EUGENIE JONES JAZZ QUARTET
2nd Annual Jazz Black & White Party | Black and/or White Attire Suggested
Through inspiration and an inexhaustible work ethic Eugenie Jones has transformed herself into a jazz vocalist of impeccable quality, with a respect for the jazz tradition and the courage to try something she had never imagined.
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The Jazz Voyager
Dashing off to the West Coast this Jazz Voyager is returning to one of his favorite night spots in Northern California called Yoshi’s. One of the world’s most respected jazz venues, earning a reputation as the Bay Area’s premier location for great Japanese cuisine and jazz.
What started as a humble idea amongst a trio of friends has become a true testament of the American dream. The dreamers were journalist and carpenter, Kaz Kajimura, painter and cook, Hugh “Hiro” Hori and artist Yoshie Akiba. In 1972 they set out to create a culinary experience introducing fresh seasonal Japanese cuisine to the Berkeley community. The friends decided to name the business after Yoshie. The menu of Chef Hiro cemented the Japanese cuisine into the DNA of the business making the 27-seat restaurant a popular dining destination for East Bay residents. In 1979, Yoshi’s moved to Oakland’s Claremont Avenue.
Two-time Grammy nominated jazz vocalist, composer and arranger Carmen Lundy is performing at my next stop. Hailing from Miami, she received her music degree from the University of Miami and after an early career in Miami, she moved to New York City. In 1978 she released her debut solo album Good Morning Kiss. She has recorded sixteen albums all while wearing hats as an actress and a mixed media artist and painter.
The venue is located 510 Embarcadero West Oakland, CA 94607. More information can be obtained by calling 212-581-3080 or go to birdlandjazz.com.
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The Jazz Voyager
Departing Atlanta for a quick hop up to the Big Apple to Charlie Parker’s namesake club, Birdland. A revered nightclub that opened in Manhattan on December 15, 1949, originally located at 1678 Broadway, just north of West 52nd Street. It closed in 1965 due to increased rents, but re-opened for one night in 1979. A revival began in 1986 with the opening of the second nightclub by the same name located in the Theater District, not far from the original location. The current location is in the same building as the previous headquarters of The New York Observer.
This week I’ll be enjoying the vocal talents of my friend Vanessa Rubin. Revered as a torchbearer and a storyteller, she possesses a voice with crystalline clarity, hearth-like warmth and playful lioness sass. The Cleveland native brings a wealth of diverse influences to her vocal performance from both the Trinidadian/Caribbean roots of her mother and traditional jazz by way of her Louisiana-born father.
The venue is located 315 W 44th Street, #5402, New York City, NY 10036. More information can be obtained by calling 212-581-3080 or go to birdlandjazz.com.
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MARK SOSKIN TRIO
Featuring Jay Anderson & Matt Wilson
Soskin has recorded and performed with such diverse musicians as Sonny Rollins, Joe Henderson, Randy Brecker, Billy Cobham, Buster Williams, Eddie Henderson, Stanley Turrentine, Cornell Dupree, Herbie Mann, John Abercrombie, Claudio Roditi, Sheila Jordan, Gato Barbieri, Joe Locke, David”Fathead”Newman, Mark Murphy, Slide Hampton, Pete and Sheila Escovedo, Bobby Watson, Miroslav Vitous, The NY Voices and others.
Since 1981 Soskin has resided in New York City, remaining active as sideman and as a leader. He has ten of his own recordings to date and three as co-leader, one which features Harvie Swartz and Joe LaBarbera with Sheila Jordan called “Spirits”, one under the name “Contempo Trio” with Danny Gottlieb and Chip Jackson featuring Ravi Coltrane and another Contempo Trio recording named”The Secret of Life” featuring Carolyn Leonhart. His recording, “17” on TCB, highlights Soskin in a quintet setting featuring mainly original compositions.
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RONI BEN~HUR SEXTET FEATURING GEORGE CABLES
• Remembering Barry Harris
Ben~Hur started playing guitar when he was eleven. He learned about jazz from a high school’s friend’s record collection. In Israel he performed in clubs and at weddings and bar mitzvahs until he had enough money to move to the U.S. He arrived in New York City in 1985, spending time at Barry Harris’s Jazz Cultural Theater. He took lessons from Harris, then became a member of his band.
Ben-Hur’s experience as an educator dates back to 1981 in Israel. In the U.S. he started jazz music programs at Professional Performing Arts School, the Coalition School for Social Change, and at the Lucy Moses School. At the request of Bette Midler, he started a jazz program for New York City high schools.[1] Ben-Hur began a jazz camp in Saint-Cézaire-sur-Siagne, France, with Santi Debriano. With Nilson Matta, he began a jazz and Brazilian music camp in Bar Harbor, Maine, both intended for adult jazz amateurs. He is the founding director of the jazz program at the Lucy Moses School at Kaufman Center in Manhattan where he teaches.
His book Talk Jazz: Guitar (Mel Bay, 2004) includes a CD with a removable guitar track of Ben-Hur performing the exercises in the book with Tardo Hammer on piano, Earl May on bass, and Leroy Williams on drums.
His album Anna’s Dance was named by The Village Voice one of the best jazz albums of 2001. All About Jazz called him “a virtuoso guitarist with impeccable swing”. In 2000, he won the Jazziz reader poll for “Best New Talent”.
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