Daily Dose Of Jazz…
Thomas “Bones” Malone was born June 16, 1947 in Honolulu, Hawaii. He began playing professionally as lead trumpeter for Brenda Lee at a club in Jackson, Mississippi while enrolled at the University of Southern Mississippi. In response to a call from Warren Covington, leader of the Tommy Dorsey Orchestra, he began contracting musicians. After transferring to North Texas State University, Malone continued working as both a player and a contractor for groups. He graduated from North Texas State University with Lou Marini, and both were members of the One O’Clock Lab Band at North Texas.
After graduation, he worked in bands of Woody Herman in 1969, and during the early Seventies he worked with Duke Pearson, Louie Bellson, Doc Severinsen, Frank Zappa, and Blood, Sweat & Tears. In 1973, Malone began a close, fifteen-year association with Gil Evans, whom he has called a mentor. He recorded albums with Evans and toured Europe, Japan, and the Far East. In 1975 Malone toured with Billy Cobham and in 1976 with The Band.
From 1975 to 1985 he worked as arranger for Saturday Night Live and from 1981 to 1985 as musical director. He wrote the chart for the skit that introduced John Belushi and Dan Aykroyd as the Blues Brothers and worked on the film score for Blues Brothers 2000. He joined the CBS Orchestra in 1993, and contributed more than 1,600 arrangements to the Late Show with David Letterman.
As a studio musician, he has been heard on more than 1,000 records, more than 3000 radio and television commercials, and over 4,000 live television shows. In 2007 Bones was invited by music director Geoffrey Moull to arrange and perform a concert with the Thunder Bay Symphony Orchestra. In 2011 Malone was a guest artist with the University of Southern Mississippi Symphony Orchestra.
Trombonist, arranger, and producer Tom Malone, who also plays saxophone, trumpet, tuba, flute, and bass guitar, continues to expand his creative reach.
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Daily Dose Of Jazz…
Nancy King was born June 15, 1940 in Springfield, Oregon. She started gigging in 1959 with fellow University of Oregon music students. After moving to San Francisco in 1960, her accomplished scat singing landed her many gigs with various bebop artists. Performing the Playboy Club circuit and Las Vegas, Nevada during the 1960s, it was during Monday night hits at the Jazz Workshop where she met her future husband Sonny King. By the Seventies she took a break from touring, settled in Eugene, Oregon and raised her three sons while doing weekend gigs at Portland’s Benson Hotel.
Known for her masterful scatting and elastic range, Nancy has performed in worldwide tours and recordings, as well as collaborations with such artists as Jon Hendricks, Vince Guaraldi, Ralph Towner, Karrin Allyson and Dave Friesen among others.
King has released ten albums beginning with her 1991 debut release of Impending Bloom and including her 2004 recording of her performance Live At Jazz Standard with pianist Fred Hersch. In 2011 she released her Prennia project on the Ornry Diva label.
Vocalist Nancy King would occasionally pop into jazz loving cities to perform but by 2014, suffering from degenerative hips has limited her ability to travel and perform. Though Covid had postponed the operation he is looking forward to replacement surgery, recovery and getting back onto the stage and recording studio.
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Three Wishes
Whenever the the ladies got together Pannonica would always make it a point to ask them what their three wishes would be and this time Terri Thornton told her:- “There would be only one: To get closer to myself. And that means to get closer to God. And that way all wishes will come true.”
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Daily Dose of Jazz…
Nappy Lamare was born Joseph Hilton Lamare on June 14, 1905 in New Orleans, Louisiana. He got his nickname from his friend, Eddie Miller, because he had curly hair. He started playing trumpet but picked up the banjo when he was thirteen and weeks later he was a member of the Midnight Serenaders. During his teen years he worked with Sharkey Bonano, Monk Hazel, and Johnny Wiggs. In 1925 he toured in California with Johnny Bayersdorffer, then recorded for the first time two years later with the New Orleans Owls.
A move to New York City had him playing mostly guitar instead of banjo and he became a member of the Ben Pollack Orchestra and sang on Two Tickets to Georgia. Lamare remained with the band until 1942, performing on records and films, sometimes as a vocalist. He moved to California and spent the rest of his career playing Dixieland as leader of the Louisiana Levee Loungers, then the Straw Hat Strutters in the 1940s and 1950s. The Strutters appeared in the movie Hollywood Rhythm and on the weekly TV variety show Dixie Showboat.
The latter part of his career he spent in reunions with Bob Crosby, performing at Disneyland, and touring with the World’s Greatest Jazz Band. He played guitar, banjo, and sang until his transition at the age of 82 on May 8, 1988.
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Daily Dose Of Jazz…
Attila Cornelius Zoller was born on June 13, 1927 in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist. While in school, he played flugelhorn and bass before landing on the guitar. Dropping out of school he played in jazz clubs in Budapest while Russia occupied Hungary. He fled Hungary on foot through the Austrian mountains with his guitar in 1948 as the Soviet Union was establishing communist military rule. Settling in Vienna, he became an Austrian citizen and started a jazz group with accordionist Vera Auer.
The mid-1950s saw Zoller moving to Germany and playing with Jutta Hipp and Hans Koller. When American jazz musicians passed through, such as Oscar Pettiford and Lee Konitz, they persuaded him to move to the United States. He moved to the states after receiving a scholarship to the Lenox School of Jazz. One of his teachers was guitarist Jim Hall and his roommate was Ornette Coleman, who got him interested in free jazz.
From 1962–1965, Zoller performed in a group with flautist Herbie Mann, then Lee Konitz and Albert Mangelsdorff. Over the years, he played and recorded with Benny Goodman, Stan Getz, Red Norvo, Jimmy Raney, Herbie Hancock, Ron Carter, Shirley Scott, Cal Tjader, Jimi Hendrix, and in New York City jazz clubs in the 1960s with pianist Don Friedman.
During the Seventies he started the Attila Zoller Jazz Clinics in Vermont, later named the Vermont Jazz Center, where he taught until 1998. He invented a bi-directional pickup, designed strings and a signature guitar series. Between the years 1989 and 1998, he played more and more with the German vibraphonist Wolfgang Lackerschmid. They also did recordings together. He performed with Tommy Flanagan and George Mraz in New York City three weeks before his transition in Townshend, Vermont on January 25, 1998.
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