years in state prison. The reason for his murder has never been revealed.
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Daily Dose Of Jazz…
Harry Percy South was born on September 7, 1929 in Fulham, London, England. Coming into prominence in the 1950s, he subsequently performed with Joe Harriott, Dizzy Reece, Tony Crombie, and Tubby Hayes. In 1954, he was in the Tony Crombie Orchestra, together with Dizzy Reece, Les Condon, Joe Temperley, Sammy Walker, Lennie Dawes, and Ashley Kozak.
After returning from a nine-month stint in Calcutta, India, with the Ashley Kozak Quartet, he spent four years with the Dick Morrissey Quartet, where he both wrote and arranged material for their subsequent four albums.
Forming his own jazz big band in 1966, featuring UK musicians Hayes, Dick Morrissey, Phil Seamen, Keith Christie, Ronnie Scott, and Ian Carr, and recorded an album for Mercury Records. In the mid-1960s, he began working with British rhythm & blues singer and organist Georgie Fame, with whom he recorded the album Sound Venture. At that time he was also composing and arranging for Humphrey Lyttelton, Buddy Rich, Sarah Vaughan, and Jimmy Witherspoon.
Working for a time as the musical director to Annie Ross, Harry later branched out into session work, writing themes for television and music libraries, and having written the scores for the Pete Walker films, he is also credited with the arrangements for Emerson, Lake & Palmer, again arranged for Annie Ross and Georgie Fame in collaboration on what was to be Hoagy Carmichael’s last recording, In Hoagland.
Pianist, composer, and arranger Harry South, who was honored with the CD Portraits ~ The Music of Harry South released by the National Youth Jazz Orchestra, passed away on March 12, 1990 in Lambeth, London at age 60.
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Daily Dose Of Jazz…
Clifford Edward Thornton III was born on September 6, 1936 in Philadelphia, Pennsylvania into a musical family, his uncle pianist Jimmy Golden and his cousin, drummer J. C. Moses. He began piano lessons when he was seven-years-old, and studied with trumpeter Donald Byrd during 1957 after Byrd had left Art Blakey’s Jazz Messengers, and also that he worked with 17-year-old tuba player Ray Draper and Webster Young. Following a late 1950s stint in the U.S. Army bands, he moved to New York City.
In the early 1960s, Clifford lived in the Williamsburg area of Brooklyn, New York in an apartment building with other young musicians, including Rashied Ali, Marion Brown, and Don Cherry. He performed with numerous avant-garde jazz bands, recording as a sideman with Sun Ra, Archie Shepp, Pharoah Sanders, and Sam Rivers.
During the Seventies, Thornton and others were affected by the compositional ideas of Cecil Taylor, was active in the Black Arts Movement, and associated with Amiri Baraka and Jayne Cortez. This musical and artistic network provided him with a variety of perspectives on ideas such as black self-determination, performance forms, outside playing, and textural rhythm; and giving him access to performers who would provide the abilities some of his later compositions required.
He was included in the dialogue around the developing thought of political artists, including Shepp, Askia M. Touré, and Nathan Hare, as well as the journals Freedomways and Umbra. As an educator, he taught world music at Wesleyan University and created an Artists-in-Residence on campus, giving the academic world-music community exposure to Sam Rivers, Jimmy Garrison, Ed Blackwell, and Marion Brown. He arranged performances by Rashied Ali, Horace Silver, McCoy Tyner, and numerous others
Trumpeter, trombonist, activist, and educator Clifford Thornton, who played free and avant~garde jazz in the 1960 and ‘70s, passed away on November 25, 1989.
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Daily Dose Of Jazz…
Jan Savitt was born Jacob Savetnick on September 4, 1907 in Shumsk, U.S.S.R. (now Ukraine) and reared in Philadelphia, Pennsylvania. He exhibited musical ability at an early age and began winning conservatory scholarships in the study of the violin. He was offered the position of concertmaster in Leopold Stokowski’s Philadelphia Symphony Orchestra, but turned it down, preferring to continue his studies at Curtis Institute. A year later, believing himself ready, he joined Stokowski and the association continued for seven years, during which time Savitt gained further laurels as a concert soloist and leader of a string quartet.
In 1938, Jan Savitt & His Top Hatters broadcast from 5–5:30 pm every Tuesday, thru Friday as the KYW staff orchestra at KYW/NBC in Philadelphia. Saturday’s weekly broadcast was one hour, coast-to-coast. The group also played at the Earl Theatre and performed with The Andrews Sisters and The Three Stooges.
He got his start in popular music sometime later as music director of KYW, Philadelphia, where he evolved the unique “shuffle rhythm” which remained his trademark. Numerous sustaining programs created such a demand for the “shuffle rhythm” that Savitt left KYW to form his own dance crew.
His band was notable for including George “Bon Bon” Tunnell,[3] one of the first Black singers to perform with a white band. Tunnell’s recording with Jan included Vol Vistu Gaily Star, co-composed by Slim Gaillard, and Rose of the Rio Grande. Helen Englert Blaum, known at the time as Helen Warren, also sang with him during the war years.
In the 1940s Savitt recorded short pieces used a filler before network shows for the National Broadcasting System’s Thesaurus series. Some of the pieces he created were I’m Afraid the Masquerade Is Over; If I Didn’t Care; Ring Dem Bells; and Romance Runs in the Family.
Violinist, bandleader and arranger Jan Savitt, known as “The Stokowski of Swing” from having played violin in Leopold Stokowski’s orchestra, passed away on October 4, 1948.
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