
KIND OF BLUE: CELEBRATING THE MUSIC OF MILES DAVIS
Born in 1926, trumpeter Miles Davis was among the greatest innovators in jazz. This centennial concert celebrates his unparalleled musical legacy, which includes the albums Sketches of Spain, Tutu, Birth of the Cool and Kind of Blue. Trumpeter Ambrose Akinmusire and saxophonist Ravi Coltrane, both Grammy Award nominees, will pay tribute to the magical pairing of Miles Davis and John Coltrane,
Miles was the quintessence of cool. A musical icon as well as a cultural one, Davis took his place in the pantheon by ceaselessly seeking and often ushering in the “next thing” in jazz while steadfastly refusing to be anyone but himself.
Finding his footing in the bebop world in the late 1940s and early 50s, Davis would go on to reinvent his sound many times—to the consternation of many of his followers and the delight of others. To Davis, what the audience might want never seemed to enter into the equation. Throughout his 65 years on the planet, he would set his course of discovery, a renegade in a restless search for new, uncharted places that the music could take him.
Featuring:
Ravi Coltrane ~ Tenor, Soprano Saxophone, Clarinet
Ambrose Akinmusire ~ Trumpe
Veronica Swift ~ Vocal
Shelly Berg and the Frost School of Music’s Henry Mancini Institute Orchestra
Conductor ~ Scott Flavin
Tickets: $52.65 – $152.10
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SCOTT BELCK QUINTET FEATURING GREGORY TARDY
Dr. Scott Belck is Professor of Music and Director of Jazz Studies at the University of Cincinnati College-Conservatory of Music (CCM), where he leads the CCM Jazz Orchestra and teaches jazz trumpet. A versatile performer, he’s played lead trumpet with the Cincinnati Pops, Glenn Miller Orchestra, Bootsy Collins’ Funk Unity Band, and numerous symphonies and jazz festivals.
He co-founded several ensembles including Tromba Mundi, Jazz Central Big Band, and the Flying Circus Big Band. Belck is also a published author and the founder of Lip Slur World Headquarters. Gregory Tardy is a saxophonist and clarinetist known for his soulful, expressive style rooted in jazz tradition yet always pushing forward. Originally a classical clarinetist, he shifted to jazz after hearing Coltrane and Monk’s “Monk’s Mood,” eventually immersing himself in the New Orleans scene alongside artists like Nicholas Payton and Brian Blade.
Tardy gained national attention with Elvin Jones’ Jazz Machine and went on to perform and record with jazz luminaries such as Wynton Marsalis, Tom Harrell, Andrew Hill, Betty Carter, and Bill Frisell. His work as a leader includes acclaimed albums for Impulse!, Palmetto, and Steeplechase Records, most recently If Time Could Stand Still on WJ3. Now a professor at the University of Tennessee–Knoxville, Tardy continues to perform internationally and inspire the next generation of jazz musicians.
The Band:
Scott Belck — trumpet
Gregory Tardy— tenor saxophone/clarinet
Dan Karlsberg — piano
Justin Dawson — bass
John Taylor — drums
Cover: $15.00
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ANAT COHEN QUARTETINHO
Following great success at some of the world’s great jazz festivals and venues with her Tentet, Grammy-nominated clarinetist and composer Anat Cohen shifts her focus to an intimate group sound with her newest band, the endlessly colorful Quartetinho (pronounced “quar-te-CHIN-yo,” i.e., little quartet).
The group of New York-based international multi-instrumentalist-virtuosos are all drawn from the ranks of her aforementioned Tentet. The idea of instrumental doubling to achieve a wide stylistic range comes from the larger group, and the spirit of this cross-cultural / stylistic ensemble ring true throughout their performances. They share a deep love for music in all its heterogeneity and it’s all amply represented in both recordings and the band’s own live show. The result is boundlessly melodic and lyrical, with a wide array of timbres and subtle details of orchestration.
The Group:
Clarinet: Anat Cohen
Bass: Tal Mashiach
Piano/Accordion: Vitor Gonçalves
Vibraphone/Percussion: James Shipp
Cover: $40.61 ~ $50.91
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LIFE, LOVE & LENNY
A Celebration of the life and music of Lenny White
The iconic Grammy-winning drummer, who is among jazz music’s most prolific and celebrated artists, producers, composers and sidemen — will be fêted at a one-night-only celebration filled with music and memories at Jazz at Lincoln Center’s Frederick P. Rose Hall.
Presented by Tzedakah 4 All, the event will feature performances in multiple combinations – Return to Forever w/ Stanley Clarke, Al DiMeola and orchestra conducted by Maestro Steve Mecurio, Miles Davis Bitches Brew, Red Clay, Echoes of an Era, as well as exploring material from his illustrious five + decade career. Laurence Fishburne will serve as emcee with appearances from fellow artists Buster Williams, Omar Hakim, Patrice Rushen, Al Foster, Mike Clark, Billy Hart, and Billy Drummond.
Tickets: $175.00~$250.00
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BALTIMORE JAZZ COLLECTIVE
Founded in 2019 at Keystone Korner Baltimore, the Baltimore Jazz Collective is making its Homecoming Return! Music and spirituality have always been fully intertwined in the artistic vision of trumpeter, bandleader, composer, educator and activist Sean Jones. With boundless passion, energy, and soul, Baltimore Jazz Collective explores the inner and outer frontiers of melody, harmony and time itself.
Sean Jones | Trumpet/Bandleader
Brinae Ali | Keys
Todd Marcus | Saxophone/Clarinet
Marc Cary | Piano
Blake Meister | Bass
Eric Kennedy | Drums
Cover: $35.00 ~ $45.00 + fee
Streaming: $15.00 + fee
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PAQUITO D’RIVERA & CHUCHO VALDÉS
D’Rivera and Valdés: Together Again!
These rare benefit concerts features Cuban jazz legends, clarinetist, saxophonist, author, composer and arranger Paquito D’Rivera and pianist, composer, and arranger Chucho Valdés first met in 1962. Both child prodigies and sons of musical families, the two worked together in Havana’s Musical Theatre Orchestra and in the Cuban Orchestra of Modern Music.
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PAQUITO D’RIVERA
Paquito D’Rivera has won a combined 16 Grammy and Latin Grammy Awards (5 Grammy and 11 Latin Grammys). He is celebrated both for his artistry in Latin jazz and his achievements as a classical composer.
Born in Havana, Cuba, he performed at age 10 with the National Theater Orchestra, studied at the Havana Conservatory of Music, and at 17, became a featured soloist with the Cuban National Symphony. As a founding member of the Orquesta Cubana de Musica Moderna, he directed that group for two years, while at the same time playing both the clarinet and saxophone with the Cuban National Symphony Orchestra.
He eventually went on to premiere several works by notable Cuban composers with the same orchestra. Additionally, he was a founding member and co-director of the innovative musical ensemble Irakere. With its explosive mixture of jazz, rock, classical and traditional Cuban music never before heard, Irakere toured extensively throughout America and Europe.
The Band:
Paquito D’Rivera – Clarinet, Alto Saxophone
Alex Brown – Piano
Oscar Stagnaro – Electric Bass
Mark Walker – Drums
Pernells Saturnino – Percussion
Victor Provost – Steel pans
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ELEW TRIO
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VIRGINIA MACDONALD | TODD MARCUS
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VIRGINIA MACDONALD ~ TODD MARCUS QUINTET
Juno Award-nominated clarinetist Virginia MacDonald has established herself as a rising star of her generation. Known for her lyrical and soulful clarinet playing, Virginia has been described as a “powerful new voice in the Canadian scene” by Juno Award-winning bassist Mike Downes. As a highly in-demand bandleader, sidewoman, and composer, Virginia keeps a regular performance schedule across Canada, the United States, and Europe.
Bass clarinetist, composer, and bandleader Todd Marcus is one of the few jazz artists worldwide to focus their work primarily on the bass clarinet. Though use of bass clarinet in jazz typically leans heavily towards avant-garde and free-jazz styles, Marcus’ straight-ahead playing has carved out a unique voice for the instrument in modern jazz.
Musicians:
Virginia MacDonald – clarinet
Todd Marcus – bass clarinet
Bruce Barth – piano
Blake Meister – bass
Eric Kennedy – drums
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PAQUITO D’RIVERA QUINTET
Paquito D’Rivera is a living monument of Latin jazz. Born in Havana in 1948, he was introduced to music at an early age by his father, who is a classical saxophonist but also with a clear passion for listening to jazz. During his studies at the Havana Conservatory of Music he met Chucho Valdés with whom in 1967 he created the Orquesta Cubana de Música Moderna. But it was in 1973 that the two laid the foundations for their legend: they founded the group Irakere, mixing jazz, rock, classical and Cuban music. A mix with Western music certainly not too pleasing to the Cuban regime: it was precisely the continuous interference of the communist government that pushed D’Rivera to ask for political asylum from the United States in 1980.
Even in his new homeland he soon emerged as a beacon of Latin jazz . He collaborates with McCoy Tyner, George Coleman, Chick Corea, Tito Puente, Astor Piazzolla, while in his formations he welcomes young musicians, projecting them towards international fame (Michel Camilo, Danilo Pérez, Hilton Ruiz, Claudio Roditi). In 1989 he joined one of the most amazing Afro-Latin orchestras that have ever graced the stage, the United Nation Orchestra created by Dizzy Gillespie, of which he himself became director after Gillespie’s death.
He is the only artist who can boast of having won the Grammy Award for both jazz, Latin and classical music. And D’Rivera has won quite a few awards: the last two at the 2023 Latin Grammys for the best Latin jazz/jazz album ( I Missed You Too!, with Chucho Valdés) and for the best contemporary classical composition (the Concerto Venezolano , recorded by trumpeter Pacho Flores..
The Band:
Paquito D’Rivera: clarinet/saxophone | Jose Rivero: piano | Gaston Joya: double bass | Sebastian Laverde: vibraphone | Mauricio Zottarelli: drums
***Website requires translation
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ANAT COHEN & MARCELLO GONÇALVES
The perennial winner of “Clarinetist of the Year” titles from DownBeat, JazzTimes, and the Jazz Journalists Association, Fresh Air’s Terry Gross credits Cohen with “bringing the clarinet to the world” and The New York Times hails her a “Master.”
Acclaimed clarinetist Anat Cohen and 7-string guitarist Marcello Gonçalves team together in a series of intimate, lyrical duets. Breathtaking melodies, Brazilian grooves, and elements of jazz highlight the intricate talents of both Cohen and Gonçalves. In their second duo album, Reconvexo, Brazilian 7-string guitar player Gonçalves and New York-based clarinetist Cohen turn their attention to music from the Música Popular Brasileira (MPB) songbook. Against the backdrop of a country and world turning inward, the duo set out to record an album inspired by the beauty of Brazil and the spirit of its people. The result is at once intimate and virtuosic, mournful and hopeful, soaked with the feeling expressed uniquely in the Portuguese language as saudade – bittersweet, at once deeply happy and sad, and full of emotion.
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DE ANDRÉ: I SAW NINA FLY
If there was still a need to say or sing something that has not yet been said or sung, here is a tribute to the music and words of one of the greatest poets of the 20th century, Fabrizio de Andre’. The four musicians, important exponents of the Italian jazz and world scene, meet to interpret with emotion and refinement some of the most beautiful songs by Fabrizio de Andrè, from the best known ones (bocca di rosa, the song of marinella, song of lost love, creuza de ma, a judge) to those left a little more in the shadows (prayer in January, khorakhanè, I saw nina fly), using different and only apparently distant languages such as jazz.
Raffaela Siniscalchi • Vocals
Gabriele Coen • Clarinet
Stefano Saletti • Buzuki oud – Guitar
Mario Rivera • Bass
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DAVE BENNETT
Dave Bennett doesn’t fit the mold. For starters, you don’t find many jazz clarinet players who name Alice Cooper, Stevie Ray Vaughan, and Chris Isaak among their influences. You won’t find many musicians who are equally conversant with the music of Benny Goodman (the “King of Swing”) and Roy Orbison (“The Soul of Rock and Roll”). In fact, you may not find even one other clarinet virtuoso who breaks from his Swing Era repertoire to sing rockabilly hits while accompanying himself at the piano or electric guitar.
SEATING TIMES:
Wednesday – Thursday
2 Seatings
1st Seating: 6:00pm-8:00pm
Band Performs: 6:30pm-7:30pm
2nd Seating: 8:30pm-10:30pm
Band Performs: 9:00pm-10:00pm
Friday – Saturday
2 Seatings
1st Seating: 6:00pm-8:00pm
Band Performs: 6:30pm-7:30pm
2nd Seating: 8:30pm-10:30pm
Band Performs: 9:00pm-10:00pm
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ANDERSON BROTHERS PLAY BENNY GOODMAN
Hailed as “virtuosos on clarinet and saxophone” by the New York Times, Peter & Will Anderson have performed concerts together since the age of 9. They’re Juilliard graduates, and have performed on Broadway, Carnegie Hall, The Kennedy Center, the New Orleans Jazz Festival, can be heard on the Grammy winning soundtrack to HBO’s Boardwalk Empire with Vince Giordano’s Nighthawks, and received a Drama Desk Nomination for their Off-Broadway Production “Le Jazz Hot” in 2012. They can be seen and heard as saxophonists in the upcoming Martin Scorsese film, “Killers of the Flower Moon.” Aside from leading performances in over 45 U.S. States, Japan, Brazil, Canada, and the United Kingdom, they’ve lectured at over a dozen Universities across the country.
BAND MEMBERS:
Peter Anderson – Tenor Saxophone, Clarinet
Will Anderson – Alto Saxophone, Clarinet, Flute
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CHUCHO VALDES & PAQUITO D’RIVERA
Pianist Chucho Valdes and clarinetist Paquito D’Rivera come together for one night only of Afro-Cuban and Latin Jazz at The Town Hall.
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YE HUANG QUINTET: A LUNAR NEW YEAR CELEBRATION
Fresh off a special guest appearance for The Shanghai Suite with the Jazz at Lincoln Center Orchestra with Wynton Marsalis, clarinetist, saxophonist, and composer Ye Huang brings his quintet to Dizzy’s Club to celebrate the Chinese Lunar New Year. His engaging and diverse repertoire features elements of traditional jazz, Afro-Latin, fusion, and traditional Chinese music. Listeners can expect a resonant and celebratory evening.
Showtimes ~ 7:30pm | 9:30pm
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