The Jazz Voyager

Club Monk: 53-34 DaeYeon 3 tong, Nam ku. Busan, South Korea. The club is located between Kyonseong Univ. & Pukeong Univ. across the street from the convenience store next to Ol’ 55 / Telephone: +82-(0)51-622-2212 Fax: +82-(0)51-312-5157 / Contact: JungRai Lee. 

The 3rd oldest jazz club in Korea  with a chilled atmosphere and offering several jazz styles – post bop, hard bop, fusion, etc. The club is open from  7:00pm- 2:00am with live performances from 9:00pm – 11:15pm Monday thru Saturday with no live music on Sundays. No food menu to speak of but offers several dishes, sausage, pork cutlet, fruit, etc. They have a music catalogue of more than 3000 jazz CDs.

Sponsored By

ROBYN B. NASH

More Posts: ,,,,,

The Jazz Voyager

Creative Jazz Club Aotearoa: 1885 Britomart, 27 Galway Street, Auckland City, New Zealand /  Skype: mark.robinson.newzealand / Contact: Mark Robinson.

The CJC Creative Jazz Club Aotearoa is a new artist-based initiative whose aims are to create an environment where musicians can perform and grow their creative projects through weekly performances. Each week features a fresh act from Auckland’s creative hub followed by a jam session to mingle, hear and meet other musicians.

Sponsored By

ROBYN B. NASH

More Posts: ,,,,,

The Jazz Voyager

The Carnivore: P.O. Box 24598, Langata Road, Nairobi, Kenya / Telephone & Fax: 254-2-561959 or 561882 / Contact: Jan Verweil. The restaurant presents international guests backed by the Jazz Academy Ensemble. The jazz happens every Thursday with a eating capacity of 1200. The menu features “nyama choma”, traditional and game meats.

Sponsored By

ROBYN B. NASH

More Posts: ,,,,,

From Broadway To 52nd Street

As our final installment on the musicals and the songs that have gone on to become classics in the jazz catalogue, Broadway has entertained millions of audiences from around the world and has touched every human emotion and story one can imagine. It has captured our hearts and taken us on journeys to unexpected destinations both visceral and intuitive.

The Broadway musical played an integral role in the creation of the Great American Songbook as songs from the legendary composers and lyricists like Gershwin, Porter, KernRodgers, Hammerstein, Van Heusen, Hart, Webber, Rice, Loesser, Bricusse, Newley, Styne, Comden etc. have filled the pages of our imaginations

The “blockbuster” musicals were so successful that they ran over a thousand performances. A small aggregation of only 17 comprised of Oklahoma (2,212), Annie Get Your Gun (1,147), Kiss Me Kate (1,077), South Pacific (1,925), Guys & Dolls (1,200), The King And I (1,246), The Pajama Game (1,063), My Fair Lady (2,717), How To Succeed In Business (1,417), Funny Girl (1,348), Hello Dolly (2,844), Fiddler On The Roof (3,242), The Sound Of Music (1,443), Mame (1,508), Promises, Promises (1,281), Ain’t Misbehavin’ (1,604) and Evita (1,567).

To describe Broadway one would beg permission to borrow from Tevya in Fiddler On The Roof – “without tradition our lives would be as shaky as a fiddler on the roof!”

The lyrics and composition that were relegated to the amphitheaters of “The Great White Way” have received perpetual encores over the past century under the auspices of “The Street” and the songs continue to be honored by living legends, contemporaries and the “new breed” of jazz musicians and vocalists.

52nd Street, between Fifth and Seventh Avenues was known as “Swing Street” was equally attended by hundreds of thousands during its heyday between the 1930s and 1950s in just thirteen clubs. Equally blockbuster are the million selling albums of Miles Davis (Kind of Blue), Dave Brubeck (Time Out), John Coltrane (A Love Supreme, Blue Train), Herbie Hancock (Headhunters), Louis Armstrong (What A Wonderful World), Ella Fitzgerald (Best of the Songbooks).

To describe 52nd Street one would merely state that it was the epicenter of jazz in New York City and the connection between the musicians who played on Broadway and the legitimate clubs. It was the place where musicians who played for others earlier in the night, played for themselves on 52nd Street.

52ND STREET

SUITE TABU 200

More Posts: ,,

The Jazz Voyager

Troy’s Jazz Gallery: 4519 Olive Street, St. Louis, MO 63108 / Telehone: 314-932-1120 / Text: 314-314-6903 / troysjazzgallery.com

This upscale, classy yet casual venue features live jazz musicians, vocalist, poetry and select deejays. It is one of the city’sultimate destination for after dinner entertainment and good drinks. The club’s main focus is to showcase local jazz musicians by giving them a platform to perform the type of music that moves the artists. Seeking to offer an outlet for talented and explosive musicians to collaborate as well as an outlet for newcomers to prove their showmanship without limits while providing a quality experience for our patrons.  Troy’s educates, promotes and encourages musicians to go beyond the written music and jam outside of the box, attracts serious music enthusiasts who keep chit chat to a minimum and is instituting a new tradition in St. Louis that will help create a new era of musical legends.

Sponsored By

ROBYN B. NASH

More Posts: ,,,,,

« Older Posts       Newer Posts »