AXEL TOSCA

Three time Grammy-nominated Axel Tosca is a highly talented Cuban jazz pianist and composer who has gained recognition for his virtuosic performances and innovative compositions that blend elements of jazz, classical music, Hip-Hop and Afro-Cuban rhythms. Born in Cuba in 1983, Tosca grew up in a prestigious musical family. His mother is the renowned Cuban Trova singer Xiomara Laugart and his father is Cuban folk singer-guitarist Alberto Tosca. Introduced to guitar at age four, Tosca was also playing piano by age seven and soon joined his parents on stage playing his first show at Casa de las Americas.

Along with performing with his parents, he attended music school. One of his beloved teachers was Miriam Valdez, the daughter of Cuban piano legend Bebo Valdez and sister of Chucho Valdez. This first-class education enabled him to gain a wide range of experiences. Tosca has since become a sought-after performer, collaborator, and session musician, working with a diverse range of musicians and groups including jazz greats like Roy Hargrove and Steve Turre, Dennis & Swing, the Afro-Cuban All-Stars, Bobby Carcases, Teresa Garcia Caturla, Jose Miguel Crego, and more. Along with classical music, jazz, and Latin traditions, he also discovered hip-hop and played with The Roots when they toured Cuba. There is no limit for this visionary pianist, composer, producer, arranger and musical director.

Showtimes & Cover: 9:30 pm ~ $35 | 11:00pm ~ $30

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The Jazz Voyager

Heading south to Magic City on the Atlantic side of South Florida. This Jazz Voyager will be heading to the radio station on Coral Way that has been serving up the sounds of great jazz since 1977. It’s an honor to be able to take a seat in the WDNA Jazz Gallery for a new musical experience. Not unfamiliar with the music of our friends from South America, I am looking forward to the evening.

This week’s travels will have me listening to twenty-three female voices bringing to life the music of Brazil in all its rich multicultural heritage. They are known as the Brazilian Voices and they aspire to incorporate and promote the best of Brazilian culture throughout the world.

Evolving out of a vocal technique workshop organized by Beatriz Malnic and Loren Oliveira in 2001, they have since brought together a cast of devoted women, who volunteer their voices and time.

WDNA Jazz Gallery is located at 2921 Coral Way, Miami, FL 33145. For more information visit https://wdna.org.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Clarence Williams was born on October 8, 1898 in Plaquemine, Louisiana to Dennis, a bassist, and Sally Williams. He ran away from home at age 12 to join Billy Kersands’ Traveling Minstrel Show, then moved to New Orleans, Louisiana. He first worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies.

By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman, working arranging and managing entertainment at the local Black vaudeville theater. He played at various saloons and dance halls around Rampart Street, and in the clubs and houses in Storyville.

He started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the Twenties was the leading Black owned music publisher in the country. He toured briefly with W. C. Handy, and set up a publishing office in Chicago, Illinois before settling in New York City in the early 1920s. During the decade he and his blues singer/actress wife Eva Taylor moved to the borough of Queens with the intention of creating a community of black artists.

He was one of the primary pianists on scores of blues records recorded in New York during the 1920s. He supervised the 8000 race series recordings for the New York offices of Okeh phonograph company in the 1920s. He also recorded extensively, leading studio bands for OKeh, Columbia, Vocalion, Bluebird and occasionally other record labels.

As a producer he participated in early recordings by Louis Armstrong, Sidney Bechet, Bessie Smith, Virginia Liston, Irene Scruggs, his niece Katherine Henderson, and others. Most of his recordings were songs from his publishing house.

In 1943, he sold his extensive back-catalogue of tunes to Decca Records for $50,000 and retired. He bought a bargain used-goods store, the Harlem Thrift Shop.

Pianist, composer, promoter, vocalist, theatrical producer, and publisher Clarence Williams, died on November 6, 1965 in Queens, New York.

SUITE TABU 200

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Daily Dose Of Jazz…

Fred Norman was born on October 5, 1910 in Leesburg, Florida. After attending Howard University,  in Washington, DC he joined the Claude Hopkins band in 1932. Touring with the group as both a trombonist and singer for much of the 1930s, he notably recorded his own composition, Church Street Sobbin’ Blues, as the trombone soloist with the band in 1937 for Decca Records. He also appeared in short films with the Hopkins band during the 1930s.

Moving away from performance in 1938 he went on to work as a full-time music arranger. The late Thirties and 1940s saw him writing arrangements for Bunny Berigan, Tommy Dorsey, Benny Goodman, Lionel Hampton, Gene Krupa, Teddy Powell, Artie Shaw, Charlie Spivak, and Jack Teagarden.

In the 1950s he was the music director and arranger for multiple records made by the singers Sarah Vaughan and Dinah Washington. He continued to work as an arranger until his retirement in the 1970s.

Composer, arranger, trombonist, and vocalist Fred Norman died on February 19, 1993 in New York City.

SUITE TABU 200

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BRAZILIAN VOICES

Brazilian Voices, a non-profit organization, is a women’s vocal ensemble that performs at cultural community and philanthropic events. Brazilian Voices aspires to incorporate the best of Brazilian culture throughout the world.

The group evolved out of a vocal technique workshop organized by Beatriz Malnic and Loren Oliveira in 2001. Since then, these two musical directors have brought together a cast of devoted women, who volunteer their voices and time promoting and preserving the rich multicultural Brazilian heritage fostering multicultural exchange, music appreciation, and education.

Tickets:

Student: Free | Jazz Gallery Member: Free | Member: $25.00 | General Admission: $35.00

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