Daily Dose Of Jazz…
Haywood Henry: The Baritone Voice Behind a Thousand Hits
Born Frank Haywood Henry on January 10, 1913, in Birmingham, Alabama, this future jazz great started his musical journey on clarinet before discovering his true calling in the rich, resonant tones of the baritone saxophone. Though the baritone became his signature voice, Henry never abandoned the clarinet entirely, keeping both instruments close throughout his remarkable six-decade career.
From College Band to the Big Time
In 1930, Henry joined the Bama State Collegians, getting his first taste of professional music-making. When he returned to the group in 1934, now led by the dynamic Erskine Hawkins, it marked the beginning of a musical partnership that would last into the 1950s. Hawkins’ orchestra became Henry’s proving ground, where his big-toned baritone work became an essential part of the band’s sound.
A Journeyman’s Journey
After his years with Hawkins, Henry became one of those invaluable musicians who could fit into any setting. He worked with guitarist Tiny Grimes, saxophonist Julian Dash, and the Fletcher Henderson Reunion Band. Perhaps most notably, he occasionally substituted for the legendary Harry Carney in Duke Ellington’s Orchestra—a testament to his skill, given that Carney was widely considered the greatest baritone saxophonist in jazz history.
The 1960s found Henry in equally distinguished company: Wilbur DeParis, Max Kaminsky, Snub Mosley, Louis Metcalf, Earl Hines, Sy Oliver, and the New York Jazz Repertory Company all benefited from his steady presence and warm sound.
The Secret Session King
Here’s where Henry’s story takes a fascinating turn: during the 1950s and ’60s, he became one of the anonymous giants of the recording industry, playing on over 1,000 rock and roll records. While teenagers danced to the latest hits, few knew that a Birmingham-born jazz baritone saxophonist was helping create the sound they loved. In the 1970s, he brought that same professionalism to Broadway pit orchestras, proving once again his remarkable versatility.
Coming Full Circle
In 1971, Henry joyfully participated in an Erskine Hawkins reunion ensemble—a chance to reconnect with old friends and relive the glory days. He continued performing well into the 1980s, his passion for music undiminished by age.
A Leader at Last
Though Henry spent most of his career supporting others, he did step forward as a leader on three occasions: recording for Davis Records in 1957, Strand in the early 1960s, and finally Uptown in 1983. These albums offer rare glimpses of Henry unchained—his baritone taking center stage rather than anchoring the ensemble.
A Well-Earned Honor
In 1978, Alabama recognized one of its own when Haywood Henry was inducted into the Alabama Jazz Hall of Fame. When he passed away on September 15, 1994, the jazz world lost one of its most reliable, versatile, and underappreciated voices—a master musician who made everyone around him sound better, whether on a jazz bandstand, a rock and roll session, or in a Broadway pit.
Haywood Henry may not be a household name, but his baritone saxophone spoke to millions, often without them ever knowing it. That’s the mark of a true professional.
More Posts: clarinet,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Jimmy Maxwell: The Trumpet Master You’ve Heard a Thousand Times
Born on January 9, 1917, in Stockton, California, Jimmy Maxwell was practically born with a trumpet in hand—he picked up the instrument at the remarkable age of four. Even as a child prodigy, he understood the value of serious training, studying throughout the 1930s with a roster of legendary brass teachers, including the renowned Herbie Clarke.
A Young Gun in the Swing Era
During the vibrant 1930s, Maxwell’s precocious talent found him working alongside some of the biggest names in jazz: Gil Evans, Jimmy Dorsey, vocalist Maxine Sullivan, and bandleader Skinnay Ennis. His big break came when he joined the prestigious Benny Goodman Orchestra—a gig that announced his arrival as a world-class player.
The Golden Age of Television
In 1943, Maxwell transitioned to what would become a legendary three-decade run as a studio musician for NBC. Night after night, his trumpet graced America’s living rooms through The Perry Como Show, The Patti Page Show, The Pat Boone Show, and The Tonight Show. While many musicians might have settled into such comfortable work, Maxwell’s restless talent demanded more.
A Secret Weapon on Countless Sessions
Maxwell’s studio work was merely the foundation. In 1962, he toured the Soviet Union during the height of the Cold War—music as cultural diplomacy. He appeared on hundreds of recordings and commercials, becoming one of those invisible giants whose sound defined an era. As a sideman, he lent his brilliant tone to sessions with Woody Herman, Count Basie, Duke Ellington, Oliver Nelson, Gerry Mulligan, Maynard Ferguson, Quincy Jones, the New York Jazz Repertory Company, and Chuck Israels’ National Jazz Ensemble.
That Haunting Solo
Perhaps Maxwell’s most iconic moment came when he played the unforgettable trumpet solo for The Godfather soundtrack—that lonely, haunting theme that perfectly captured the film’s operatic melancholy. Millions heard it; few knew the master behind it.
Full Circle
Later in life, Maxwell returned to his roots, working with Dixieland jazz and swing ensembles and even reuniting with Benny Goodman for nostalgic performances. In 1977, he finally stepped into the spotlight as a leader, recording a session for Circle Records—a rare glimpse of Maxwell unfiltered.
Though he eventually retired from recording and performing, Maxwell never stopped teaching. From 1950 until 2001—an astonishing fifty-one years—he passed on his knowledge to new generations of brass players. When he passed away on July 20, 2002, the world lost not just a brilliant musician, but a patient mentor who had helped shape the sound of American music for over seven decades.
If you’ve watched television, heard a commercial, or listened to jazz from the mid-20th century, you’ve almost certainly heard Jimmy Maxwell’s trumpet—even if you never knew his name.
More Posts: history,instrumental,jazz,music,trumpet
VANESSA RUBIN
Vanessa Rubin is a revered jazz vocalist and storyteller celebrated for her crystalline clarity, soulful warmth, and bold improvisational style. Born in Cleveland to Trinidadian and Louisiana parents, her sound bridges Caribbean rhythm, classic jazz elegance, and Motown soul. Since launching her career in 1980 in Cleveland’s legendary clubs, Rubin has built an international performance and education legacy.
Signed to Novus/RCA in 1992, she released five albums, including chart-topping Soul Eyes (1992) and Pastiche (1993). Her acclaimed one-woman musical, Yesterdays: An Evening with Billie Holiday, earned a 2011 Kevin Klein Award nomination. Rubin continues touring globally, producing, teaching, and championing lyrical storytelling in jazz.
Performers:
Vanessa Rubin ~ Vocalist
Brandon McCune ~ Piano
Richie Goods ~ Bas
Alvin Atkinson ~ Drums
Cover: $40.00 | Friday, 7:30 Show ~ Sold Out
More Posts: adventure,bandleader,club,genius,instrumental,jazz,music,preserving,travel,vocal
VANESSA RUBIN
Vanessa Rubin is a revered jazz vocalist and storyteller celebrated for her crystalline clarity, soulful warmth, and bold improvisational style. Born in Cleveland to Trinidadian and Louisiana parents, her sound bridges Caribbean rhythm, classic jazz elegance, and Motown soul. Since launching her career in 1980 in Cleveland’s legendary clubs, Rubin has built an international performance and education legacy.
Signed to Novus/RCA in 1992, she released five albums, including chart-topping Soul Eyes (1992) and Pastiche (1993). Her acclaimed one-woman musical, Yesterdays: An Evening with Billie Holiday, earned a 2011 Kevin Klein Award nomination. Rubin continues touring globally, producing, teaching, and championing lyrical storytelling in jazz.
The Band: Miki Hayama ! Piano | Richie Goods ~ Bass | Alvin Atkinson ~ Drums | Patience Higgins ~ Tenor Saxophone
Cover: Free
More Posts: adventure,bandleader,history,instrumental,jazz,museum,music,preserving,travel,vocal
TOMI BERRY & OMAR ASKEW
Tomi Berry is a beautiful performer, inside and out, brings natural grace, a rich soulful voice, and spiritual essence to her performances throughout the Atlanta area and beyond. Wherever she sings, she spreads joy, whether singing smooth R&B, swinging jazz, or sultry ballads, she holds an audience in rapt attention. A spiritual song-stylist, she engages her listeners in musical conversation.
The 2016 42nd Annual Lawrence Award Winner for “Best Seasoned Performer” and the runner up for the 2016’s inaugural Atlanta’s Top Vocalist competition, she has an extensive background in performing and public speaking. An accomplished, classically trained singer, Tomi has performed most of her life in multiple music genres, starting formally in gospel and spiritual church choirs in her hometown of Montclair, NJ.
Omar Askew, a 19-year-old student at Kennesaw State University, is dedicated to studying Jazz Performance on the piano. Constantly striving for self-improvement, he aims to excel every time he touches his instrument. In lessons, Omar pushes his students to become the best pianists they can be, helping them achieve their personal goals.
Cover & Parking: Free
More Posts: adventure,bandleader,club,genius,instrumental,jazz,music,piano,preserving,travel,vocal