Daily Dose Of Jazz…
John Grant Sangster was born November 17, 1928 in the Melbourne suburb of Sandringham, Victoria, Australia. He was an only child that attended primary schools in Sandringham and Vermont, and then Box Hill High School. While at high school he taught himself to play trombone and with a friend, Sid Bridle, formed a band.
In 1946 he started a civil engineering course at Melbourne Technical School. Two years later Sangster performed at the third annual Australian Jazz Convention, held in Melbourne. By the following year he led his own ensemble, John Sangster’s Jazz Six, which included Ken Evans on trombone. He provided trombone for Graeme Bell and his Australian Jazz Band, later took up the cornet and then the drums. They toured several times from 1950 to 1955, and in the late Fifties he began playing the vibraphone.
He went on to play with Don Burrows in the early 1960s, form his own quartet and experimented with group improvisatory jazz, after becoming interested in the music of Sun Ra and Archie Shepp. By the end of the Sixties his attention turned to rock musicians and he joined the expanded lineup of the Australian progressive rock group Tully, who provided the musical backing for the original Australian production of the rock musical Hair. He performed and recorded with Tully and their successors, Luke’s Walnut, throughout the two years he played in Hair. In 1970 he re-joined the Burrows group for Expo 1970 in Osaka, Japan.
In the 1970s Sangster released a series of popular The Lord of the Rings inspired albums that started with The Hobbit Suite in 1973. He was also the composer of a large number of scores for television shows, documentaries, films, and radio. In 1988, Sangster published his autobiography, Seeing the Rafters.
Trombonist John Sangster, who also plays trumpet, drums, percussion, cornet, vibraphone and is best known as a composer, died in Brisbane, Queensland, Australia on October 26, 1995 at age 66.
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Daily Dose Of Jazz…
Wallace Leon Jones was born on November 16, 1906 in Baltimore, Maryland. He began playing trumpet in local Maryland bands such as Ike Dixon’s Harmony Birds and Percy Glascoe’s Kit Kat Orchestra early in his career.
He moved to New York City around 1935 and went to work with his cousin Chick Webb. He then joined Willie Bryant’s ensemble and recorded with Putney Dandridge and Duke Ellington, the latter where he was credited on clarinet, trombone and trumpet from 1938 to 1944.
He appeared in several sound films with Ellington, including 1943’s Cabin in the Sky. After this association, Wallace recorded with Ellington again in 1947, and also worked with Benny Carter, Snub Mosley, and John Kirby, but left music by the end of the Forties.
Trumpeter Wallace Jones died on March 23, 1983 in New York City.
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NICHOLAS PAYTON NOUVEAUX STANDARDS
As a leading voice in American popular music, the Grammy Award-winning trumpeter is a multi-instrumentalist, vocalist, composer, producer, arranger, essayist, and social activist who defies musical and artistic categories. All the while, he honors the tradition of what he terms “postmodern New Orleans music,” as well as the spirit of Black American Music, of which he states, “There are no fields, per se. There are lineages.”
The New Orleans-born Payton has followed his calling since growing up under the tutelage of his parents — acclaimed bassist Walter Payton and Maria Payton, a pianist and vocalist. Already a prodigy before entering the first grade, he began playing trumpet at age four and started performing professionally at age 10. Before the age of 20, he was already in demand by everyone from Danny Barker and Clark Terry to Elvin Jones and Marcus Roberts. Payton released his first album, From this Moment, in 1995 on the famed Verve label. He received his first Grammy nomination in 1997 for the album Doc Cheatham & Nicholas Payton, and for the category of Best Instrumental Solo, which found him winning the award that year.
Nicholas Payton | trumpet
Gerald Clayton | piano
Vicente Archer | bass
Bill Stewart | drums
Cover: $40.00~$50.00 + fee | Streaming: $15.00 + fee
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BALTIMORE JAZZ COLLECTIVE
Founded in 2019 at Keystone Korner Baltimore, the Baltimore Jazz Collective is making its Homecoming Return! Music and spirituality have always been fully intertwined in the artistic vision of trumpeter, bandleader, composer, educator and activist Sean Jones. With boundless passion, energy, and soul, Baltimore Jazz Collective explores the inner and outer frontiers of melody, harmony and time itself.
Sean Jones | Trumpet/Bandleader
Brinae Ali | Keys
Todd Marcus | Saxophone/Clarinet
Marc Cary | Piano
Blake Meister | Bass
Eric Kennedy | Drums
Cover: $35.00 ~ $45.00 + fee
Streaming: $15.00 + fee
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Daily Dose Of Jazz…
Alois Maxwell Hirt was born on November 7, 1922 in New Orleans, Louisiana to a police officer father. At the age of six, he got his first trumpet, which had been purchased at a local pawnshop. He played in the Junior Police Band with friend Roy Fernandez, the son of Alcide Nunez. By 16 he was playing professionally with his friend Pete Fountain, while attending Jesuit High School. During this time, he was hired to play at the local horse racing track, beginning a six-decade connection to the sport.
1940 saw Al in Cincinnati, Ohio studying at the Cincinnati Conservatory of Music with Dr. Frank Simon. After a stint as a bugler in the Army during World War II, he performed with various swing big bands, including those of Tommy Dorsey, Jimmy Dorsey, Benny Goodman, and Ina Ray Hutton.
In 1950 Hirt became the first trumpet and featured soloist with Horace Heidt’s Orchestra and after several years on the road he returned to New Orleans working with various Dixieland groups and leading his own bands. He soon signed with RCA Victor and posted twenty-two albums on the Billboard charts in the 1950s and 1960s. He recorded the theme for the 1960s television show The Green Hornet, with arranger and composer Billy May.
From the mid-1950s to early 1960s, Hirt and his band played nightly at Dan’s Pier 600, hosted the hour-long television variety series Fanfare, as the summer replacement for Jackie Gleason and the American Scene Magazine, and would go on to play for Pope John Paul II.
Trumpeter and bandleader Al Hirt died of liver failure on April 27, 1999 at the age of 76, after having spent the previous year in a wheelchair due to edema in his leg.
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