Daily Dose Of Jazz…

Kevin Hays was born in New York City on May 1, 1968 and was the youngest of four children. Raised in Greenwich, Connecticut, he began studying the piano at the age of six after hearing his amateur father play. He was initially interested in rock music and other things that he heard on the radio, and became more interested in jazz in his early teens. Initially self-taught, he later took lessons with Lou Stein, and attended several Interlochen Music Camps.

Hays played locally from 1982. He began playing in New York City  in 1985 while still in high school, then had a period in Nick Brignola’s band. He attended the Manhattan School of Music for a semester in 1986 before dropping out to concentrate on performing. His debut recording as a leader came in 1990 with the album El Matador on the Japanese label Jazz City.

He played regularly with a number of Bob Belden’s ensembles from the late 1980s, and in the 1990s he toured Japan and recorded with the Harper Brothers and worked with Steve Wilson, Benny Golson, Joshua Redman, Seamus Blake, and Eddie Henderson.

Between 1991 to 1993 he recorded three albums for SteepleChase Records. After SteepleChase, Kevin signed an album deal with Blue Note Records who initially released three of his albums as a leader. In 1995 he toured with saxophonist Sonny Rollins.

His trio with bassist Doug Weiss and drummer Bill Stewart have played together for 15 years. Hays also recorded under Stewart’s leadership, performed and recorded duets with pianist Brad Mehldau, released a duo album with Lionel Loueke and he has released a solo album. His New Day Trio, with Rob Jost on bass and Greg Joseph on drums, also finds Kevin singing on their first release, New Day.

Pianist Kevin Hays, who has more than twenty albums to his credit as leader or co-leader, continues to perform and record.

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Jazz Poems

SNOW

I cannot help noticing how this slow Monk sol

seems to go somehow with the snow that is coming down this morning

how the notes and the space accompany

its easy falling on the geometry of the ground, on the flagstone path, the slanted roof, and the angles of the split rail fence

as if he had imagined a winter scene

as he sat at the piano late one night at the Five Spot playing “Ruby My Dear”.

Then again, it’s the kind of song

that would go easily with rain or a tumult of leaves,

and for that matter it’s a snow

that could attend an adagio for strings, the best of the Ronettes, or George Thorogood and the Destroyers.

It falls so indifferently

into the spacious white parlor of the world, if I were sitting here reading in silence, reading the morning paper or reading Being and Nothingness not even letting the spoon touch the inside of the cup, I have a feeling the snow would ever go perfectly with that. BILLY COLLINS  

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

August Rosenbaum was born on April 30, 1987 in Copenhagen, Denmark into a family of artists. He has had an eclectic and passionate vision since he first started learning to play the piano. As the only one at elementary school recitals who would perform Thelonious Monk, Wu Tang Clan and Erik Satie, the piano prodigy shows  with equal conviction many sides of his talent.

Rosenbaum has won two Danish Music Awards for his composing, performed at the acclaimed Sónar Festival, and has been shortlisted for both the Nordic Music Prize and the National Danish Critics’ Award. He has wona Grammy for Best Alternative Album at the 2018 Danish Music Awards.

He is also known for collaborations with artists like Quadron, Rhye and MØ, Sonic Youth’s Kim Gordon and visual artist Jesper Just. He has been commissioned for works in film, theatre and performances at a.o. Palais De Tokyo, The Metropolitan Museum of Art, Brooklyn Academy of Music and The Royal Danish Ballet.

Pianist, composer and record producer August Rosenbaum continues to explore and record music.

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Daily Dose Of Jazz…

Jacques Butler was born on April 29, 1909 in Washington, D.C. but didn’t pick up the trumpet until his late teens. He began playing professionally with Cliff Jackson and Horace Henderson in New York City, then joined Marion Hardy’s Alabamians in 1931 for a year.

Leading his own ensemble in New York and touring from 1934-1935, Jacques also made recordings with Willie Bryant before relocating to Europe in 1936, where the two performed together until 1939. During that period he played with Frank “Big Boy” Goudie as well as with his own bands. He would tour Scandinavia before WWII and in 1940 he became well known in the Norwegian jazz community, and while visiting Oslo he recorded one 78 rpm. Returning to New York City that same year he played and recorded with Mercer Ellington, Art Hodes, Mezz Mezzrow, and Bingie Madison.

After a brief stay in Toronto he moved back to Europe in 1950, remaining there until 1968 as a regular at the La Cigale club in Paris, France. He appeared in the 1961 Paul Newman/Sidney Poitier film Paris Blues. In the 1970s he came home to the States and was seen working often in New York City, as a sideman with Clyde Bernhardt among others, and in the studio.

Trumpeter and vocalist Jacques Butler, who was sometimes listed as Jack, died in 2003. The date of his death is unknown.

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CYRUS CHESTNUT

Ellington 125 | Duke Ellington Sacred Concert

Cyrus Chestnut is a jazz pianist, composer and producer. In 2006, Josh Tyrangiel, music critic for Time, wrote: “What makes Chestnut the best jazz pianist of his generation is a willingness to abandon notes and play space.

In the late 1980s and early 1990s, Chestnut worked with Wynton Marsalis, Terence Blanchard, Donald Harrison, and other bandleaders. He joined the band of jazz vocalist Betty Carter in the early 1990s and appeared on her 1992 album It’s Not About the Melody. That same year, he recorded his first albums as a bandleader, The Nutman Speaks and Nut. Chesnut has continued to work and record as a bandleader into the 21st century.

In 2006, Telarc released Genuine Chestnut, his first album for the label. On it he is accompanied by his regular trio of Michael Hawkins, bass and Neal Smith, drums. Additional artists on this session include Russell Malone, guitar and Steven Kroon, percussion. It includes jazz interpretations of some well-known pop numbers of the past half-century, including “If”, the early 1970s soft-rock ballad by Bread. “This song has been with me ever since the sixth grade,” Chestnut recalled, “I had to play it for my English teacher’s wedding. I’ve played it in many and various contexts. I actually played it in a Top 40 band when I was just out of school. A lot of time has passed, but then recently I just started thinking about it again.” Chestnut’s own “Mason–Dixon Line” is one of the album’s high points, a joyful bebop number.

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