Daily Dose Of Jazz…
Dan “Slamfoot” Minor was born August 10, 1909 in Dallas, Texas, and played trombone for a local church orchestra in his teens before joining local band the Blue Moon Chasers. In 1927, his first major professional engagement was as a member of Walter Page’s Blue Devils.
In 1929 Minor joined the Blues Syncopaters led by Ben Smith, and during this period he also worked in bands led by Earl Dykes, Gene Coy, Lloyd Hunter and Alphonse Trent. By 1931 he joined the Bennie Moten band, remaining after Moten’s death in 1935, when its leadership was taken over by Count Basie, and stayed with the Basie orchestra until 1941. During that period he performed at the From Spirituals to Swing concerts in New York City in 1938 and 1939.
However, Dan tended to be overshadowed by other trombonists such as Benny Morton and Vic Dickenson, and rarely took solos. He joined the Buddy Johnson band in 1942, and also played around that time with Cab Calloway. He worked with Mercer Ellington in 1945, and also recorded and played with Lucky Millinder and Willie Bryant.
After the 1940s, through to the 1960s, he continued to perform occasionally on a freelance basis. Trombonist Dan Minor transitioned in New York City on April 11, 1982 at the age of 72.
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Daily Dose Of Jazz…
Wik Horn was born on August 9, 1943 in Amsterdam, Netherlands. Classically trained piano education for 4 years starting at 10, when he was 14 he started to play classic jazz with his younger brother trumpeter Fred.
After playing in several school bands he formed his first real band in 1965,The Court Town Rhythm Kings. The band played authentic old jazz in the way of Oliver, Morton, early Armstrong, Williams, Beiderbecke and Half Way House.
The band broke up in 1972 due to moving members and Wik moved from The Hague to resettle in Amsterdam. There along with his brother they founded in 1973 as Madam Zenja and Her Jazz Horns in 1973, together with singer Zenja Damm, recording two albums, Changes and Was It A Dream. From 1974 to 1980 he was president of the oldest and famous Jazzclub in Holland, the Haarlemse Jazz Club. Many of the great American musicians who came to Europe and Amsterdam performed there.
Settling in the little village of Leiderdorp between Amsterdam and The Hague, he spent some time in advertising and public relations. He started the jazz club De Wagenschuur from 1984 to 1994 and a new band, Swingin’ Crash, that started as a little swing ensemble but grew within a year into a small big band.
He went on to write charts and arrangements for the band and well as compose, song texts and write a little booklet for special occasions like the 60th anniversary of the The Hague Jazz Club. Pianist Wik Horn retired but has continued to have a life filled with music, writing and painting.
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Daily Dose Of Jazz…
Warren Covington was born on August 7, 1921 in Philadelphia, Pennsylvania and played with Isham Jones in 1939, then with Les Brown in 1945-46 and Gene Krupa in late 1946. Following this he became a staff musician for CBS radio.
By the end of the decade he was working with Ralph Flanagan and again in the mid Fifties. He played briefly with Tommy Dorsey but by 1956 he replaced Eddie Grady as leader of the Commanders, a Decca recording and touring band which lasted until the middle of 1957. Covington recorded two albums and one single with this band.
Post Tommy Dorsey’s sudden death in 1956, the band continued under the direction of Jimmy Dorsey. However, Tommy’s estate took back his arrangements and approached Warren to form a new Tommy Dorsey band, which he led, touring and recording for Decca, into 1961. Among his hits with the Dorsey band was Tea for Two Cha Cha, which sold over one million copies and was awarded a gold disc.
A player who also occasionally played, with a variety of the baritone horn, baritone and tenor saxophone, Covington participated in the big bands of Charles Mingus, Randy Weston, Bobby Hackett, and George Benson on recordings, and also a number of film soundtracks.
Big band trombonist Warren Covington, who was also an active session player, arranger and bandleder, transitioned on August 24, 1999 in New York.
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Daily Dose Of Jazz…
John Russell Parnell was born on August 6, 1923 in Paddington, London, England and raised in Wembley. The only son of vaudevillians, his father a ventriloquist, his mother, a gifted classical pianist, worked as her husband’s accompanist. He toured with his parents as a very young child and standing in the wings enthralled by the big bands that were often top of the bill in the late 1920s. He started piano lessons as a four-year-old and could pick up tunes easily. Sent away to boarding school from the age of six, he began to take an interest in drums, and this soon became a consuming passion.
Not much interested in academic study, Parnell bought all the jazz records he could, starting with Duke Ellington and moving on to the more informal Chicago school epitomised by trumpeter Muggsy Spanier. Armed with a Premier drum kit purchased by his mother from the window-cleaner for £15 and following six lessons from Max Abrams, at 15 he ventured north to Scarborough to start his professional career playing for the summer season at the town’s theatre.
During his military service in the 1940s he became a member of Buddy Featherstonhaugh’s Radio Rhythm Club Sextet and played drums with Vic Lewis and other servicemen who were keen on jazz. From 1944 to 1946 he recorded with the Lewis-Parnell Jazzmen’s version of Ugly Child.
During the 1940s and 1950s, Parnell was voted best drummer in the Melody Maker poll for seven years in succession. He composed many television themes, including Love Story, Father Brown, The Golden Shot and Family Fortunes. He was a regular judge on the ATV talent show New Faces and the musical director for The Benny Hill Show.
He was appointed as the musical director for ATV in 1956, a post he held until 1981, and was the conductor for The Muppet Show orchestra for the series’ entire run. Jack composed the score theme for ITC Entertainment. Throughout the 1960s, Parnell directed the pit orchestra for Sunday Night at the London Palladium.
In the 1970s, he co-founded the group The Best of British Jazz with Kenny Baker, Don Lusher, Betty Smith, Tony Lee, and Tony Archer, which performed until 1985. From 1991 on Parnell was part of the Norfolk-based Mike Capocci Trio who backed saxophonists Johnny Griffin, Ronnie Ross, and Kathy Stobart. In 1994, he took over as the leader of the London Big Band.
Drummer and musical director Jack Parnell, whose uncle was the theatrical impresario Val Parnell, transitioned from the effects of cancer at 87 on August 8, 2010 in Southwold, Suffolk, England.
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Daily Dose Of Jazz…
Walt Weiskopf was born in Augusta, Georgia on July 30, 1959 and grew up outside of Syracuse, New York. His father, a physician by profession, was also a serious classical pianist. Classically trained, it wasn’t the albums of Al Hirt or Herb Alpert his mother brought home but Miles Ahead that turned his attention. Already filled with Charlie Parker, Stan Getz, Dexter Gordon and John Coltrane at 14 he set his sight in earnest on jazz. At 16, he began playing alto saxophone in a local big band alongside the great tenorist J.R. Monterose, who became his first mentor.
Heading to the Eastman School of Music in Rochester, New York, Walt acquired a B.A. and after a move to New York City at twenty in 1980 he made a name for himself in jam sessions and was drafted into the Buddy Rich Big Band, adding tenor to his arsenal. By 1983, he began a 14-year association with Toshiko Akiyoshi, touring and recording with her jazz orchestra and small group.
The late ’80s, saw him playing with and writing for his first quartet that included his brother Joel, bassist Jay Anderson, and drummer Jeff Hirshfield. In 1989, he released his debut album as a leader, Exact Science, with that band. A sextet album followed as his sophomore project with Conrad Herwig, Andy Fusco, Joel Weiskopf, Peter Washington, and Billy Drummond. This began a long association with Criss Cros,s Jazz in which eleven albums were recorded and released.
His latest project, the debut of the European Quartet takes him further into his composing, arranging and thematic compositions. The group has released a number of albums, such as Worldwide, Introspection and Introspection 2.0, and a three song ep A Little Christmas Music.
As outstanding as this output is and all of his efforts as a sideman are (he is especially great on Billy Drummond’s Dubai), Weiskopf is best known to many fans for his work with Steely Dan over the past 20 years—before and after the untimely passing of its genius co-founder Walter Becker in 2017.
As an educator he has taught at numerous schools including the Eastman School of Music, Temple University, New Jersey City University and the New School. He published numerous books, Intervalic Improvisation, Around the Horn, and Understanding the Diminished Scale. Moving to Virginia, he retired from teaching and working commercially and is concentrating on practicing and composing.
Tenor saxophonist, composer, arranger and educator Walt Weiskopf, who was a 20 year staple of the studio-only jazz rock fusion band Steely Dan, continues to push the realm of his music.
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